Major Works of Anita Desai‚ the Indian Novelist Most of Desai’s works engage the complexities of modern Indian culture from a feminine perspective while highlighting the female Indian predicament of maintaining self-identity as an individual woman. Cry‚ the Peacock‚ Desai’s first novel‚ chronicles the morbid dread‚ descent into madness‚ and suicide of Maya‚ a young Delhi housewife who is trapped in a loveless‚ arranged marriage to the much older Gautama‚ a misogynistic lawyer. The novel foreshadows
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"This is a novel about a small-town man‚ Deven‚ who gets the opportunity to go interview his hero‚ the great poet Nur‚ the greatest living Urdu poet. Having always loved Urdu poetry and missed the chance to be an Urdu language professor‚ he is charmed into going to Delhi the big city. Even though he shrinks at the idea of possibly being exploited by his sharp and selfish friend Murad‚ the dream of meeting Nur draws him on. So he sets off on a number of adventures on Sundays‚ the one free
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Review: Fasting‚ Feasting by Anita Desai The most recent novel of Indian born author Anita Desai‚ Fasting‚ Feasting (1999) tells the story of two middle-class families and the allegorical struggles of the individual members to find individual identity and happiness. This meticulously constructed prose gravitates towards the position of women in the family unit and explores socially ordered gender imbalance in domestic life. Featuring a traditional Indian family in provincial town India and a typical
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the framework of an Indian stereotypical woman. There are other traits in Maya’s character which transcends the idea of “femininity” inseparable from males. She is in search of a new vista for a woman’s world- a space where she is at par with man. Desai writes “for woman‚ about woman by woman” - a genre where woman is not depicted in two versions- one in the temporal consciousness where she is “weak‚ meek and submissive”‚ ideally ABLA dependent on man related to her as her father or husband or son
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CACAPHONY IN ANITA DESAI’S NOVELS Suneeta Upadhyay‚ Research Scholar M.M.H. college‚ Ghaziabad‚ C.C.S. University‚ Meerut Indian novelist and short story writer‚ Anita Desai is specially noted for her insightful depiction of the inner life of the female characters in her writings. In most of her novels Anita Desai dwells on the themes incongruity‚ incertitude and hazards of human relationship particularly the man-woman relationship. D.H. Lawrence points out: The great relationship for humanity
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Themes DISAPPOINTMENT “Victor hadn’t much faith in his mother’s promises. They had a way of getting postponed or cancelled on account of some small accidental lapse on his part.”We can see from this line that Mrs. Fernandez has let Victor down before and though her promise is as simple as giving him a pineapple cake‚ she cannot do so. REPUTATION Mrs. Fernandez has shown from the beginning that she is embarrassed by her son. “… Mrs Fernandez sighed to think how much easier it would have been
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Anita Desai (b.1937) – formerly Anita Mazumdar Indian novelist and short story writer‚ especially noted for her sensitive portrayal of the inner life of her female characters. Several of Desai’s novels explore tensions between family members and the alienation of middle-class women. In her later novels Desai has dealt with such themes as German anti-Semitism‚ the demise of traditions‚ and Western stereotypical views of India. "Even though his cigarette stank - it was a local one‚ wrapped in a tendu
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EXISTENTIALIST FOCUS ON PROTAGONIST SITA - ANITA DESAI’S -WHERE SHALL WE GO THIS SUMMER ? The protagonist herself has an existential entity. Desai‚ has presented an intense identity crisis of the central character Sita‚ a sensitive woman in her late forties.Existentialism’ is a difficult term to define and an odd movement as many feel‚ but it not totally impossible to define. ‘Existentialists’‚ tend to take freedom of the will‚ the human power to do or not do‚ as absolutely obvious. Only now
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Disintegration of Urdu in Anita Desai’s In Custody 1 Introduction T of Urdu in India is an extremely layered one which needs to be examined historically‚ politically and ideologically in order to grasp the various forces which have shaped its current perception as a sectarian language adopted by Indian Muslims‚ marking their separation from the national collectivity. In this article I wish to explore these themes through the lens of literature‚ specifically an Indian English novel about Urdu entitled
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contemporary Indian English novelists Anita Desai is‚ perhaps‚ the most perceptive and consistent explorer of the inner life‚ especially that of Indian women‚ convulsed by an acute sense of helplessness in the face of onslaughts of an unfeeling world and the resultant mental agony. Anita Desai in most of her female protagonists‚ by a variety of factors – the most prominant being the marital dischord. This paper puts forward the portrayal of marital dischord in Anita Desai’s Cry‚ the peacock. The
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