Medea Revenge is the action of inflicting hurt or harm on someone for a wrong suffered at their hands. It is seen as a ‘wild justice’‚ and as revenge is entertaining (also allowing us to consider our own morals and beliefs) it is an enduring interest in literature. The desire for revenge is an evolved outgrowth of our human sense of unsatisfied reciprocity. Revenge has been evident in the early years of human life. For many tribal cultures‚ is one member of the family was killed or injured‚ it
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only in certain circumstances like self defense. However‚ it is not in Medea’s case. Because Medea was killing going around killing everybody all to be with Jason. Medea killed her own father and brother just to be with a guy named Jason so that he could have power. Later on in life Jason ended up leaving Medea to go and marry another woman that he had begun to have feelings for. When Jason left‚ then Medea became very hateful and crazy. She even became the most hated woman in the town. She became
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Ellen Myers Lit Journal 1/26/09 Journal Topic: The Role of Women in Medea “We women are the most unfortunate creatures‚” Medea states in her lecture to the women of Corinth. During the time of Euripides‚ women were not of high stature or power in their societies. They were traditionally confined to the roles of housekeeper‚ mother‚ mistress‚ wife‚ etc. Medea is ahead of her time; she is not defenseless and weak‚ in fact she proves herself to be quite powerful and revolutionary. She
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In 1959 a documentary was produced entitled The Hate that Hate Produced which took a look at the Islamic nation and their feelings towards white people. The program was televised and broadcasted over New York television stations for the entire city to see. Malcolm X wanted to go ahead with the broadcasting of the program but Elijah Muhammad was a bit more reluctant. He felt that this would bring unwarranted attention toward the nation Islam and he felt it would be counterproductive to their cause
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In “Medea” by Euripides‚ the chorus plays many roles in the formation of the play. In this case it starts by showing a group of women as the chorus‚ which was unusual at that time it was written. In the play‚ “Medea”‚ the tragic hero faces many challenges and inner struggles‚ that expose her to certain situations‚ that were either caused by her actions or fate. Throughout the play the chorus serves as a “confidante” for Medea; the strength of their relationship is express through the support‚ sympathy
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The Dramatic Appeal of Human Props in Greek Drama In both The Medea and Lysistrata‚ powerful women wage wars against the male-dominated status quo‚ harnessing minor characters as pawns to achieve their desired ends. Like all dramatic props‚ these manipulated characters do not have motivations or character arcs‚ nor do they single-handedly propel the action of either play. They serve as symbols rather than people‚ vehicles which Euripides’ and Aristophanes’ female protagonists
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Medea sits in her room all day sobbing loudly for the world to hear. She screams and cries as to capture everyone’s attention. As abnormal as it seems‚ the readers of Euripides’ Medea witnesses this scene at the beginning of the book. The Nurse and Chorus continually speak about the hardships Medea is going through‚ and tend to feel sorry for her. Euripides emphasizes the point that Medea is going through extreme pain internally with the thought and actions of her killing her own children. [Some
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the plays Hedda Gabler‚ Hedda Gabler‚ and in Medea‚ Medea‚ both did not accept their typical role in society as women. Similarities that may connect these women and their refusal to be a typical woman are that they both were high class‚ and that they were both raised by their fathers. Differences that set Hedda Gabler and Medea apart are that Hedda cared deeply about her reputation‚ and that Medea has true love for her husband‚ Jason. Both women‚ Medea and Hedda‚ were raised in a very high class
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Medea is the tragic tale of a woman scorned. It was written in 431 B.C. by the Greek playwright‚ Euripides. Eruipides was the first Greek poet to suffer the fate of so many of the great modern writers: rejected by most of his contemporaries (he rarely won first prize and was the favorite target for the scurrilous humor of the comic poets)‚ he was universally admired and revered by the Greeks of the centuries that followed his death(“Norton Anthology”). Euripides showed
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In The Medea by Euripides and The Aeneid by Virgil the characters of Medea and Dido respond to desertion by their husbands‚ the individual they love most‚ in the form of a quarrel. Both characters go on to attempt to alleviate their pain via revenge. Their judgments and actions are impaired by each woman’s great eros and amor. Euripides and Virgil illustrate their vision of passion and love through the effects of Medea and Dido’s actions under the influence of these emotions. Both women could choose
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