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    metatheatre

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    The term "metatheatre"‚ coined by Lionel Abel‚ has entered into common critical usage; however‚ there is still much uncertainty over its proper definition and what dramatic techniques might be included in its scope. Many scholars have studied its usage as a literary technique within great works of literature. Abel described metatheatre as reflecting comedy and tragedy‚ at the same time‚ where the audience can laugh at the protagonist while feeling empathetic simultaneously.[1] The technique reflects

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    metatheatre

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    Metatheatre" is a convenient name for the quality or force in a play which challenges theatre’s claim to be simply realistic -- to be nothing but a mirror in which we view the actions and sufferings of characters like ourselves‚ suspending our disbelief in their reality. Metatheatre begins by sharpening our awareness of the unlikeness of life to dramatic art; it may end by making us aware of life’s uncanny likeness to art or illusion. By calling attention to the strangeness‚ artificiality‚ illusoriness

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    The Tempest

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    SHAKESPEARE MADE EASY The Tempest Three Watson Irvine‚ CA 92618-2767 Web site: www.sdlback.com Copyright © 2006 by Saddleback Educational Publishing. All rights reserved. No part of this book may be reproduced in any form or by any means‚ electronc or mechanical‚ including photocopying‚ recording‚ or by any information storage and retrieval system‚ without the written permission of the publisher‚ with the exception below. Pages labeled with the statement Saddleback Educational Publishing

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    Tempest

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    ------------------------------------------------- The Tempest From Wikipedia‚ the free encyclopedia This article is about the Shakespeare play. For other uses‚ see The Tempest (disambiguation). The shipwreck in Act I‚ Scene 1‚ in a 1797 engraving based on a painting by George Romney The Tempest is a play by William Shakespeare‚ believed to have been written in 1610–11‚ and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island‚ where Prospero

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    Adam Dolah 12/27/12 10B Essay In both of the plays The Tempest and Julius Caesar‚ a group of people is formed to take down and kill one person. In Julius Caesar‚ the conspirators who came up with the plan to kill Caesar were Cassius‚ Cinna‚ Casca‚ Metellus‚ Decius‚ and one can even say Brutus as well even though he was not part of them originally. In The Tempest‚ there are a couple different murder plots. The first of which is when Ariel puts everyone to sleep except for Antonio

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    Tempest

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    Relevance of The Tempest in the Modern Wo The Tempest‚ a pastoral tragicomedy by William Shakespeare‚ was written in the Renaissance period. When the play was written‚ the particular context that the author intended and that the audience received would be different to the meanings and ideas that we pick up from studying or viewing the play now. For example‚ the way that women in particular are portrayed in old plays such as The Tempest is quite derogatory and would be unacceptable for a modern play

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    The Tempest

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    The tempest is an intellectually challenging play that explores a wide range of significant issues‚ such as power and control and versions of reality. Shakespeare uses a large variety of language techniques and dramatic devices such as imagery and music to help us fully understand the true meaning of The Tempest. Power and control is shown through Prospero and Antonio’s complex relationship. Prospero was the rightful duke of Milan until Antonio stole his role‚ which is the main reason for Prospero’s

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    Tempest

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    One of the most well-discussed themes in The Tempest is the theme of illusion versus reality. This theme initially appears as it relates to the opposing worlds of a primitive island and the civilized culture of Milan. All of the characters in this play have been brought to this island in one way or another‚ and they are forced to coexist in a new and unfamiliar setting. These men are accustomed to reigning over all things‚ yet they now find themselves in a realm where the reigning power is that of

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    The Tempest and a Colonialist Representation The Tempest‚ most likely written in 1610-1611 and staged for the first time at the royal marriage of Princess Elizabeth around 1612‚ is the final play that Shakespeare’s wrote on his own. It is shrouded in the classic ambiguity that is unique to Shakespeare’s work and thus allows for multiple interpretations. For over a century‚ and particularly in the past twenty years‚ one of the more popular approaches to The Tempest is the influence of colonialism

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    The Tempest

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    Zaria Ragguette Language Arts a. What was the name of Caliban’s mother? b. Caliban’s mother was a witch called Sycorax. c. Over how many days does the action of The Tempest take place? d. The tempest takes place for one day. e. Which mythical figures appear in the wedding masque Prospero stages for Miranda and Ferdinand? f. The mythical feature that appears in the wedding masque Prospero stages for Miranda and Ferdinand are Iris‚ Ceres‚ and Juno. 1. Students must

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