"Merode altarpiece" Essays and Research Papers

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    and Angels adscititiously portrays the Virgin Mary fortifying child Jesus with numerous spectators that incorporate heavenly attendants and holy persons. The mother and youngster are supplementally up front on the inside board of the Saint John altarpiece. The two pieces designated both have the

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    Renaissance is the term used to describe the period of European history that saw a renewed interest in the arts. The Renaissance began in 14th¬century Italy and spread to the rest of Europe in the 16th and 17th centuries. In this period‚ the fragmented feudal society of the Middle Ages‚ with its agricultural economy and church¬dominated intellectual and cultural life‚ was transformed into a society increasingly dominated by central political institutions‚ with an urban‚ commercial economy and lay

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    lives of saints and martyrs. Stained glass windows were also created depicting the life of Jesus or other religious themes. These pictures served as a way to educate many of the people that were unable to read. Medieval artists also constructed altarpiece paintings to depict religious ideas and inspire devotion and illuminated books with intricate and miniature paintings of biblical scenes. Catholicism greatly impacted the High Middle Ages as evident in their achievements in education‚ literature

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    England. The most sought-after Flemish painter of the seventeenth century was Van Dyck’s teacher‚ the scholar‚ linguist‚ and diplomat Peter Paul Rubens‚ who was besieged with commissions from the nobility and religious orders of Europe for portraits‚ altarpieces‚ mythological scenes‚ and allegories. His stirring works were admired for qualities ranging from theatricality to emotional tenderness. The emergence of the Dutch school of painting in the early seventeenth century is one of the most remarkable

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    "Of all religious subjects‚ that of the Annunciation is closest to the artist as a Christian. The subject is described only by Luke‚ patron saint of painters‚ who was popularly believed to have been a master of their craft as well as a physician."1 Flemish painting was founded in the Low Countries at the start of the fifteenth century. The Low Countries‚ consisting of what is now Belgium and Holland‚ as well as the provinces of Artois and Hainault‚ and the cities of Arras and Cambrai.2 "No

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    work of art. Rubens‚ (Peter Paul Rubens) “was a prolific seventeenth-century Flemish Baroque painter‚ and a proponent of an exuberant Baroque style that emphasized movement‚ color‚ and sensuality. He is well-known for his Counter-Reformation altarpieces‚ portraits‚ landscapes‚ and history paintings of mythological and allegorical subjects.” He began by visiting many famous artists and copying some of their works of art to develop a sort of sense of understanding for this type of art and how it

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    he viewed. Although he was primarily attracted to the conservative painters Gentile da Fabriano and Fra Angelico‚ Rogier was also acquainted with more progressive trends (http://gallery.euroweb.hu/bio/weyden/rogier/biograph.html). In the St. John Altarpiece and the Seven Sacraments Triptych‚ executed between 1451 and 1455‚ shortly after Rogier’s return north‚ his characteristic style is altered by his recollection of the more robust Italian styles; and‚ in both‚ the panels are unified from a single

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    This essay is going to look into two images‚ comparing the two images‚ critically analyze them in detail. This essay will also analyze the images into deep detail to extract every symbolic meaning from the images to simplify them. The first image I am going to analyze critically is “An Experiment on a Bird in the Air Pump”‚ A painting completed by Joseph Wright of Derby in 1768 about what happens to a bird when you deprive it of oxygen. I will be looking into the subject‚ subliminal messages and

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    painting called Assumption of the Virgin‚ which led to his popularity and positioned him as leading artist in the city. People began to feel uneasy with the painting and noted how boldly the colors were shown. He continued to paint more influential altarpieces; the most popular being Death of Saint Peter Martyr for the Church of SS. Giovanni e Paolo. He then became a famous portraiture internationally; his previous paintings led him to his success. His portraits are remarkable in the way they express

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    known as the Mona Lisa’s most infamous and enigmatic feature - her smile. Leonardo often planned grandiose paintings with many drawings and sketches‚ only to leave the projects unfinished. For example‚ in 1481 he was commissioned to paint the altarpiece "The Adoration of the Magi". After extensive‚ ambitious plans and many drawings‚ the painting was left unfinished and Leonardo left for Milan. Only seventeen of his paintings and none of his statues survived. In Milan he spent 17 years making

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