T s eliot as a modrn poet He is perhaps the most influential poet of the last century. The innovations that Elliot brought to poetry caused a dramatic change to virtually every art form. This includes novels‚ films‚ and poetry. T.S. Eliot worked for his entire adult life at a publishing house. He wrote his poems in his spare time. He also wrote plays and literary criticism. In fact‚ for a figure that is one of the giants of 20th century poetry‚ he did not write very much. His entire poetic
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Zhao 1 James Zhao Mrs. Wallin AP English 2/25/13 The Adoption of Modernism in T S Eliot’s “The Love Song of J. Alfred Prufrock” Modernism first emerged in America as a brand new type of literature in the early years of twentieth century. After the First World War and the Great Depression‚ Western world was looking for a kind of life different from traditional one‚ easier‚ faster‚ more technological‚ and more convenient. Fortunately‚ modernist movement came into sight by then and answered all
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industrial society and challenging traditional cultural customs. T.S Eliot has been one of the most daring innovators of twentieth-century poetry‚ and believed that poetry should aim at a representation of the complexities of modern civilization. His poem ‘Preludes’ looks at the decay of the city as a result of ritual‚ futility and the effects of technological advancement through Eliot’s harsh description of the city and its people. Eliot effectively distinguishes his thoughts of the modernist era‚ instantly
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METAPHYSICAL POETRY Metaphysical poetry‚ a term generally applied to the works of a group of English poets of the seventeenth century who wrote poetry in dramatic and conversational in rhythm in tone‚ intriguing and complex in theme and idea. Metaphysical poetry is also rich in striking and unusual imagery chosen from philosophy‚ theology‚ the arts‚ crafts and sciences. Metaphysical poems were also known as lyrical poems which are brief but intense meditations‚ characterized by striking use of
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Amanda Taylor English 1101 Dr. Marla J. Fowler 8-5-12 Metaphysical Poets The term metaphysical poets was coined by the poet and critic Samuel Johnson to describe a loose group of British lyric poets of the 17th century‚ whose work was characterized by the inventive use of conceits‚ and by speculation about topics such as love or religion. These poets were not formally affiliated; most of them did not even know or read each other (Wikipedia). Their work
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Eliot‚ T. S.‚ in full THOMAS STEARNS ELIOT (b. Sept. 26‚ 1888‚ St. Louis‚ Mo.‚ U.S. – d. Jan. 4‚ 1965‚ London‚ Eng.)‚ American-English poet‚ playwright‚ literary critic‚ and editor‚ a leader of the modernist movement in poetry in such works as The Waste Land (1922) and Four Quartets (1943). Eliot exercised a strong influence on Anglo-American culture from the 1920s until late in the century. His experiments in diction‚ style‚ and versification revitalized English poetry‚ and in a series of critical
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Poetry isn ’t just rhyming couplets. Many styles of writing covering various themes‚ and originating from many historical periods‚ can be classified as poetry. The thematic content and stylistic characteristics of Cavalier poetry and metaphysical poetry often cause comparison between the two styles. However‚ similarities like their thematic concern with love and their prominence during the 17th century are outnumbered by their differences. Other People Are Reading Different Styles of Rhyming PoemsThe
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Thomas Stearns “T.S.” Eliot is one of the most inspiring authors in American history. Eliot’s contribution to society was more than words. Eliot’s authorship sits upon a pedestal that will stand the test of time. He is one of the few authors of the 1920s who had the poetic talent that is reflected on to this day. T.S. Eliot’s literature‚ which greatly impacted the 1920’s‚ was influenced by his early life‚ collegiate career‚ jobs‚ love life‚ and authoring career. Eliot was born September 26‚ 1888
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separation. In fact‚ he discovers ways of suggesting‚ through metaphysical conceit‚ that the two of them either possess a single soul and so can never really be divided‚ or have twin souls permanently connected to each other. A metaphysical conceit is an extended metaphor or simile in which the poet draws an ingenious comparison between two very unlike objects. "A Valediction: Forbidding Mourning" ends with one of Donne’s most famous metaphysical conceits‚ in which he argues for the lovers’ closeness by
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I The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots‚ And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled
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