MARGARET ATWOOD: “SPOTTY-HANDED VILLIANESSES: PROBLEMS OF FEMALE BAD BEHAVIOUR IN THE CREATION OF LITERATURE” BUI CONTEXT Margaret Atwood is once of Canada’s best known literary composers. She is best known for her ability as an author of novels such as Alias Grace‚ Bodily Harm‚ Hairball‚ Rape Fantasies‚ and the highly acclaimed The Handmaid’s Tale‚ which was later made into a movie. These works establish her as a feminist writer‚ raising issues of women in literature‚ the difficulties associated
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"Backdrop addresses cowboy" by Margaret Atwood Creating a masterful poetic movement through the American mythos‚ Atwood skewers "manifest destiny" by embodying the voice of the Other‚ the discarded "I am." Writing political poetry that artfully confronts dominant ideology – thus exposing the motivation and effects of misrepresentation – is a difficult challenge. The process can easily be derailed by temptations to write strident‚ overly didactic verse that elevates sentiment above nuance and
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his enduring power and artistic qualities‚ and his audiences are emotionally and intellectually engaged and thus more responsive to Sadat’s deliverance of their own views on their beliefs and aspirations. “Spotty-Handed Villainesses” (1994) by Margaret Atwood‚ using subversive irony and humour‚ forces her audiences to deconstruct the deception of ‘evil’ women within literature and with her enduring power engages her audiences in cries for the dismantling of social gender roles. The speeches set for
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Atwood based love on how society portrayed it and not how she saw it. In the second stanza of the poem‚ Atwood describes love as something more powerful and valuable. As the poem continues‚ Atwood shifts into how she views the actual emotion of love. Her arrogance towards love had been bitter‚ however it was not towards love itself. Her emotions and attitude begins to become known when Atwood says‚ “Then there’s the two/of us. This word is far too short for us‚ it has only/four letters” (22-24).
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might be different they all have the same ending which results in a happy marriage and death. This leads Atwood to make the point that endings tend to be generic and the real "meat" of a book is in the middle. 2) Theme- In Happy Endings the theme focuses on that the middle of a story is far more important than the end. Atwood argues that most endings are generic and non creative. Atwood feels that that an emphasis on the middle of a story leads to a better‚ and more developed story. 3)
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matters is not the ending‚ but what takes place in the middle. In part A of “Happy Endings” the characters‚ John and Mary lead what seems to be a simple and healthy life (Atwood‚ pp.
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Writing Task C Rationale I chose to write an extra chapter for the book ‘The Handmaid’s Tale’ by Margaret Atwood. This book is about the Republic of Gilead‚ a dictatorship‚ where most women are infertile due to nuclear waste. The few fertile women become ‘Handmaids’‚ birth-mothers for the upper-class. The main character is Offred‚ who became a Handmaid after attempting to escape Gilead with her daughter and husband‚ Luke. She was separated from them became a Handmaid in the house of the
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Variations on the Word Sleep By Margaret Atwood In Variations on the Word Sleep the narrator of the poem immediately addresses his/her conscience need to connect with the other person‚ and they also recognize the hopelessness of this goal: "I would like to watch you sleeping‚ which may not happen"(1-2). The opening to the poem‚ as we see here‚ could be considered typical of Atwood’s writing in the sense that one person longs to bond with another‚ and recognizes the difficulty. It is this type of
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What makes the selected speeches worthy of critical study? Margaret Atwood’s Spotty-Handed Villainesses (1994) and Anwar Sadat’s Statement to the Knesset (1977) are both speeches worthy of critical study because of their fascinating ideas and values. “There was a little girl Who had a little curl Right in the middle of her forehead; When she was good‚ she was very‚ very good‚ And when she was bad‚ she was horrid!” Atwood begins her speech with an anecdote and quotes this famous nursery
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Women’s Liberation Movement Kalanit Knackstedt “Rape Fantasies‚” by Margaret Atwood is a short story about the narrator‚ Estelle‚ recalling to an anonymous male a controversial conversation she has with a group of her female co-workers during their lunch hour. Estelle is critical of her female peers’ rape fantasies; however she fails to see the fallacies in hers. Estelle portrays herself as a heroine who tells stories to threatening males to compel them to not assault her.Atwood uses a temporal setting
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