Martha Nussbaum formulated a list of capabilities meant to measure the autonomy and quality of life of a people‚ in particular women of non-western nations. She gives perspective on how her capabilities approach rejects cultural relativism‚ and unnecessary ethnocentrism when dealing with non-western cultures‚ creating feminism more in line with her moral universalist views. What is interesting about Nussbaum’s capabilities approach is its applications in the western world as well. There are many
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Merce Cunningham Merce Cunningham was born in Centralia‚ Washington on April 16‚ 1919. He played a part in the invention and application of new techniques in modern dance and is considered one of the most important choreographers of our time. He expanded the frontiers of dance‚ visual‚ and performing arts. Throughout his life‚ Cunningham was one of the greatest American dancers. His collaborations with artistic innovators from every creative perspective have changed the body of American dance‚ music
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Copland’s national work: Appalachian Spring In the early 20th century‚ American artists sought the utility between music and society. Composers faced the dilemma of being a musician in a culture with little serious music tradition. Aaron Copland once wrote: “ (I) lived in an environment (New York City) that had little or no connection with serious music. Artists had deep desires to contribute meaningfully to the life of the nation and to see music filling a real need in American society. As a leading
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Anna Sokolow (1910-2000) was born in Hartford‚ Connecticut. Likewise‚ she was beginning her training at the Neighborhood Playhouse with Martha Graham and Louis Horst. she was a member of the Graham Dance Company and helped Mr. Horst in his move piece classes in the 1930s. In the meantime‚ she takes up with the WPA move unit and she began her own organization and started choreographing and performing solo shows and gathering works. She is very interested in humanity drove her to make works of dramatic
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began through Cunningham’s collaboration with composer John Cage who also opposed the idea of two art forms depending on each other‚ rather being presented together as equals. (Au‚ 2002‚ p155) This process differs to the works of modern choreographer Martha Graham who used the design elements such as
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birthplace or hometown. This allegiance allows for individuals to separate themselves from others through citizenship of one specific country. As such mankind has separated themselves with borders where there is no real sense of global community. Martha C. Nussbaum argues that cosmopolitanism is the right way to go since it requires “allegiance… to the worldwide community of human beings” (Nussbaum‚ pg. 4). Having such an allegiance will ensure good relations‚ care and responsibility equally amongst
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The history of Arlington National Cemetery dates back to the 1700’s to our first president. George Washington married widow Martha Dandridge Custis (Ashabranner 22).Martha’s first husband was Daniel Parke Custis‚ they had four kids together but sadly only two lived. Soon after George and Martha
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Appalachian Spring was one of Aaron top tracks not only did it hit world wide it endure popularity as an orchestral suite. One of America influenced choreographer Martha Graham perform at the Library of Congress in Washington DC on October 30‚ 1944 which went down in history. Later that next year Aaron was awarded the 1945 Pulitzer Prize for Music for his outstanding track. Copland was extremely multi talented he was a composer‚ composition teacher‚ writer and conductor of music. Between 1935
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Dance History II‚ Mid-Semester Exam Study Questions Prepare answers for all of the questions below. On the exam you will answer 8 questions: 4 that I select and 4 that you select = 8 total. The length of each answer should be one-half page or more. 1. How did the Ballet Russe under the Russian director‚ Diaghilev‚ break from the ballet traditions of Russian ballet in the early 20th century? What were the existing ballet traditions at the end of the 19th century in Russia and what new innovations
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Nawshin Nazat April 25th‚ 2014 Postmodern dance was a dance movement that took place during the 1960s and 1970s. It was a rebellion against traditional ideas and assumptions of structured dance. Although the movement was short-lived‚ it allowed new genres of dance levels and performance art to bloom. Postmodern dance claimed that any movement was dance‚ and any individual was a dancer‚ with
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