MONTHLY M&A INSIDER OCTOBER 2012 A MERGERMARKET REPORT ON GLOBAL M&A ACTIVITY EDITION CONTENTS GLOBAL OVERVIEW AMERICAS: LATIN AMERICA NORTH AMERICA ASIA-PACIFIC EUROPE MIDDLE EAST & AFRICA ABOUT MERRILL CORPORATION 01 09 18 29 41 52 62 MONTHLY M&A INSIDER Part of The Mergermarket Group MERGERMARKET www.mergermarket.com 80 Strand London‚ WC2R 0RL United Kingdom t: +44 (0)20 7059 6100 f: +44 (0)20 7059 6101 sales@mergermarket.com 11 West 19th Street 2nd fl. New York‚ NY
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forms. One of the pieces that better reflects this confluence of elements is Brahms’ symphony no. 4 in E minor‚ op. 98. The piece was premiered by first time on October 25th‚ 1885‚ in Meiningen‚ Germany. It was his last orchestral piece‚ possibly the more “classic” of his four symphonies.
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Opera and Musicals Opera and musicals are popular performing arts of the world. Since a majority of people think that musicals are a lighter and an easier genre of performing art than opera‚ musicals are more widely appreciated than opera in this century. Opera and musicals both consist of music‚ stage‚ story‚ performer and audience‚ however‚ there are numerous differences among these elements. Opera’s history begins in Italy in late 16th century with a group called Camerata. Camerata was
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|[Type the company name] | |Seventeenth Century Venetian Opera | |Cultural and Economic Factors | |
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an early age. Mahler composed and ten symphonies‚ but only nine completed. His tenth and final piece was still in the formative stages during the season of betrayal from his wife. According to Colin Matthews‚ The Tenth was composed at an especially fraught time for Mahler‚ with his marriage in crisis Alma was having an affair with the architect Walter Gropius and with the intensive preparations for the first performance of his Eighth Symphony (in September 1910) also preoccupying him
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if viewed or taken from another perspective. The Phantom of the Opera is a classic‚ musical romance film popular because of its emphasis on love‚ constant entertainment‚ and powerfully touching music. The Phantom of the Opera is a popular novel and play which is still determined as one of the longest running show in history‚ and one of the most lucrative entertainment enterprises of all time. Both versions of the Phantom of the Opera movie‚ having radical differences but still being of the same kind
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While opera had been thriving in Europe since its beginnings in the 16th century‚ 19th century America was still a relatively young‚ focusing its growth elsewhere. Musically‚ opera did not appeal to the common American‚ who was much more interested in simpler tastes. Interest in opera was mostly shared among the upper class elite‚ and due to the lack of a middle class‚ wasn’t largely established in the general public until the turn of the 20th century. Socioeconomic limitations reinforced the exclusivity
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is the ninth symphony. An interesting performance with the philharmonic orchestra & oratorio chorus for Beethoven. The performance was at the musical art center‚ Wednesday‚ April 20 at 8 pm.in additional‚ the performance was by the conductor Carl St. Clair‚ Betsy Burleigh the Chorus Master and more. It was a very huge performance that a person must get a ticket whether he is a student or not. Going into details about the music‚ the performance has only one Symphony‚ which is Symphony No. 9 in D Minor
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satirical matter to draw attention to hypocrisy. Opera in particular constantly reflects the already built social constructs around the composer and the time. It is like a self-fulfilling prophesy because that music broadcasts to the general population these constructs and they are then reflected in the music. Opera shows the public how men and women are supposed to act and art imitates life (and vice versa). A classic example of gender roles in opera is Monteverdi’s Orfeo and its argued role reversal
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Sydney Opera House The Sydney Opera House is a multi-venue performing arts centre in Sydney‚ New South Wales‚ Australia. It was conceived and largely built by Danish architect Jørn Utzon‚ opening in 1973 after a long gestation that had begun with his competition-winning design in 1957. Joseph Cahill’s New South Wales Government gave the go-ahead for work to begin in 1958. The government’s bold decision to select Utzon’s design is often overshadowed by the scandal that followed. The Sydney Opera House
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