Are Seltz’s new Japanese museums ‘counter-museums’ by Patterson’s definition? Patterson and Seltz introduce new museums differing in subject matter‚ context and methodology‚ but sharing analogous goals. The Jim Crow Museum of Racist Memorabilia (JCM) in the United States is touted by Patterson as a ‘counter-museum’ that ‘seek[s] to engage visitors as active participants in dynamic‚ continuing memorial processes’ (66)‚ and one that ‘seeks to use products of intolerance to teach understanding’ (68)
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The Kennedy Museum of Art is the university museum at Ohio University in Athens‚ Ohio. The Museum is known for their Southwest Native American Collection that comprises extensively on weavings‚ jewelry‚ and silverwork from the cultures of the Diné (Navajo)‚ Zuni‚ and Hopi peoples‚ respectably. Additionally‚ the collections include a renowned print and photo collection‚ 20th century American art‚ and a notable African art collection. Together the staff executes exhibitions to be used as pedagogical
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In this essay‚ I will argue that ethnographic museums privilege viewing‚ at the expense of other senses. I will further argue that by privileging the visual‚ ethnographic museums become problematic in two ways- firstly‚ by not accurately representing the cultures they are supposed to be exhibiting‚ and secondly‚ by limiting the experience of museum-goers who may be visually impaired or otherwise unable to visit museums that are purely mono-sensorial. After outlining and discussing the problems associated
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what I am talking about is the Museum. A usual‚ I woke up early to prepare my things. I took a bath‚ I ate my breakfast then I brush my teeth and lastly I wore my clothes then I decided to leave the house and go to the meeting place. I ride on a jeep onto legarda then another jeep onto Manila City Hall. When I arrived at Manila City Hall‚ I quickly go to UDM to wait for the others to come. And when we are all there‚ we started walking until we reached the National Museum beside of Luneta Park. That
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The Universal Museum – a valid model for the 21st century? Introduction In October 2002‚ the International Group of Organisers of Largescale Exhibitions‚ also known as the Bizot Group — a forum comprising directors of 40 of the world’s major museums and galleries — gathered in Munich for their annual informal discussion.1 The meeting was convened specifically to address the problem of how to confront the growing number of requests for repatriation of objects from ‘universal’ museums and in particular
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Digital (in) Museums The project is structured as a subjective analysis over the “state of the art” of digital applications in museums and exhibition. First‚ it will investigate the concept of adding value‚ though digital supports‚ to traditional observations of artworks. In a
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Museum Assignment The two museums that were visited were the Los Angeles County Museum of Art (LACMA)‚ and the Museum of Contemporary Art (MOCA). While the MOCA held artist that were fairly new‚ the LACMA held quite a few of well known artist such as Jackson Pollock‚ Maynard Dixon‚ or Thomas Hart Benton. When visiting MOCA the most interesting artwork that was appealing was "War Never Ends" by Mathew Monahan‚ and when visiting the LACMA the most interested artwork that was appealing to me was
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The last decades‚ museum studies and practice are marked by a shift in traditional museum views that emerged from a strong critique towards the narratives‚ values and‚ finally‚ the very definition of museums in contemporary western society. The emergence of New Museology was decisive in theorizing and putting this turn into a larger context that involved ideological‚ political and aesthetic dimensions. Museums‚ far from being neutral spaces of knowledge have a significant function in the mediation
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Anthropology Dr. Jean Marcus November 16‚ 2012 Cobb Museum Paper The Cobb Institute Museum at Mississippi State University displays items from the Old World and the New World. When I visited the museum I noticed a wide variety of artifacts. The Old world side contained pieces from many Old World countries‚ while the New World side featured a lot of pieces that are from local areas. Since there was such a vast number of artifacts at the Cobb Museum‚ I have decided to focus on the clay vessels and
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Fourth Floor The Nazi Assult 1. The first exhibit that I experienced was a film on Hitlers’ rise to power. It showed how he played on the fears of the people by using propaganda to promote himself to becoming Chancellor of Germany. Ever though he lost the election‚ Hindenburg on January 30‚ 1933 appointed Hitler Chancellor. 2. The next thing that caught my interest was a film on anti-Semitism. This film showed the roots for people’s natural fear of the Jews from the times of Christianity
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