RHETORICAL DEVICES & FIGURES OF SPEECH (Bringing Brightness and Buoyancy to Language: Prose & Poetry) 1. allegory: (Greek‚ ‘speaking otherwise’) It is a story‚ poem‚ or picture which can be interpreted to reveal a hidden meaning‚ typically a moral or political one. It has a double meaning: a primary or surface meaning; and a secondary or under-the-surface meaning. It is a story‚ therefore‚ that can be read‚ understood and interpreted at two or more levels. 1. Bunyan’s Pilgrim’s Progress is
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Act IV Write Up In the production of Act IV I played Ophelia‚ Queen Gertrude‚ and the narrator. I wrote my lines as well as some of the others. I chose to present Ophelia as distracted and not entirely together. She spends the majority of this act singing about her father’s death and Hamlet’s betrayal. The other characters‚ from Horatio‚ to the King and Queen‚ to her own brother‚ calls her mad throughout the scene. While she is most certainly aware of what’s going on‚ she seems to be viewing it
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how they enjoyed hearing her speak. Her ability to keep the audience engaged and waiting for her next line to come out was evidence of how connected she was with them. It is rare to see someone be able to hit each of the emotional components of a speech. Each one
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until 1942 and we knew what was going on. He questions the indifference we had. The author had many historical facts brought into his speech for backing up his facts making a strong backbone for the body of his speech. His facts alone can stand but he adds tension to make the audience grasp towards what he was feeling. Many of his facts
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By what mean does President Obama try to win‚ keep and persuade his audience in this speech President Obama try’s to win‚ keep and persuade his audience in this speech in many different ways and using many different techniques and I am going to outline some of those ways below. Firstly‚ he changes his register when talking to the students. “Hello everyone- how’s everybody doing today?” he is changing his register to an informal‚ colloquial and humble tone to make everyone feel relaxed and comfortable
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Sean Comb’s speech was “different” than the past speeches we have seen so far. It was not different in a negative way though. It was different in the sense that he was so informal with the way that he delivered his speech to the graduating class of Howard that it worked to his advantage. On top of that Comb’s was really proud and energetic for the majority of his speech. His humor was great and you can tell that the audience was feeling his vibe due to all the smiles and laughter in the crowd. I
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In Austin Berghuy’s speech he persuaded the audience to stop eating fast-food in order to prevent to risk of obesity. One interesting main point he made in his speech is that although fast food is not the only contributor to obesity‚ it is still the largest influencing factor on why many people are obese. Another main point Austin made in his speech is that obesity is not only taking a toll on the lives of adults but also affecting the health quality of children. Austin’s posture to me was very
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“Death is the destination we all share.” While a somber statement‚ the words came from a commencement speech that Steve Jobs‚ CEO of Apple and Pixar Animation‚ gave to Stanford University’s Class of 2005 this Tuesday. In his speech‚ Jobs shared “three stories”‚ anecdotes of being adopted‚ fired‚ and diagnosed with cancer‚ among others‚ to approach themes of life‚ death‚ love‚ and the future. The first detailed his adoption and early college education‚ the second‚ his being fired from Apple in
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The scene that was selected for this modern transformation of William Shakespeare’s Romeo and Juliet is Act 3‚ Scene 1. This scene was selected because it develops the themes of the role of violence in society‚ the consequences of hate‚ and the consequences of irresponsible or rash actions. The scene was made relevant to readers by changing the scene into a modern context. The modern context is one in which social media is a common commodity. This modern setting was selected because it is one
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Given our overall commitment to linking the text-interpretive and experimental traditions‚ rhetorical theory appears ideally suited to the task of generating specific predictions‚ amenable to experimental test‚ about the impact of stylistic variation in advertising visuals. With its semiotic foundation‚ the rhetorical tradition can provide a wealth of ideas for differentiating and integrating aspects of visual style (see‚ e.g.‚ Durand 1987). Furthermore
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