was created. Can be found on pg. 560 in textbook can be found on pg. 600 in textbook The first work is the center panel of the Merode Altarpiece by Robert Campin in 1425. It is titled The Annunciation and is a Flemish painting. The second work is a fresco by Fra Angelico entitled Annunciation. It was made in 1440 in Florence‚ Italy. The Merode Altarpiece is considered early fifteenth century Flemish art while Annunciation is considered Early Renaissance art. The subject of both of these
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similar to Campin’s Merode Altarpiece‚ done between 1425 and 1428. The many comparisons of these paintings show that the Northern Flemish paintings during the Early Renaissance held a persistent style‚ but Memling’s painting shows progressed style differences in his use of atmospheric perspective‚ the frames of the painting‚ and unifying the two images. Diptych of Martin van Nieuwenhove is a 15th-century diptych that still has its original
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art is the Merode Altarpiece‚ painted by Robert Campin in 1425-1428. In this piece‚ there is an incredible amount of symbolism‚ it is painted in a medieval style (drapery hides the body‚ etc.)‚ there’s a tremendous amount of detail put into it‚ and perhaps one of the most defining features of it is that it has got the patron in it. Since it was commissioned by someone besides the church‚ they wanted to be put in the piece of art that they paid to be painted. The patrons of the altarpiece appear on
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Art Analysis The Merode Altarpiece‚ a piece by artist Robert Campin‚ is a representation of the Annunciation of Christ. The piece was originally painted in Flanders during the Early Renaissance period in 1425. It is a considerably small altarpiece‚ commissioned for a private residence‚ created with oil on wood panel. The piece is currently held in the Metropolitan Museum of Art in New York. The scene depicted in this particular altarpiece is very popular among artists during the Renaissance and
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Northern Renaissance‚ Italy did inspire a movement that eventually spread throughout the rest of Europe. Two particular art pieces from each area that will be examined are Fra Angelico’s Annunciation from Florence‚ Italy‚ and Robert Campin’s Merode Altarpiece from Northern Europe. Not only are the elements of composition important in these two works of art‚ but also the style‚ overall
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The two artworks I chose to use for my essay are the Merode Altarpiece by Robert Campin‚ and The Deposition by Rogier van der Weyden. Both paintings are from the Early Renaissance‚ and I found both of them in my textbook. (Campin painting: page 307 and Weyden painting: page 311 in book “ART: A Brief History”) Robert Campin‚ who was considered a great master of Flemish painting‚ painted the Merode Altarpiece within the time period of 1425-1428. Robert Campin was one of the first artists of his
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Tape #3‚ shows Fra Angelico’s The Annunciation (1438-1435). This piece of art also belongs to the Early Italian Renaissance; it is presently located at The Diocesan Museum in Cortona‚ Tuscany‚ Italy. It was painted in tempera on panel‚ for an altarpiece. The painting depicts the scene of the annunciation to Mary by the archangel Gabriel; it uses standard religious Christian iconography such as the fenced garden in the background which evokes Adam and
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create while their requirements also influenced and limited the styles and contents. The art works had prominent features for private use. For instance‚ Some Dukes preferred furnishings and tapestries so the forms of art were influenced. Small altarpieces became popular as well. Because of the interests of the patrons‚ the styles and contents of art work were limited. Oil painting became popular because it could facilitate the exactitude in rendering details. With oil medium‚ artists created richer
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oil on wood panel‚ 33 x 22 ½” [pic] • Robert Campin‚ Merode Altarpiece‚ c. 1425-1430s‚ oil on wood panel‚ center 25 ¼ x 24 7/8”; each wing approx. 25 3/8 x 10 ¾” [pic] • Jan van Eyck‚ Ghent Altarpiece‚ 1432‚ oil on panel‚ 11’ 5 ¾” x 15’ 1 ½” [pic] • Rogier van der Weyden‚ Deposition‚ c. 1435-1438‚ oil on wood panel‚ 7’ 2 5/8” x 8’ 7 1/8” [pic] • Hugo van der Goes‚ Portinari Altarpiece‚ c. 1474-1476‚ tempra and oil on wood panel‚ center 8’ 3 ½” x 10’;
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CHAPTER 13 – Test Bank Multiple-Choice Questions 1. Which best describes Renaissance humanism? a. study of human nature b. human-based culture c. revival of Classical texts d. a Christian bias Answer: c 2. Leonardo Bruni was a. a humanist. b. chancellor of Florence. c. a historian. d. all of these: a humanist‚ a historian‚ and chancellor of Florence. e. None of these answers is correct. Answer: d 3. Which two cities were most at the forefront of early humanism? a. Venice and Rome b. Florence
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