Theodore Gericault‚ The raft of the Medusa The raft of the Medusa by Theodore Gericault exemplifies political influence showcasing the struggle and crisis happening in France. The political climate of France in the 1820’s was tumultuous causing an eventuality of Gericault’s work of art. His work demonstrated romantic art in its consummation. (Willard WSJ) As a painter he wielded crucial influence on the ontogenesis of Romantic art in France. Géricault was a keen and an avid horse rider whose melodramatic
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treatment of love in Carol Ann Duffy’s ‘Valentine’. Carol Ann Duffy’s ‘Valentine’ ultimately depicts a highly cynical attitude towards love and conventional gestures of affection. The poem uses traditional images of valentine as a starting point‚ before showing how an onion is much more true to the nature of love. An extended metaphor of the onion is then used to depict Duffy’s underlying implication that love can be destructive on many different levels. One of the main ways in which Duffy conveys this
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Use Audre Lorde’s "Poetry is Not a Luxury" and T. de Lauretis’s "Desire in Narrative" to read May Sarton’s poem "The Muse as Medusa." Expand May Sarton’s project of remaking/retaking the gaze by examining what Audre Lorde and T. de Lauretis understand about the power of looking. The power of looking resides in our agency. The supremacy of seeing; being seen’ gives a sense of self‚ which enables us to encompass our power and identity as an individual. As humans‚ we obsess about how we look;
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their own problems Carol Ann Duffy seems to ask political/feminist questions in the following poems and believes women to be partly responsible for mass production‚ industrialisation and technology. The women in Duffy’s poems are seen as obsessive (The Diet‚ Work) and not in control (the woman who shopped). All three poems seem to combine aspects of femininity into one character such as gluttony‚ self-harm/losing oneself and seek to change themselves in some way. It seems Duffy has a major conflict
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The Raft of the Medusa is a Romantic painting by Théodore Géricault from the early 19th century. Géricault was a French artist and lithographer who had a short but influential career. The Raft of the Medusa‚ arguably his most famous work‚ was first exhibited in the Salon of 1819 and proved controversial at the time as whilst it adhered to aesthetic standards of fine art but focused on an event from contemporary history rather than an interpretation of an Ancient Greek or Roman tale. The painting
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What techniques has Carol Ann Duffy used in her poetry to make old stories and fables relevant to modern audiences? Comment on upon the use of language‚ imagery and structure. ’Mrs. Faust’ is written in the casual‚ contemporary style which suits its setting and adds fittingly to the collection of ’The Worlds Wife’. In this collection most poems explore the feminist principles or the modern state of them. This poem however‚ introduces a new issue to the collection; the materialistic nature of
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snakes a very bad hair day‚ but that’s exactly what happened to Medusa. Everyone who knows anything about Greek Mythology knows who she is. She turened people to stone if they looked at her and was killed by Perseus with the help Athena then placed her head onto a sheild. But‚ how did Medusa become the lady with snake hair that you can not look at? She was not born this way it all comes from her talking badly about the wrong Goddess. Medusa was a preistess at a temple for the Goddess Athena. She was
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Did you know Medusa appears on the flag of Sicily? She appears on the Dohalice village of Czech Republic’s flags coat of arms also. Pablo Picasso‚ Rubens and Caravaggio have portrayed her in their work. Leonardo da Vinci once painted an oil canvas called Medusa. Medusa is considered a monster because she has the face of an ugly woman‚ hair of snakes‚ and if anyone looks into her eyes she turns them to stone. She is the daughter of Phorcys‚ god of the sea‚ and Ceto‚ a female sea god. Phorcys
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she would say‚ "No‚ no‚ no‚ no‚ no!" because she wanted to look after her son Perseus. King Polydectes was upset because Danae wouldn’t marry him. The king ordered Perseus to go on a mission to find Medussa. He had to cut off Medusa’s fearsome head. Medusa was extremely dangerous because if anyone looks at her face they are instantly turned to stone. He met the goddess Athena who gave him a reflective shield and Hermes‚ a Greek god‚ who gave Perseus a sickle to cut off Medusa’s head Perseus flew quickly
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In Carol Ann Duffy’s poem‚ ‘education for leisure’ and Sheenagh Pugh’s‚ ‘she was nineteen and she was bored’‚ both poets look on modern society in a negative way. Both poems look at the themes of suffering and unhappiness when cast out from society.which are two states that are inextricably linkable. Unhappiness can come as a result of suffering‚ or the need to make others suffer can come from pure unhappiness. Duffy and Pugh both make these distinctions in their work‚ and are able to engage the
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