John Donne and Andrew Marvell’s poetry contain love‚ romance‚ and passion‚ which are two metaphysical poets. Both of these poetry are meant to seduce a woman. The metaphysical poets contain different techniques and styles that these poetes believed will attract a woman based on their desire and lust. Andre Marvell’s poem‚ “To His Coy Mistress‚” and John Donne‚ “The Flea‚” are two poems that will be used for comparison and contrast. The similarities on these two poems is that the authors show their
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Comparative essay on two poems: A Feaver & The Flea By John Donne Introduction: John Donne is remembered today as one of the leading interpreters of a style of poetic verse known as “metaphysical poetry‚” which flourished in the late sixteenth and early seventeenth centuries.1 Metaphysical poetry usually employs unusual verse forms‚ complex figures of speech that are applied to create elaborate and surprisingly unorthodox metaphorical examples‚ and learned themes discussed according to
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intellectuals. Eliot also demonstrates Modernism. He was a key figure of Modernism and was so important a figure that the early Modernism era in 19th century is also called ‘The Age of Eliot’. In The Metaphysical Poets‚ written in 1915‚ he introduces his thoughts on what distinct features ‘Modern’ or ‘Metaphysical’ poets should use. Although his early poem The Love Song of J. Alfred Prufrock is published prior to the book review‚ it also displays modernistic features. First of all‚ Prufrock‚ the speaker of
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John Donne was a poet of XVI century. As a poet‚ he often wrote about love‚ influence by the stages of his life. He is often referred to as the chief of Metaphysical poetry‚ a specific type of writing. John’s life was tormented‚ and this can be felt within his writing. His life as a poet can be divided into three defined stages. Those stages represent the change of personality and his mind growth‚ and his growth as an individual and as a lover. The first stage‚ characterized him as a wild child
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Biography of John Donne John Donne was an English poet‚ satirist‚ lawyer and priest. He is considered the pre-eminent representative of the metaphysical poets. His works are noted for their strong‚ sensual style and include sonnets‚ love poetry‚ religious poems‚ Latin translations‚ epigrams‚ elegies‚ songs‚ satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor‚ especially compared to that of his contemporaries. Donne’s style is characterised by abrupt
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John Donne and “The Bait” John Donne was born in 1572 into a Roman Catholic family. For most of his life he was an outsider‚ a Catholic in Protestant England. Yet‚ after traveling abroad and studying theology‚ Donne converted to the English church. During that time‚ some of his poems display his interest in and critiques of English society‚ as well as his quest for true religion. In 1596-97‚ Donne joins a military expedition against Catholic Spain‚ which inspired him to write two poems about life
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love. The two very diverse topics are likely due to the difference in poetry style that Herrick’s and Donne’s poems fell under. Herrick was a Cavalier poet and was known for breezy‚ light poetry emphasizing the carpe diem attitude in a flirtatious manner‚ while Donne belonged to the Metaphysical poets‚ and relayed on wit‚ paradox‚ and metaphysical conceit to convey the message of his poetry. Despite the difference in poetry style‚ both Herrick and Donne chose a similar speaker for their poems; the
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In Valediction: Forbidding Mourning‚ please explain the conceit in the poem‚ which is found in stanzas 7 - 9. John Donne cleverly uses one of the most famous of metaphysical conceits in stanza seven of "A Valediction Forbidding Mourning." A metaphysical conceit is like an extended metaphor‚ in which the poet compares to extremely different objects; usually the comparison involves an abstract concept or emotion‚ like love‚ and some other completely random object. John Donne’s conceit in stanza
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disappeared after the Queen’s death and the poems during the reigns of James I and Charles I came to be concentrated on colloquial and plain style. The main difference was that poetry was no longer romantic. Poets like John Donne became to be known as ‘metaphysical poets’. The term ‘metaphysical’ refers to the use of intellectual and theological concepts in conceits‚ paradoxes and far-fetched imagery as Donne himself did in Meditation XVII‚ where he accounts for his view of death. Donne’s was born
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John Donne is one of the most famous metaphysical poets of the seventeenth-century versifiers. In fact‚ historians of literature consider him the father of metaphysical poetry. He wrote many wonderful and great holy poems. An example of his religious poems is sonnet number ten‚ “Death‚ be not proud”. In this sonnet he speaks about death and how it should not be proud because it is neither mighty nor fearful. To prove his point of view‚ he uses an argumentative tone and logical elements taken from
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