construct a particular feminine space‚ representing models for adoration‚ inspiring young girls’ fantasies‚ providing legitimization for various modes of rites of passage into the world of femininity. What then defines being a young female today‚ à la Spice Girls? What are the characteristics and signs of femininity they choose to portray? What range of gender relationships do they provide for young girls growing up in today’s confusing world of "feminisms"? It is to these questions that the following
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Power in Macbeth The play Macbeth by William Shakespeare is still a well known a widely studied text‚ despite having been written many centuries ago. Arguably one of the most pivotal themes of the play is that of power‚ which is looked at in many different ways and lights in the text. Ultimately‚ Shakespeare does not seem to support the commonly held view that power corrupts. Rather‚ he suggests that the desire to attain power is a trait of most people‚ to some degree or another‚ and that when
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A Woman Act and Think Like a Man Lady Macbeth is the most famous female character in one of the William Shakespeare’s’ plays‚ which is called Macbeth. In this great play‚ Lady Macbeth is the first instigator who plans to murder Duncan. Indeed‚ Lady Macbeth is an ambitious‚ powerful‚ and ruthless woman. When the time Macbeth sends her a letter and tells her the prediction from the three witches‚ she starts to plan ahead and staged a revolt to against the current kingship. Additionally‚ in the Shakespeare’s
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in Twos/Oxymorons. Throughout Macbeth‚ there are many situations and characters’ internal conflicts which are paradoxical. There are also many things which come in twos; these are similar‚ but not always identical. From almost the beginning of the play ("when the battle’s lost and won")‚ paradoxes/doubles appear regularly. Examples include: "when the battle’s lost and won" (1.1.4) "fair is foul and foul is fair" (1.1.12)‚ (said by the witches) "Lesser than Macbeth‚ and greater." (1.3.65) "Not
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Men feel the need to incite a sense of dominance over submissive women. Alice Walker utilises Albert and Harpo to depict abusive and indecisive qualities displayed by men in her highly acclaimed novel‚ The Color Purple. Albert is initially introduced as this mysterious man who has taken interest in the protagonist Celie’s‚ little sister Nettie. He is initially referred to as “Mr ___” (4) throughout most of the novel to symbolise Celie’s indifference towards him and her refusal to accept their marriage
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In William Shakespeare’s Macbeth‚ the protagonist murders his friends and sets the entire kingdom into disarray after three witches profess that he will one day be king. His intentions started off innocently enough but soon he becomes mad with paranoia and greed; these will be the motivators that drive Macbeth to his doom. The question in Macbeth is whether he was acting out of his own free will‚ or if it was all part of his Fate. This dilemma is similar to one of the most important parts of John
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Many readers and critics have criticised Walker’s representation of African-American men. Why do you think this is? How might you defend Walker’s treatment of masculinity in TheColor Purple? In Walkers novel ’The Color Purple’ she discusses the issues of racism‚ domestic abuse‚ sexuality‚ tradition‚ gender roles‚ family‚ love and spirituality in the 20th century African American culture‚ drawing on personal experience from her own life and understanding. Through the eyes of Celie‚ a poor‚ barely
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"In the Country of Men" The Cult of masculinity In the book "In the Country of Men"‚ Hisham Matar‚ the author discusses his childhood experience in the 1970’s during the revolution in Libya. The time when men overpowered and completely dominated women. The title itself describes Libya as a country that belongs to men where women are used like tools. We see that Suleiman wants to become a man as soon as possible through the story but on the other hand‚ the story also talks about a female being
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Shakespeare’s shortest play‚ Macbeth‚ is also‚ consequently‚ his most shocking and intense. We see the essence of tragedy: in this case‚ the protagonist transforms himself from a noble warrior who is loyal to his king and fights for his county to a reduced tyrant by the play’s end. Macbeth’s divided soul which is in turmoil is the cause of his deterioration from a respected warrior to a despised tyrant. Initially‚ Macbeth’s turmoil within himself is apparent from the beginning of the play when
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As husbands‚ they are virile partners (Angeles 2001; Pingol 2000‚ 2001). Categorizations do not denote distinct spheres; they may overlap and contradict each other (Hoang and Yeoh 2011). Nonetheless‚ Pingol’s (2000‚ 2001) Ilocano men show that masculinity may be perceived negatively. Contrary to being
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