This paper looks at the conversational discourse presented by English psychologist and autism specialist Tony Attwood in an episode of Australian Broadcast Corporation’s podcast Conversations‚ hosted by Richard Fidler. This podcast episode is titled‚ “Love and family and Asperger’s: Tony Attwood” as it circles around the topic of marriages that involve one autistic partner and one neurotypical partner. Much of the examples given about these cases‚ in which Tony Attwood has professional experience
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In Warfare: An Invention- Not a Biological Necessity‚ Margaret Mead states that war is a creation of man‚ not a necessity we need in order to thrive. She begins by stating that those who believe war is a biological necessity see men as aggressive by nature. This natural aggression leads men to need an outlet for their frustration which‚ in this case‚ is war. She proceeds to suggest that war is a creation of society. The origins of war‚ such as the struggle for land and natural resources‚ are not
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Margaret Thatcher Rt. Hon. Baroness Thatcher of Kesteven L.G.‚ O.M.‚ F.R.S. Official booklet to mark the unveiling on 21st February 2007 of the bronze statue of Baroness Thatcher sculpted by Antony Dufort for the House of Commons. Edited by Malcolm Hay‚ Curator of Works of Art‚ Palace of Westminster. Clay for the portrait head of Margaret Thatcher‚ June 2005 (Photo: Antony Dufort) “This historic commission is a very fitting way to remember Margaret Thatcher’s time in the House of Commons
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mesmerized and looking like he wants to get in on the action. We’re going to be here a while. I look around and realize that the tree the squirrels are climbing and descending at dizzying speeds is sitting in the front yard of the former house of Margaret Sanger‚ the nurse and activist who lived here for a few years in the first decade of the 1900s. Sanger’s time in Hastings was brief and‚ at least initially‚ traumatic. Her young family’s newly built house went on fire the night they moved in. She
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relationship with Odysseus has remained a myth‚ until Margaret Atwood’s The Penelopiad. In the novel Penelope finally explains her story of what happened while Odysseus was on her journey away and back to her. The Penelopiad is praised as a feminist text and throughout the story the reader truly finds insight into Penelope’s life and personality. Her choices throughout her story in The Penelopiad can primarily be shown through her mothers speech that she makes at Penelope’s wedding to Odysseus in the
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Emily Blanzy The Relationship between Postfeminism and Power Politics Margaret Atwood’s‚ Bodily Harm‚ details the descent of a Canadian woman named Rennie from normalcy to physical‚ emotional and psychological disturbance. Rennie undergoes a partial mastectomy after being diagnosed with breast cancer‚ suffers the disintegration of her romantic relationship with Jake and finds herself entrenched in the political upheaval of the Caribbean island St. Antoine. Rennie lives rather apathetically;
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good vs. evil. Whether it’s the innocent Hansel and Gretel vs. the evil cannibalistic witch; authors tended to paint the line separating the two through their uses of certain writing tools. The point Atwood attempts to drive into the reader is women’s naivety and overall downplay of rape. Margaret Atwood‚ author of Rape Fantasies‚ relies heavily on Irony and Characterization to get her point across. In the story Estelle‚ the narrator and main character‚ shares her rape fantasies along . In all of them
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Julie Stover Honors 200-012 Essay #3 In Margaret Atwood’s novel The Year Of The Flood she unfolds a bizarre‚ futuristic world of nature; one in which we see the primal instinct to survive. After a super disease wipes out the vast majority of the population‚ the few remaining characters endure dangerous creatures‚ strange weather‚ and other risky survivors. Why did certain individuals live while others perished? Was it simply fate‚ or was their survival predetermined by their beliefs? Atwood’s
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Werner Herzog declares‚ “There are deeper strata of truth in cinema.” This “mysterious and elusive” truth that he searches for is “poetic‚ ecstatic…and can be reached only through fabrication and imagination and stylization” (Minnesota Declaration). His manifesto of sorts aptly explains why the line between documentary and narrative fiction is so blurry in his plethora of films. In this same pronouncement‚ Herzog denounces “the so-called Cinema Verite’‚” which he deems is “devoid of verite” because
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Margaret Atwood ‘Spotty Handed Villainesses’ 1994: Critic: Elzbieta Korolczuk: Author of: “One woman leads to another- Female Identity in the works of Margaret Atwood” States: “Each character is desperately trying to acquire a stable self-concept.” ->Implies Margaret Atwood has not done this‚ as she forces them to choose between these identities. However‚ evidently‚ seen in Margaret Atwood’s speech‚ these two sides of a woman exist. Theme: Identity of a Woman/equality. In order to portray a
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