Christina Rocco Psychological Warfare Modern American Drama Edward Albee’s “The Zoo Story”‚ and Sam Shepard’s “Buried Child” both have examples of psychological warfare. Psychological warfare is described as using the powerful mind to influence others or yourself. In “The Zoo Story”‚ Jerry attempted to be successful in his life but does not succeed compared to Peter. This leads to an inner realization of society and its effects on the human psyche‚ as Jerry compares his position to that of being
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Oedipus the King Jocasta is Oedipus’s wife and mother‚ and Creon’s sister. In her first words‚ she attempts to make peace between Oedipus and Creon‚ pleading with Oedipus not to banish Creon. She is comforting to her husband and calmly tries to urge him to reject Tiresias’s terrifying prophecies as false. Jocasta solves the riddle of Oedipus’s identity before Oedipus does‚ and she expresses her love for her son and husband in her desire to protect him from this knowledge (Sophocles‚ 1999). Othello
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The mood and attitude of Samuel Beckett ’s 1957 play‚ Endgame‚ are reflective of the year of its conception. The history that reflects directly on the play itself is worth sole attention. In that year‚ the world was a mixed rush of Cold War fear‚ existential reason‚ and race to accomplishment (Garraty 307). Countries either held a highlighted concern with present wartime/possibility of war‚ or involvement with the then sprouting movement of Existentialism. The then "absurdist theater" reflected the
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“Life’s but a walking shadow‚ a poor player‚ that struts and frets his hour upon the stage and then is heard no more; it is a tale told by an idiot‚ full of sound and fury‚ signifying nothing.” – William Shakespeare The theatre has been a part of entertainment since ancient Greece‚ around 4th century BC or thereabouts. The theatre grew out of festivals in honor of the god Dionysus. Aeschylus created the first play in her honor. The first Greek plays were all tragedies but eventually comedy
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At Face value waiting for Godot could be called a simple play. It uses a basic setting consisting of a tree and a road; it is repetitive in its structure and character pairing. It is an uncomplicated play with no established plot‚ at face value Waiting for Godot could be described as a play about nothing. The substance of Waiting for Godot lies within the ideas and themes of the play‚ behind this front of simplicity and nothingness. It is a question which has never ceased to pervade mankind; the
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<I>Folly- Any foolish and useless but expensive undertaking</I><br><br>The play Talley’s Folly‚ in my opinion‚ is just that a folly. However the play would be better named "Wilson’s Folly" for the writer‚ Lanford Wilson. I had several objections to this play being considered a classic. It was composed of nothing but petty details in dialogue. It also had no plot or any creative twists to it that would make a reader want to continue to read the play‚ and consisted of two surpassingly ordinary and
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he Ghost Sonata does not take place in the real world; or at least not in a world most people would recognize as reality. Strindberg originally subtitled his play "Kama-Loka‚" the name of a mystical dream world through which some mortals have to wander before reaching the kingdom of death in the afterlife. Accordingly‚ the characters in The Ghost Sonata speak‚ move and act as if they are part of a dream—or a nightmare. One sees glimpses of the future‚ another embodies tragedies from the past. There
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Mutual Dependence In the play Waiting For Godot by Samuel Beckett‚ the main characters Estragon and Vladimir display a complicated relationship. Estragon and Vladimir accompany each other‚ share the same fate of waiting for Godot and are dependent on each other for survival. Yet‚ their relationship lacks the qualities of a true friendship in that they withdraw from deeper interactions with one another. Throughout the play‚ Vladimir and Estragon suggest whether they would be better off alone but
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All credit goes to stargazer http://stargazingshrew.wordpress.com/2009/01/07/postmodernism-waiting-for-godot/ Samuel Beckett’s “Waiting for Godot” greatly depicts the concept of postmodernism through its major characters Estragon and Vladimir. The main characters in the play primarily depict the concept of having “hope” in a situation which does not seem to give hope. The play is basically about two men‚ Estragon and Vladimir‚ waiting for a man named Godot. Throughout their waiting time
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Man‚ all these stupid trees all over the place‚ how come no one’s even bothered to cut them down?’ "Did something just move or...was it my imagination? ’Cause if something like a human were moving‚ well I’d make sure they never move again!" "...who is that?" *SLASH "..." "...?" ’I could’ve sworn a sword or something came through me and...’ Naruto looked around‚ the trees were still. "Well‚ well‚" A dog donning leopard print pants and weidling two short swords stood in front of the spiky blonde
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