two set of stairs in the middle and a little orchestra at the back. The stage acted as a mask-as-frame because it drew the audience’s attention to the center of the stage. It was dark‚ but I could still make out the musicians faces’ and observed that they changed their masks throughout the play. There was this particular violinist that changed her mask the most. At the beginning‚ she had her professional mask on which looked like a face made out of stone‚ unchanging. But as the play went on she changed
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Poetry Hosting Posting “What I Wouldn’t Do” by Dorianne Laux 1. Can you paraphrase the poem if necessary? Yes. The poem is about a person describing all the jobs she has had over the years‚ concluding that the one job she would not do again would be a phone telemarketer because she did not like to hear the disappointment in the voices on the other end of the phone when they realized it was just a salesperson calling. 2. Who is the speaker in the poem? How would you describe this persona?
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Dunbar’s We Wear the Mask addresses the faults of humanity and the intersectional themes of race‚ society and class within the poem. The “mask” within this piece is symbolic of the ways in which society structures and organizes individuals to conform to societal standards. To support this theory - Dunbar uses the American Dream and slavery to remind his readers “we” wore the mask back then and “we” still wear the mask to this day. The immediate action of wearing a mask signifies suppression of
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buried” by Amy Hempel uses the word masks throughout the story to convey guilt‚ fear and unacceptance of death. The first mention of the word mask is in the beginning of the story. We are just beginning to understand that Hempel is describing two people in a hospital‚ the narrator is visiting her friend who is sick. They are both wearing masks‚ the narrator checks to make sure that she is still breathing and that she is not “ used to the mask yet.” The friend has her mask hanging loose‚ a “pro by now.”
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In today’s class‚ we first talked about the final project that is with the mask we made last week. I had no idea what to do with the mask‚ but I guess I got some idea. Trina showed us the pictures of the masks her former students made. In the pictures‚ there was a student who became a male at the end of a semester‚ and Trina talked about how the situation for bisexual people was in the past. It was heartbreaking. I have some friends who are bisexual‚ and the story made me think about them. I think
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In Africa masks can be followed back to well past Paleolithic class. These workmanship items were‚ are still made of different materials‚ included are calfskin‚ metal‚ texture and different sorts of wood. African mask are considered among the finest appearance in the craftsmanship world and are exceedingly looked for after by workmanship. Huge numbers of the pieces some copy can be seen in exhibition halls and workmanship displays in many parts of the world. Concealing concern in Africa have awesome
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The mask of Tutankhamun is a unique golden mask that was owned by the pharaoh of the eighteenth dynasty known as King Tut. King Tut was a young powerful pharaoh of a family that ruled Egypt. “Although he was just teenager when he died he was one of the last heir of a powerful family that had ruled Egypt and its empire for centuries‚ he was laid to rest laden with gold and was eventually forgotten (Williams).” The mask that was found on Tut when his tomb was discovered is made of inlaid gold with
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The mask depicted was made by the Baule peoples of the Côte d’Ivoire in West Africa. The mask is similar to the required work of art called the Portrait Mask (Mblo) of Moya Yanso. The mask was created in the early 20th century C.E. and was made of wood‚ brass‚ and pigment. The portrait mask of Moya Yanso was carved by Owie Kimou‚ an artist in the Côte d’Ivoire‚ West Africa. Both of the masks are the same style type‚ Mblo. Because of this‚ they share the same features that were common to the mask traditions
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Shakespeare’s clever uses of psychological masks. Several characters in the play take on roles that do not agree with their personalities. The psychological masks that they wear are not immediately apparent to the audience‚ or even to the characters themselves‚ until they are unmasked through the course of the play. Shakespeare mostly uses this device with the characters of Katherina‚ Bianca‚ and Petruchio. Each of them has adapted to their circumstances by wearing the mask of a different personality‚ and
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In this Critical Reflection about our Mask Performance I will display not only the process of creation as a team‚ but also what I learnt from it and what my inspiration was‚ to come up with the ideas and to develop them. In addition‚ I will reflect the improvements that could had been done and the different approach of the task now it is completed. Firstly‚ I wanted to create an extraordinary piece that provoke a feeling in the audience‚ and as a team we agreed that our intention was to make the
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