"Metaphysical outlooks" Essays and Research Papers

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    What is the central difference between metaphysics as Kant conceives it‚ and metaphysics as Aristotle conceives it? Argue in support of one or the other view. Metaphysics is usually taken to involve both questions of what is existence and what types of things exist; in order to answer either questions‚ one will find itself using and investigating the concepts of being. Aristotle proposed the first of these investigations which he called ‘first philosophy’‚ also known as ‘the science of being’ however

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    Theory of Forms

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    refined over this period and is never fully explained in any one dialogue. Thus‚ any explanation of the theory‚ involves piecing together fragments as they appear throughout Plato’s writings‚ and recasting the earlier statements in the light of the metaphysical framework developed in the later works. General Statement of the Theory of Forms The theory basically claims the existence of a level of reality or "world" inhabited by the ideal or archetypal forms of all things and concepts. Therefore a form

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    Meditation 17 is a very influential poem from John Donne. Many of his famous works are now considered to be "metaphysical" these poems are works that were made to study the deeper nature of reality and make concrete image comparisons between the real world and theology and psychology. The poem Meditation 17 was written by Donne at a time of great stress and hardship because he was on his deathbed‚ this perspective helped him to focus on his true beliefs and communicate his point of view. A meditation

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    Eventually the dichotomy of truth and appearance underlying the portrayal of Hervey’s doubts about his wife breaks down‚ which is reflected in the disjunction of seeing and knowing and in the prevalent ocular strategies. In the narrative the accumulation of the vocabulary of negativity and emptiness conveys his frustration. Hervey accuses his wife of being unable to sustain his faith in the absolute values and of withholding access to “the secret of hearts‚” which is summed up in a recurrent statement:

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    Nietzsche's Dialectics

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    concepts Thesis: The turn from Metaphysics to Being in Nietzsche The nature of existence according to Nietzsche is becoming‚ not Being‚ our existence is viewed as unstable and in flux. Because of this Nietzsche criticises Religion as it creates a metaphysical distraction. Metaphysics being ‘what is beyond the physical’ He criticises religion because it undermines the meaning of life as it holds favour to choosing ‘being’ which is God over which is fixed ‘becoming’ that represents life which is in flux

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    comes to us through the senses. So knowledge for Aristotle is a posteriori (post experience) not a priori (prior to experience). • Philosophy‚ for Aristotle‚ was ultimately concerned with the study of the physical universe in order to distinguish metaphysical truths. • Everything in the physical universe has potentiality and actuality. → A sperm and an egg is actually a sperm and egg‚ and potentially a baby. → A baby is actually a baby‚ and potentially a murderer or a Nobel prize winner. • Aristotle

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    the philosophical era. Philosophers often turn to the cosmological argument to justify the existence of God‚ and turn to the metaphysical basis to explain religious beliefs. This essay will analyze the “cosmological argument” as presented by Richard Taylor‚ in order to critically evaluate its meaning and understand its claims. To begin‚ the argument stems upon a metaphysical interpretation of creation. Despite the fact that religion may be a matter of faith rather than reason‚ many philosophical

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    EXISTENTIAL STRAIN IN THE THEATRE OF THE ABSURD Presented to:- Prof: Salman Rafique By: - Khudija Bano R.N - 12142014 The theatre of the Absurd is the term introduced by a renowned philosopher Martin Esslin in his book “The theatre of the absurd”. He used this term to refer to the work of certain playwrights who shared same philosophy about man’s existence in this earthly life. Among these playwrights the most prominent were Samuel Beckett‚ Eugenie Ionesco‚ Harold Pinter‚ Jean Genet and

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    clear view of what one talks about in talking about the Near East are depressingly small” (92). Tayeb Salih’s novel explores the possibility of dismantling such a cultural divide by calling into question the very elements that create such opposing outlooks. In doing so‚ he elevates a negative appraisal of the “other” into one of wonder and mystery‚ “curiosity […] changed into gaiety‚ and gaiety into sympathy […] sympathy will be transformed into a desire‚”

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    Hamlet

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    Shakespeare was successful making a puzzle surround Hamlet which reveals so many important ambiguities that even the audience of all times cannot resolve with certainty. One of those ambiguities is whether Hamlet seems to be more determined or more metaphysical freedom. In my perspective‚ I believe Hamlet is more on the determined side. He is "a product of many factors that have made him what he is‚ and which continue to shape all of his behavior." (Washburn‚ p55)  In the very first words of speech

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