"Merchant of venice tragicomedy" Essays and Research Papers

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    Luca Pacioli -The Unsung Hero of the Renaissance Mohammad Farooq Ali Tarafder* Abstract: This paper aims at describing the role of Fra Luca Bartolomeo de Pacioli (sometimes Paciolo) in the development of Modern Accounting. Key Words: Luca Pacioli‚ Double Entry Accounting and Renaissance. Introduction Luca Pacioli was an Italian mathematician and Franciscan friar‚ collaborator with Leonardo da Vinci‚ and seminal contributor to the field which is now known as Accounting. Pacioli is also called

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    Shylock: Villain or Victim

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    Shylock: Victim or Villain? He is a Jewish moneylender who earns his living by charging interest on money he loans (like modern banks). He often speaks prose in the play‚ which marks him out as an outsider. He is persecuted by all the non-Jews he knows: He tells Antonio‚ "suff’rance is the badge of all our tribe". He is verbally abused and bullied by most characters in the play and is called cruel names including "villain with a smiling cheek‚ cut-throat dog‚ bloody creditor‚ damned inexecrable

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    solve paper

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    role of the mob in Julius Caesar. OR b) Critically comment on the funeral speeches in Julius Caesar. P.T.O. ME (P) 12 *MEP12* SECTION – B 6. a) Write a critical note on the significance of the court scene in The Merchant of Venice. OR b) “The Merchant of Venice is about judgement‚ redemption and mercy. It begins with usury and corrupt love ; it ends with harmony and perfect love.” Substantiate. 7. a) Bring out the significance of the forest of Arden in As You Like It. OR b) Discuss

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    horse in Taming of the Shrew‚ and surely people of our time would find that amusing as well. A large part of Shakespeare’s comedy was disguises. The use of disguise was a key part of Shakespearean comedy; his plays Much Ado About Nothing‚ The Merchant of Venice‚ and Twelfth Night all use the element of disguise as part of their plot‚ some more than others. Much Ado About Nothing‚ one of Shakespeare’s "festive" comedies‚ centers around two couples. One‚ Claudio and Hero‚ fall in love at first sight

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    antisemestism

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    literature. Without an examination of both historic and contemporary anti-Semitism‚ students may be left with stereotypical and negative conceptions of Jews and Judaism. Certainly one of the most characteristic and troubling aspects of The Merchant of Venice is that the depiction of Shylock reinforces the stereotype of Jews as money- hungry and greedy. This stereotype has been around for centuries‚ and continues to be perpetuated today. Having students learn about some of the historical roots and

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    Antonio and Bassanio

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    factors that contribute to answering the question. In the preformed version of Michael Radford Merchant of Venice there is a strong depiction of homosexuality‚ which is his own analysis of their relationship. This could alter the audience’s view on the play‚ as this theme is noticeable and quite obvious. There are various themes that go on from beginning to end of the play one of which is the law in Venice. This scene shows how anxious Bassanio is about Antonio losing his pound of flesh to shylock

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    The prince studies the inscriptions on the three caskets and chooses the gold one‚ which proves to be an incorrect choice. In Venice‚ Shylock is furious to find that his daughter has run away‚ but rejoices in the fact that Antonio’s ships are rumored to have been wrecked and that he will soon be able to claim his debt. In Belmont‚ the prince of Aragon also visits Portia. He‚ too

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    Marco Polo in Renaissance

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    Born in 1254 in Venice‚ Marco Polo is today a well-known figure of pre-Renaissance travels‚ and for his ground breaking travels to lands never before journeyed by Europeans. He was an Italian traveler and author‚ and spent the majority of his life travelling and exploring. His father Nicolo and uncle Maffeo‚ both merchants‚ had conducted business and trade in Constantinopole (now known as Istanbul) and the Crimea. However‚ when Genoa’s merchants‚ rivals to the Italian Polo’s‚ took over trade in

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    Throughout the play‚ The Merchant of Venice‚ Shakespeare cultivates the idea of “Shylock the Jew” being both a villain and a victim each depending on the reader’s interpretation of the play. 16th century Venice was largely Roman Catholic and Christian. I think in correctly interpreting the play‚ we have to take a look at what influences Shakespeare may have had in devising Shylock’s character. In 16th century Europe‚ there was a massive revolt called the Reformation led by Saxon Monk named

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    Germany in 1935 as ‘cowardly and malicious’ when ‘properly understood’‚ a line that undermines both the intelligence and self-esteem of local people upon reading (in that they did not read enough into the play)‚ and the true meaning of The Merchant of Venice. Upon saying that the deeper meaning is that Shylock is cowardly and malicious‚ they are mistaking the shallow‚ surface meaning for a deeper one. As Harold Bloom commented in 1999‚ ‘It would have been better for the Jewish people had Shakespeare

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