Non Government Organization ( NGO’s) NON – GOVERNMENT ORGANISATION (NGO’S) Submitted by:- SERIES NAME ROLL NO. 1 CHAVDA VAISHALI D. 09 2 DAVE DIPA M. 15 3 GADANI VINITA H. 18 4 JAIN RUCHITA S. 25 5 JHA ARCHITA K. 28 6 KADIYA PRANJAL A. 30 7 MANKAD RIYAZ M. 42 8 SOLANKI PREM J. 98 9 JOSHI BHAUMIK D. 126 10 GARG ANKIT K. 119 Submitted to: SOM-LALIT INSTITUTE OF BUSINESS ADMINISTRATION CERTIFICATE
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Prakriti sood Shantanu Raj Ankit Jamwal Vinod Kumar (G.Leader) PRAKRITI SOOD (CUHP12MBA76)
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Early next morning a disturbed Saanchi made an appointment to meet Aurafi the same evening. Aurafi lived in a quaint little bungalow in the bylanes of Bandra. Her assistant a young girl led Saanchi into a small dimly lit room. Aurafi sat cross-legged on a high chair‚ a table in front of her‚ with a candle and her tarot cards on it. The aroma of heated oil and scented candles suffused the room‚ creating a soothing and relaxed ambience. Even though she was dressed casually in a white kurta and a pair
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Agama and Tantra of Hinduism Agamas and Tantras are a class of literature that come under Sruthi and thus very sacred and to be followed without any deviation. References to the Agama tradition are found in Atharvaveda hence some of these literatures are as old as Vedas but bulk of the literature is from the later period when temple worship became more popular. Like all other Hindu literature this was also transferred from generation to generation by aural tradition. Agamas are called Sadhanasastras
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understanding The Self and The Greater Self. This Maya Doctrine have been given interpretation by the School of thought The Sankhya School‚ They interpreted it by using Purusha and Prakriti. The Sankhya school teaches us that we must know the right knowledge‚ right knowledge meaning right discrimination between Purusha and Prakriti. This knowledge of discrimination will liberate the Spirit from the Body. This belief has a little similarity with the philosophy of Berkley‚ where Berkley said that true reality
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constancy". It is also interpreted as "absolute truth" or "reality". Passion Activity. Rajas- Responsible for motion‚ energy and preservation‚ destruction/transformation. Goodness and Purity. Tamas- Resistance to action‚ indifference‚ darkness Prakriti- Nature‚ Primal Motive Force Shruti- Hearing‚ listening Shunyata- Emptiness‚ Void Skandhas- Five functions or aspects that constitute the sentient being. Aggregate‚ mass‚ heap. Pramana- Knowledge and Understanding. Purvapaksa-
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Shakta tradition of Hinduism. Shakthi is considered as the female counterpart without whom the male aspect remains impotent. Shakthi is the energy and Shakthi worship is a vital part of Hindu Tradition. Devi is the manifestation of supreme lord “Prakriti” where male aspect of the divine is considered as “Purusha”. Devi manifests herself as Creator (Durga or the Divine Mother)‚ Preserver (Lakshmi‚ Parvathy and Saraswaty) and Destroyer (Mahishasura-Mardini‚ Kali). Devi is worshipped mostly in the form
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Ch-1 Soul and the Secrets What is soul? This particular question’s answer may be known to all yet in bits and parts‚ not the entirety .The scientific explanation to the soul has been beautifully portrayed in the Vedas*‚ Upanishads* and Gita*. Yet they are not so simple for the common public who want to know more about the soul. Our one of the most loved and popular slokas* from the Bhagavat Gita is “Basansi jirnani jatha bihaya Nabani grihnati naranparini Tatha sarirani bihaya jirna
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Spir•it•u•al. Adjective. Of‚ relating to‚ or affecting the human spirit or soul as opposed to material or physical things. Yoga is a mind and body practice with historical origins in ancient Indian thoughts. Like other meditative movements that are used for health purposes‚ various styles of yoga typically combine physical postures‚ breathing techniques‚ and meditation or relaxation. Yoga is mainly used for syncing the body and mind. Yoga started back 3‚000 years ago in India. Although yoga includes
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brought her to Bollywood’s tinsel screen and she made her breakthrough from rajshree production “ABODH” in 1986.a positive response from the audience insipired her and opted acting as her career.untill 1988 she acted in many films like swati‚awara baap‚manav hatya but they remained a flop on box office.madhuri attained the stardom in 1988 through her movie “TEZAAB” opposite anil kapoor.after that she never looked behind.she was pleased by the people for her dance in ‘ek do teen’.she also got nominated
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