"Marching cadences" Essays and Research Papers

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    1. List and explain the meaning of the twelve standards of policing proposed by Robert Peel. Explain why each of these standards is still important today. (respond with a minimum of 200 words) The twelve standards of policing proposed by Robert Peel are: 1) the police must be stable‚ efficient‚ and organized along military lines (2) the police must be under governmental control (3) the absence of crime will best prove the efficiency of police (4) the distribution of crime news is essential (5) the

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    Mozart”) is in Bb major. The first subject is split into 8 bar phrases. The first phrase acts more like an introduction to the second part of the first subject. The first two bars act like mini cadences. They go as follows: I – vii – I. This is followed by another two bars that also act like mini cadences‚ however‚ they don’t set any sort of primary ideas. Their little motif ideas merely allow the composer an easier transition into repeating the first two bars. Naturally‚ Mozart does that by not

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    Intranets: Invest First‚ Analyze Later? The traditional approach to information systems projects is to analyze potential costs and benefits before deciding whether to develop the system. However for moderate investments in promising new technologies that could offer major benefits. Organizations may decide to do the financial analyses after the project is over. A number of companies took this latter approach in regard to intranet projects initiated prior to 1997. Judd’s Located in Strasburg

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    that this theme is in the dominant‚ ruling it out as a second principal theme inserted after the transition. This melody ends with a long fall down two octaves to a strong cadence in G‚ followed by a pause; the medial caesura in the dominant. Although typically the medial caesura would cadence on V of the dominant‚ this cadence is the most common stray from the norm that Beethoven uses in this work. A striking shift in dynamics marks the flowing subordinate theme at measure 27. This piano section

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    introduced by the cello in a near-solo setting in the opening bars with the piano taking over after the sixth measure‚ ending in a fermata on a half cadence at m. 12. The melody is then repeated by the piano‚ in octaves‚ with the cello entering “midstream.” This brief‚ but clearly established‚ main theme area also ends with a fermata on a half cadence. The next section begins at m. 25 with a counterstatement. The main theme returns in the counterstatement with diminution and grace-note ornamentation

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    piece just once you can immediately feel the unrequited love Monteverdi is displaying through his words and music. The music and instrumentation in this piece aid the voices to establish form and mood through word painting. He uses word painting and cadences to develop a theme of unrequited love. In Cruda Amarilli‚ Monteverdi uses rich affective dissonance in order to create the same degree of tension as its predecessor. With this tension he creates a feeling within the listener. He does this through

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    There were many cadences and pauses that would sync with the performers vocal part in the performance as well as a few long cadences to emphasize the awkward silences between Miss Pinkerton and Miss Todd. Experiencing these 2 operas‚ I was able to comprehend the incredible talents of the Auburn University’s Department of Music

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    vehicles passing beside the stadium so nothing could interfere with our line. The gates to the field would always be ready and open on either side of the field‚ awaiting the band to pass through them on both sides of the field. The drum line’s booming cadence was‚ like our impenetrable line‚ unrelenting and the sounds from the mass of people could barely be heard. As we passed through the gates and on to the field‚ cheers would rumble the stadium from our supporters with pride. The opposing school’s

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    Oboe 2 * Violin 1 * Violin 2 * Viola * Continuo – Harpsichord or Double Bass Why this piece is typically baroque This is piece is baroque as it includes many of the baroque characteristics: * Perfect Cadence!! – In the concept Pitch‚ the perfect cadence is very obvious at the end of the sections and phrases – change from the dominant to the tonic. * Duration – the rhythmic pattern heard at the start of each gavotte‚ is reiterated many times throughout the piece. This also

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    Today I will be talking about Vivaldi’s Four Seasons‚ particularly focusing on the first movement of “La Primavera” (Spring). For the purpose of this presentation‚ I will be focusing on each area of the piece‚ in particular focusing on how Spring is depicted throughout them. The Four Seasons is a four part concerto composed in 1723 and published in 1725 and the whole concerto‚ especially Spring‚ is considered to be one of the greatest works of the Baroque period. This work is also considered to

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