"Merode altarpiece" Essays and Research Papers

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    Picassos Guernica Notes

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    STYLE Talk about minatory replacing harlequin as a common motif in his work as it was used by serealists This large canvas embodies for many the inhumanity‚ brutality and hopelessness of war. Asked to explain its symbolism‚ Picasso said‚ "It isn’t up to the painter to define the symbols. Otherwise it would be better if he wrote them out in so many words! The public who look at the picture must interpret the symbols as they understand them It is interesting to note that when Guernica was first displayed

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    History of Sculpture Prehistoric Periods Much surviving prehistoric art is small portable sculptures‚ with a small group of female Venus figurines such as the Venus of Willendorf (24‚000–22‚000 BC) found across central Europe;  the 30 cm tall Lion man of the Hohlenstein Stadel of about 30‚000 BCE has hardly any pieces that can be related to it. The Swimming Reindeer of about 11‚000 BCE is one of the finest of a number of Magdalenian carvings in bone or antler of animals in the art of the Upper

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    Giorgione, the Tempest

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    Giorgione[2] or Giorgio Barbarelli.[3] He was born in Castelfranco‚ on the Venetian mainland‚ probably about 1475-77. In 1510 in Venice he died‚ still young‚ of the plague. He came from modest family background.[4] His life before 1504 when he painted altarpiece in Castelfranco is unknown. His name is recorded by a few documents of that time. First by 1507-8 supports that he painted a picture for Palazzo Ducale in Venice. Second states that in 1510 one of the most important Renaissance collector‚ Isabella

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    Art Work

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    chapter 5 Space Fig. 90 Donald Sultan‚ Lemons‚ May 16‚ 1984‚ 1984. Latex‚ tar on vinyl tile over wood‚ 97 in. 971/2 in. Virginia Museum of Fine Arts‚ Richmond. Gift of the Sydney and Frances Lewis Foundation. Photo: Katherine Wetzel. © 1996 Virginia Museum of Fine Arts. W ISBN 0-558-55180-7 e live in a physical world whose properties are familiar‚ and‚ together with line‚ space is one of the most familiar. It is all around us‚ all the time. We talk about “outer” space (the space

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    The Franks and Merovingians: Laying the Foundations for Future European Empires Henry Lilly May 16th‚ 2011 The Roman Empire represented the culmination of the Mediterranean World. The Roman Empire reached its peak under the rule of the famous Roman Emperor‚ Julius Caesar. The Roman Empire extended its borders throughout Europe‚ to present day France‚ Italy‚ Great Britain‚ and Germany. However‚ their collapse in 476 AD was caused by distraction to

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    Medici Family of Europe

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    Prologue On what shall be said in this Essay The Medici were an illustrious family that rose to fame and fortune during the Renaissance. Starting as humble merchants‚ the family grew in fame and prosperity until the name was known throughout all of Europe. Every aspect of the Renaissance was influenced by them. They influenced society as a whole‚ and their ways of relating to the different aspects of life set up standards that were followed‚ copied or completely avoided by their peers

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    Mannerism (1527-1600) * Confusing * Counterpart to High Renaissance Southern Italy * “…stylish style…” – John Sherman * Started in central Rome * Catholic church started to take problem with it Jacopo da Pontormo – Deposition * 1527 * Original Context: Commissioned for Capponi private chapel in Florence (Santa Felcita) * Materials: Oil on panel (unusual for Southern Italian art) * Other unusual things: * Jesus isn’t the center of the painting (VOID –

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    Nicolas Poussin

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    Nicolas Poussin 1594-1665 Pictori philosopho (Blunt‚ 3)‚ "Painter-philosopher" was a name given to Nicolas Poussin by Serous d’ Agincourt in 1782. Agincourt later found out that the name Pictori philosopho had already been given to the German artist Anton Raphael Mengas. Nicolas Poussin was born in 1594 in the town of Les Andelys on the Seine. He came from a nobel family that was ruined by religious wars according to Giovanni Pietro Bellori. No actual proof of this has been established his

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    ASSUMPTION OF THE VIRGIN ~ Giovanni Francesco Barbieri May 20‚ 2011 ~ Detroit Institute of Arts in Detroit MI ~ DIA # 71.1 ASSUMPTION OF THE VIRGIN Giovanni Francesco Barbieri By Linda Romanowski ART 1560 I was drawn to the Assumption of the Virgin which is an oil on canvas painted in 1650 by Giovanni Francesco Barbieri. Giovanni uses a strong and bold baroque style with spacious placement of his humanistic angels in this painting. His use of vibrant blues and reds bring classic gracefulness

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    Couture beginnings The first designer who was not merely a dressmaker was Charles Frederick Worth (1826–1895). Before the former draper set up his maison couture fashion house in Paris‚ clothing design and creation was handled by largely anonymous people‚ and high fashion descended from style worn at royal courts. Worth’s success was such that he was able to dictate to his customers what they should wear‚ instead of following their lead as earlier dressmakers had done. The term couturier was in

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