Martha Graham once said‚ “Nobody cares if you can’t dance well. Just get up and dance. Great dancers are great because of their passion.” In Center Stage‚ a 2000 movie directed by Nicholas Hytner‚ the audience is taken into a journey of ambitious young dancers in hope that they will use Graham’s advice in their own career. The movie begins with an audition for a ballet company in which the judges are basing their decision off of comparison rather than skill and individuality. From that moment on
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Taylor was born on July 29‚ 1930‚ in Wilkinsburg‚ Pennsylvania. He attended Syracuse University through a swimming scholarship. Later after reading books about dance in the university library‚ he took up dance training under modern dance greats like Martha Graham and José Limón and joined the Graham Dance Company as a soloist in 1955. He also worked with choreographers Merce Cunningham and George Balanchine. Dance became his all-consuming passion. He henceforth transferred to The Juilliard School in
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rn Dance History Kimberly Valmore Isadora Duncan’s Legacy Isadora Duncan was the first American dancer to define natural movement. She was referred to as the Mother of Modern Dance due to her achievements and artistic abilities. She was not a fan of ballet because she thought it was “ugly and against nature.” She believed that dancing should be an art and not require so many rules like ballet. This led her to begin working in major dance companies and eventually start her own dance companies. Isadora
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Martha Nussbaum formulated a list of capabilities meant to measure the autonomy and quality of life of a people‚ in particular women of non-western nations. She gives perspective on how her capabilities approach rejects cultural relativism‚ and unnecessary ethnocentrism when dealing with non-western cultures‚ creating feminism more in line with her moral universalist views. What is interesting about Nussbaum’s capabilities approach is its applications in the western world as well. There are many
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Merce Cunningham Merce Cunningham was born in Centralia‚ Washington on April 16‚ 1919. He played a part in the invention and application of new techniques in modern dance and is considered one of the most important choreographers of our time. He expanded the frontiers of dance‚ visual‚ and performing arts. Throughout his life‚ Cunningham was one of the greatest American dancers. His collaborations with artistic innovators from every creative perspective have changed the body of American dance‚ music
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Copland’s national work: Appalachian Spring In the early 20th century‚ American artists sought the utility between music and society. Composers faced the dilemma of being a musician in a culture with little serious music tradition. Aaron Copland once wrote: “ (I) lived in an environment (New York City) that had little or no connection with serious music. Artists had deep desires to contribute meaningfully to the life of the nation and to see music filling a real need in American society. As a leading
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In the final year‚ these expenses make up 80% of her revenue before taxes. Additionally‚ the $5 million received from scrapping the ship 15 years in the future is only worth $3 million today. Net loss is still about $10 million. 4. If Ocean Carriers sells the capsize in the
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interpreting and presenting historical information involves dealing with great levels of uncertainty. As there exists limited artifacts which have survived the test of time‚ piecing together an era involves making educated assumptions. In the case of Martha Ballard‚ her diary provides us with a limited account of her life from 1785 to 1812. In both the movie and the book‚ the producers and the author have invested great effort into providing an authentic representation of Martha’s time as per her diary
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Anna Sokolow (1910-2000) was born in Hartford‚ Connecticut. Likewise‚ she was beginning her training at the Neighborhood Playhouse with Martha Graham and Louis Horst. she was a member of the Graham Dance Company and helped Mr. Horst in his move piece classes in the 1930s. In the meantime‚ she takes up with the WPA move unit and she began her own organization and started choreographing and performing solo shows and gathering works. She is very interested in humanity drove her to make works of dramatic
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began through Cunningham’s collaboration with composer John Cage who also opposed the idea of two art forms depending on each other‚ rather being presented together as equals. (Au‚ 2002‚ p155) This process differs to the works of modern choreographer Martha Graham who used the design elements such as
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