"Reclining Pan in the St. Louis Art Museum" Reclining Pan (St. Louis Art Museum‚ 138:1947) also known as Drunken Satyr‚ a marble sculpture modeled by Giovanni Angelo Montorsoli in early 16th century‚ is portraying Pan‚ the god of the woods‚ fields‚ and flocks in the reclining position. The sculpture was owned by the powerful Barberini Family in Rome‚ then purchase by St. Louis Art Museum in1947.1 Reclining Pan at the St. Louis Art Museum under discussion presents a commanding image of the
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The Government Museum and Art Gallery in Chandigarh‚ India. On June 2nd and 3rd 2008‚ I was conducted my research on this site. I come from a multicultural family who always appreciated both the visual and perceptual meaning of art. When I was growing up‚ my family would encourage us (me and my younger siblings) to acknowledge the concept and beauty of the efforts that one expressed in their collection‚ whatever it may be. That has inspired me so much that I paint as well as sketch‚ from time
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When I went to the art museum‚ I had no idea that I would come into contact with one of my favorite Impressionists artists. I spent hours walking through the museum‚ gallery after gallery. Each piece was beautifully created. I saw portraits‚ prints‚ sculptures‚ all eccentric in their own way. My family‚ quickly paced‚ moved through the maze of colors with lightning speed. As for me‚ each one had an intricate story and detail that I was determined to learn. Turning the corner‚ I stopped in my tracks
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Last Sunday‚ we paid a visit to the Museum of Archaeology & Anthropology. It is three stories high and each floor has its theme. The Museum of Archaeology and Anthropology at the University of Cambridge holds a world-class collections of art and artefacts from all over the world. Objects ranging from stone tools and pots to sculptures and paintings represent cultures and histories over millennia. Great recent and contemporary works reflect the diversity of peoples worldwide‚ and the resilience of
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Art Exhibition Re-Do 12/05/12 The Museum of Art Institute in Chicago The second-largest art museum in the country‚ the Art Institute houses treasures and masterpieces from around the globe‚ including a fabulous selection of both impressionist and post-impressionist paintings. The theme I decided to pick was called the Holiday Thorne room. The Holiday Thorne room has the most magnificent displays including descriptions of holiday objects that were labeled as historic from previous ownerships
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Jemaine Era M. Feraren 2013-00395 Art Studies 1 THW-2 Professor Marilyn R. Canta‚ PhD 4 November 2014 Public Art: Advertisement and Graffiti Public space is a place for myriad “voices”. It is a person’s choice if he or she will give attention to a public art. It is based on her taste of perception. What is more eye-catching‚ receives more feedbacks and what is more controversial receives more criticisms. Two of the widest known public art is advertising and graffiti. It is known that the latter is
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Thailand has combined technology and art to produce an interesting campaign for the Bangkok Arts & Culture Centre (BACC). The main objective of the campaign was to reach out to the younger generation and raise awareness of BACC and its exhibitions. Thus‚ Y&R Thailand worked with several famous artists from Thailand to create “Q Art Code”. Q Art Code are QR Code sculptures and installations that showed the joining of both technology and art‚ therefore making art look more approachable and contemporary
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A work of art that I selected from The North Carolina Museum of Art is titled‚ The Triumph of Venice. The artist’s name is Pompeo Girolamo Batoni. The medium used in this painting is oil on canvas. The size of the painting is 68 5/8 x 112 5/8 inches. My first impression of this piece was so inspiring. This piece of artwork has so much going on. From the different actions being taken by everyone to the amazing landscape and colors‚ this piece is my favorite out of all the artwork at The North Carolina
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The Walters Art Museum in Baltimore‚ Maryland displays quite a few Ancient Islamic art pieces‚ including the silver dish entitled “Plate with a King and Queen” (Figure 1). Constructed in Iran during the 6th or 7th century‚ this dish depicts a wedding between the two people. It is twenty-three centimeters in diameter and is supported at the bottom‚ making it five and one-fifth centimeters in height. Figure 1. “Plate with a King and Queen” This is a common type of Sasanian art piece. The Sassanian
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2015). There is an early example of this painting technique usage in the Metropolitan Museum of Art‚ where frescoes recovered from the Villa of P. Fannius Synistorat at Boscoreale‚ an area north of Pompeii‚ are exhibited. These wall paintings‚ dated somewhere between the 40–30 B.C‚ use various trompe l’oeil devices to simulate objects and architectural details which in reality aren’t there (The Metropolitan Museum of Art‚ 2004). Then‚ the purpose of the illusion was purely ornamental. Trompe l’oeil was
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