the love story it would be a totally different movie‚ it attracts the viewers The main characters fall in love Without her help they would not had made it that far Cinematic effects (camera‚ sound‚ light): Camera shot: close-up‚ medium shot‚ over the shoulder shot‚ long shot Camera angle: straight on angle‚ high angle‚ low angle‚ bird’s eye Message: Don’t exploit others Take care of your friends and family How products has been made and imported‚ how extreme it really is Child
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point where I had to figure out what in the world medium meant. I read the box over and over again. I started to underline words that kept showing up over and over again. I tried to understand what MuLuhan is talking about gives me a headache. Once I thought I had it figured out I was shot down and this happened many times. I researched‚ I thought about it extensively in class and out side of class. I used reasonable logic to find my meaning of medium. This time by golly I think I got it. For the
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that make movies good. There are three types of film: realism‚ classicism‚ and formalism. Working Girl staring Melonie Griffith and Harrison Ford is a perfect example of classical film. An extreme long shot in the beginning sets the place as New York in the movie as the establishing shot. This is a typical classical Hollywood story. Girl is poor and unappreciated‚ then climbs up ladder and gets her wish‚ the bad guy gets fired‚ the hero gets the man‚ and she gets the dream job she always wanted
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Discuss the ways in which Hitchcock sets the scene for the audience in the opening minutes of his film ’Rear Window’(1954) - 500 words Camera shots - Close up‚ medium shot‚ long shot‚ wide shot‚ framing. Camera Movements - Pan‚ track‚ crane‚ zoom‚ reverse zoom‚ tilt Editing - Cut‚ montage‚ fade in/out‚ dissolve‚ super impose‚ slow-motion Sound - Soundtrack‚ musical score‚ sound mixing and editing Other useful terms - scene‚ sequence‚ mise-en-scene‚ lighting‚ actor‚ theme‚ narrative‚ style and
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Luka Klikovac When the dust unsettles A shroud of grainy particles veils the heart of most galaxies‚ helping to make stars‚ planets and even us. But where did it all come from? Stuart Clark investigates T HE universe‚ it seems‚ has the same problem I have. Dust‚ everywhere. Looking round as I type this‚ I find myself wondering where on earth it all comes from. Just how does it accumulate without invitation on every surface‚ in every nook and cranny? Increasingly‚ astronomers can
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The aim of the study was to determine possible techniques for a non-contrast enhanced magnetic resonance angiography method for preoperative evaluation of the pelvic vessels prior to kidney transplantation in which it provides a satisfactory image quality as well. This is a comparative study of the different magnetic resonance angiography sequences used in the study conducted on 54 patients‚ which were undergoing evaluations prior to the transplantation. The introduction does not give basic background
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The ten Petri dishes that exclusively did not contain an antibiotic in the bacteria culture served as the control. There were ten trials for the control and each level of IV. The experiment began by cleaning the work area and sterilizing it with 70% ethanol. Then trypticase soy agar (TSA) was poured into six groups of 60 Petri dishes (See Appendix 1). The dishes were labeled based on the antibiotic used and were left to dry and solidify at room temperature. After an hour‚ the dishes were placed in
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Abstract: A patient arrived at the hospital recently and brought a sample their infectious disease on an agar plate. A series of tests were completed in order to identify this unknown sample. First‚ the plate was analyzed for its hemolysis characteristics. Afterwards‚ a Gram stain was performed from a sample of the agar plate and the slide was viewed under the microscope. Once‚ the microscopic visual was captured‚ a catalase test followed. Next‚ for further data‚ MSA results were recorded‚ along
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Accessibility Monorails for Urban Community in Jakarta Contemporary societies heavily depend on transportation and modern social life is possible only if people have mobility on a daily basis—the ability to move around so that they can do what they have to do or like to do (Sigurd‚ 2004). On the one hand‚ high personal mobility and the lifestyle choices are features of modern societies but costs and constraints involved in meeting this demand threaten communities in important ways via financial
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the world. This particular scene‚ which occurs at the exact midpoint of the film‚ depicts two separate sequences. The first sequence shows Blake escaping his house in order to avoid talking to a friend‚ and the second sequence is a long‚ drawn out shot of Blake recording various looped instruments. The formal features of this scene amalgamate to make it a powerful microcosm of the film by both displaying and representing the main theme of Blake’s inner struggle to escape his thoughts and reconnect
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