What is the fashion cycle? Fashion cycle – a period of time or life span during which the fashion exists‚ moving through the five stages from introduction through obsolescence. – When a customer purchases and wears a certain style‚ that style is considered accepted. The acceptance leads to the style becoming a fashion! Fashions do not always survive from year to year GOAL: The ability to gauge the timeliness or occurrence at the right time‚ of a fashion is critical in the development and marketing
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Outline –Dance Criticism (Step Up Revolution) Introduction: -Describe more about dancing. -Briefly talk about the movie “Step Up Revolution” Hook: Dancing is one of the art form that is the mixture of human passion and body movement to create every single move Thesis: This protesting dance mob dance to be turbulent for the business man‚ criticize the project in the middle of the conference‚ and to show the culture of Miami. Topic: Dance Criticism (Step Up Revolution) Scope: protesting
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Preliminary Dance Appreciation Core Appreciation is a compulsory component. All students study Appreciation in both the Preliminary and HSC courses. Preliminary Course Outcomes A student: P1.1 understands dance as the performance and communication of ideas through movement and in written and oral form P1.2 understands the use of dance terminology relevant to the study of dance as an artform P1.3 develops the skills of dance through performing‚ composing and appreciating dance P1.4 values
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Fashion of the 1980’s All people really want to do is express themselves. What better way to do that than through fashion? People often used fashion to show off how much money they had‚ and bought the biggest and brightest clothing they could. Fashion was a way to show people what kind of person you are without having to go up and talk to them. During the 1980’s‚ women and men used fashion and accessories to express themselves. In the 1980’s women had a variety of choices of style. Every
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This article marks the fifth in Urban Times’ EcoFashion Series. We hope to shed some light on the eco fashion industry by exploring elements such as the sustainability‚ culture‚ ecology‚ psychology‚ labour and future of fashion. Our authors explore to what extent eco fashion is on the cusp of becoming the next big trend. Previous episode: Psychology of Fashion I was just having an incredibly insightful conversation with Dr. Frank Shaw of Centre for Future Studies about the proper methodology
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TIMELESS TREND AKANKSHA VARSHNEY NATIONAL INSTITUTE OF FASHION TECHNOLOGY ABSTRACT: PURPOSE- The purpose of this conceptual paper to identify the impact of military camouflage print in the world of fashion. RESEARCH METHODOLOGY- This paper is based on a review of the literature and takes a case study approach. The paper talks about the origin of camouflage in fashion capital and designers take on it in today’s world. FINDINGS- Fashion uses the camouflage in completely ironical manner. Camouflage
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until recently‚ The Fashion Channel (TFC) enjoyed great success by appealing to as a broad an audience as possible. Overall viewer numbers were the main focus‚ and so long as TFC had no significant competition in terms of the fashion-specific content it offered‚ this “something for everyone” approach was a winner. But competitors such as CNN and Lifetime made note of TFC’s success. They began to offer fashion-specific programming. Consumers now have a choice‚ and the ratings show that non-loyal consumers
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3. What is Sumazau dance? Sumazau dance is a popular ethnic dance from Sabah. This traditional dance has always been correlated to the tribe of Kadazandusun‚ a tribe that populates and settles in Sabah. The locals from the district of Penampang are substantially well-versed in this type of dance. Being the most famous dance in Sabah‚ it has also become the “symbol” of Sabah. Hence‚ it can be meditated as the state dance of Sabah. Additionally‚ Sumazau dance is oftem performed as a thanksgiving
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The Fashion Business This page intentionally left blank The Fashion Business Theory‚ Practice‚ Image Edited by Nicola White and Ian Griffiths Oxford • New York First published in 2000 by Berg Editorial offices: 150 Cowley Road‚ Oxford OX4 1JJ‚ UK 838 Broadway‚ Third Floor‚ New York‚ NY 10003-4812‚ USA © Nicola White and Ian Griffiths 2000 All rights reserved. No part of this publication may be reproduced in any form or by any means without the written permission
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http://www.clicktoconvert.com 1 B.Sc. COSTUME DESIGN AND FASHION FASHION DESIGNING AND SEWING TECHNOLOGY UNITS PAGE NUMBERS UNIT 1 UNIT 2 UNIT 3 UNIT 4 UNIT 5 03 48 91 126 166 CONTENTS UNIT NO. UNIT I UNIT II UNIT III UNIT IV UNIT V LESSON NO. TITLE OF THE LESSON 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 PRINCIPLES OF FASHION FASHION PRODUCERS FASHION DESIGNING & ACCESSORIES PRINCIPLES OF DESIGNING COLOUR COLOUR
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