The Italian Renaissance was an era filled with new ideas and the revival of classic texts from ancient Rome. Italy and other European countries were entering a time of great prosperity with overseas trade‚ advancement of education‚ and patronage of liberal arts. Many families like the Medici became wealthy by banking and trading during the Renaissance‚ and they wanted to show off their wealth by commissioning the arts. The spur of new ideas from the Renaissance‚ derived from classic Greek and Roman
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Renaissance is the term used to describe the period of European history that saw a renewed interest in the arts. The Renaissance began in 14th¬century Italy and spread to the rest of Europe in the 16th and 17th centuries. In this period‚ the fragmented feudal society of the Middle Ages‚ with its agricultural economy and church¬dominated intellectual and cultural life‚ was transformed into a society increasingly dominated by central political institutions‚ with an urban‚ commercial economy and lay
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Giotto di Bondone was one of the first recognized artist during the Italian Renaissance. He’s often referred to as the father of the Renaissance. He influenced many artists in his time some of them were‚ Masaccio‚ Michaelangelo‚ and Raphael. The exact date of Giotto di Bondone’s birth is unknown but it is thought to be around 1266 in Vespigano‚ Italy‚ near Florence. Little is known about Di Bondone’s childhood and family. He exhibited great talent from a very young age and became an apprentice
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| An Analysis of Iconography and its Importance in Italian Renaissance Art Mariah Garlitos Art 323 Margaret Goehring November 30‚ 2012 Upon first glance at a work of art we are tempted to distinguish recognizable figures and apply a deeper meaning to them. It becomes a sort of challenge to figure out what the artist intended for their audience to get out of their work. As we examine particular pieces of art‚ focusing on art of fifteenth century Italy‚ we come to realize Italian artists
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1) Chapter 21: The Renaissance in Quattrocento Italy a. The Early Renaissance in Italy (1400-1500) 2) Chapter 22: Renaissance and Mannerism in Cinquecento Italy a. The High and Late Renaissance in Italy (1500-1600) 3) Chapter 20: Late Medieval And Early Renaissance Northern Europe a. The Renaissance in Northern Europe in the 15th century 4) Chapter 23: High Renaissance and Mannerism in Northern Europe and Spain a. The Renaissance in Northern Europe in the 16th century 5) Chapter 24: The Baroque
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said to be the first person to adopt perspective. The paintings of the architectural plan of the Church of Santo Spirito in Florence (1434-82) he wrote are written by the perspective law‚ and it is understood that it is built faithfully based on it. Masaccio‚ a painter who taught perspective from Brunelleschi applied the mathematical perspective method in fresco "The Holy Trinity" of his work. In this way‚ the method of perspective had been spreading to the next
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Beginning in the early 14th century‚ the Renaissance period gave way to the birth of humanism which encouraged individual expression and creativity. People had become weary after a prolonged period of plague‚ corruption and war that followed the fall of Rome. They were becoming increasingly frustrated with the power of the church and the level of corruption within it. Instead‚ there was a growing desire to return to the prosperous times of early Greece and Rome. Individualism was the central theme
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Ken Perenyi is known to be one of the best American Art forgers of all time who spent almost thirty years meticulously copying the paintings and various artwork of masterminds such as Rembrandt and Hieronymus Bosch. Many have differing views as to how or why Perenyi’s criminal actions began‚ but the risk factors present in Caveat Emptor: The Secret Life of an American Art Forger provide some insight into the early beginnings of the new life Ken Perenyi submerged himself into. Risk factors play an
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21 HUMANISM AND THE ALLURE OF ANTIQUITY FIFTEENTH-CENTURY ITALIAN ART TEXT PAGES 572-611 1. List three tenants that underlay Italian Humanism: a. b. c. 2. What fifteenth-century German invention facilitated the distribution of books and the knowledge they contained? 3. What was the basis of the wealth of the Medici family? 4. List four roles played by the arts in 15th century Italian princely courts. a. b. c. d. FLORENCE 1. Name the two finalists for the commission
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with a newer idea that displays the alteration of art during the renaissance and the middle ages. The serendipitous existence within the district of Florence in the early 15th century of certain entities of imaginative masterminds‚ most particularly Masaccio‚ Brunelleschi‚ Ghiberti‚ Piero della
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