The Aeneid and Medea Book IV of The Aeneid is an epic poem that is considered one the best known works of Virgil in 20 B.C for the Roman civilization. On the contrary‚ Euripides was known throughout Troy for one of his tragic epic’s named Medea. Virgil and Euripides are from different civilizations and wrote the plays in different years‚ they might not have known each other but in both works they describe the dangers of excessive pride. Hubris is another word for pride by the Greeks. Book IV of
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World Literature Paper I A Character Comparison: Nora Vs. Antigone In the novels A Doll’s House and Antigone‚ Ibsen and Sophocles respectively create two lead female characters‚ Nora and Antigone‚ who confront society’s expectations of women in fundamentally different ways. Nora goes against the grain of middle class society by first forging her father’s signature and then deceiving her husband‚ Torvald‚ throughout their marriage; Antigone‚ on the other hand‚ openly challenges and defies the rule
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Discovers his fate from his actions * Usually a leader of men-ex: King * Their fate affects the nation or a large number of people * Their suffering is not senseless * Most tragic hero’s are men‚ with a could examples of Antigone and Cleopatra * Athenian Tragedy * Oldest tragedy existing * Emerged during 6th century BC * Reached its peak as dramatic form in the 5th century * When &Where * Open air theatres * Could usually hold
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Sophocles: Family vs. Authority In the Greek tragedy Antigone‚ Sophocles demonstrates that family takes prevalence over authority. Throughout the play each character is put into a situation where they have to choose what matters more to them: family or authority. Although the characters who choose family all die‚ the character who consistently chooses authority over all else suffers the most. The fate that each character meets depending on their choice reflects on Sophocles’ personal feelings towards
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around comes around” they all say. Karma that is‚ some people believe that when you wrong others‚ you will in due time be wronged as well. Karma can be given out by the person who has been wrong‚ or it can be totally natural. In the Greek play Medea‚ Medea sets out to hand deliver karma to the woman Jason cheated with and plans to marry. She makes an intricate plan to give the princess of Corinth a lovely robe paired with a diadem‚ and to these items she laces it with deadly poison. The poison not
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Oedipus Vs. Antigone In the Eyes of the Gods Creon (to Oedipus) “For you submission is a torment – you do not hide it. And when you force your way against the world You crush us all beneath you. Such natures Find their own company most terrible to bear. It is their punishment.” (Sophocles from Oedipus the King‚ pg 210) Sophocles may not have included the Greek gods as corporeal characters in his plays Oedipus and Antigone‚ but their divine influence on the titular characters plays a
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Medea notes: Written around 431 BC and set in Corinth Medea had a natural passion for revenge The play revolutionised revenge tragedies by letting its heroine off the hook What happens: At the beginning Medea is in dire straits‚ her husband Jason has married Glauce daughter of Creon king of Corinth and on top of that Creon banishes both Medea and her two sons. She swears bloody revenge sets about finding a way to kill them all. She convinces Creon to allow her to stay one more day to put
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Medea and The Bacchae agitate the definitions of Greek tragedy. They both contain the basic devices of a tragedy: a chorus‚ a flaw‚ a catastrophe‚ and an intervention of fate or free will. However‚ they lack the feeling of moral purpose found in the works of Aeschylus or Sophocles. The senselessly violent endings and ambiguous character development in Medea and The Bacchae are purposeful to the overall theme of confusion. In terms of a theatrical spectacle‚ the uncertainty of what is happening on
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play’s resolution‚ fluctuation between 3rd and 1st person that expresses a character’s perception and a foreword that constructs the tone of a play are all illustrations of the broad impact that a certain structure of a tale can have. In Euripides’ Medea‚ the inclusion of the chorus in the structure of the play serves as an essential instrument designed for a vast array of uses. The chorus foreshadows imminent events‚ reveals cultural and contextual information‚ enlightens characters on foregoing events
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Antigone by Sophocles is an interesting play that I enjoyed reading. It was something different for me since I don’t ever read plays. After reading the play I thought this story would fit under a feminist approach‚ until I fully began to understand and analyze each character of the play. In this paper I will discuss how the major events of Antigone can be analyzed through the psychological approach point of view. I as well read each critic about Antigone and found some similarity and dissimilarity
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