Visualhttp://vcj.sagepub.com/ Communication Digital photography: communication‚ identity‚ memory José van Dijck Visual Communication 2008 7: 57 DOI: 10.1177/1470357207084865 The online version of this article can be found at: http://vcj.sagepub.com/content/7/1/57 Published by: http://www.sagepublications.com Additional services and information for Visual Communication can be found at: Email Alerts: http://vcj.sagepub.com/cgi/alerts Subscriptions: http://vcj.sagepub.com/subscriptions Reprints:
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the mother-daughter relationship. The child spends the first years of her life with her mother so all what she teaches her will affect her life and their future relationship. My first suggestion is a review essay titled "Mothers and Daughters” by Marianne Hirsh. It is a good introduction for my chapter because it explains the history of the mother-daughter bond. The second and third selections are short stories from the same book and written by the same author who is Gerd Fenchel and titled "Mary
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Hirsch did not use rememory as a tool for uncovering Woolf’s work; and her mention of the novelist is brief‚ as are most mentions of Woolf when thinking about “Beloved” or rememory. Instead‚ Hirsch argues that “male intervention” disrupts the mother-daughter relationship of the concept (Hirsch‚ 98). While this argument holds well for “Beloved‚” the applicability of rememory extends beyond this and
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contemporary feminism‚ such as abortion and child abuse have”. Also Caesar argues that Morrison could only convey the hopes and fears of being a mother within the context of slavery. In regards to Sethe Caesar refers to this statement made by Marianne Hirsch: "When Sethe tries to explain to Beloved why she cut her throat‚ she is explaining an anger handed down through generations of mothers who could have
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When looking at a photograph‚ one may recall what is shown in the picture and the events surrounding it. Susan Sontag states that “the very activity of taking pictures is soothing‚ and assuages general feelings of disorientation that are likely to be exacerbated by travel.” (Sontag 10) the older one gets and the more one has traveled the less likely they are to remember correctly the places they have traveled to and the details surrounding a certain
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Source?” an essay by Susan Sontag‚ A lot of questions and points are put up that really make you think if society is fair or not. Sontag does a good job of making the reader question the point and realize how unfair society is today. In this essay‚ Sontag compares how society views men and women before now and shows the differences between them. Sontag does a good job of using examples to prove her point that society is very unfair today against women. In the essay‚ Sontag explains how she believes
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important. The relationship between photography and power can be weaved together to make a variety of opinions. Sontag’s view of photography is not of an ordinary view. In fact‚ Sontag views photography as an art form. She views photos for its meaning and not its image. In Sontag’s point of view photographs explain everything‚ (Sontag‚ 1997‚ p. 780)‚ “Photographs furnish evidence. Something we hear about‚ but doubt‚ seems proven when we are shown a photograph of it.” This is important in Sontag’s claim
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In Greek mythology‚ all Goddesses were beautiful. According to Susan Sontag‚ the reason why women care about their “outer beauty rather than polishing their “inner beauty” traces all the way back to the ancient Greece. The figures in the mythology implies that the more beautiful‚ the more power one will have. A vivid image of one beautiful woman on public TV shows tend to brainwash people’s mind about the importance of outer beauty. Often times‚ people tend to forget what the “real” beauty is. The
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Copyright by Rebecca Anne Macmillan 2013 The Report Committee for Rebecca Anne Macmillan Certifies that this is the approved version of the following report: The Languages of Nox: Photographs‚ Materiality‚ and Translation in Anne Carson’s Epitaph APPROVED BY SUPERVISING COMMITTEE: Supervisor: Ann Cvetkovich Coleman Hutchison The Languages of Nox: Photographs‚ Materiality‚ and Translation in Anne Carson’s Epitaph by Rebecca Anne Macmillan‚ A.B. Report Presented to
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parallels Sontag’s concept of framing and representation In Plato’s Cave‚ and Barthes idea of posing and theater in Camera Lucida. Sontag and Barthes’s understandings of photography’s “reality” intersect in that their notion of the object in photography being real and not real. Thus it is interesting to note the relationship between Milgram with Barthes and Sontag in terms of their ideas on photography and his experiment. The facilitator and the learner staging of the experiment distance
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