Can We Put a Price on Art and History? The most important consideration facing the person responsible for securing new works of art or artifacts for a museum is to preserve culture and history. Another purpose is to educate others who would like to learn about these certain subjects. Art demonstrates glimpses of history‚ or just new styles of art‚ which serve as inspiration to other artists and people. Artifacts from the past‚ show a realistic viewpoint of how a certain era of people lived‚ also
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The University Art Museum If you only thought the movie “Nights at the Museum” was hectic in its twisted realism‚ nothing is more real than deciding what the future beholds. Just like the characters in the museum was ship to the Smithsonian in the movie‚ so the identity of this well academically renowned university art museum management strategy has been shipped into dealing with a future dilemma of what purpose it will accommodate. In observation of the reading‚ it is obvious that this well-endowed
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The Government Museum and Art Gallery in Chandigarh‚ India. On June 2nd and 3rd 2008‚ I was conducted my research on this site. I come from a multicultural family who always appreciated both the visual and perceptual meaning of art. When I was growing up‚ my family would encourage us (me and my younger siblings) to acknowledge the concept and beauty of the efforts that one expressed in their collection‚ whatever it may be. That has inspired me so much that I paint as well as sketch‚ from time
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C.A.P. The Conference on Art and Art Projects (Non-profit organization) C.A.P. was founded in 1994‚ when eleven artists met up to discuss about an ideal art museum. The ideas were pitched to the city of Kobe‚ which planned on founding a new art museum by then. A contemporary‚ unconventional museum was visualised‚ a vivid space for regional art production and communication‚ sharply contrasting museums exhibiting representative works by institutionalized artists. Tragically‚ Kobe was struck by the
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When I went to the art museum‚ I had no idea that I would come into contact with one of my favorite Impressionists artists. I spent hours walking through the museum‚ gallery after gallery. Each piece was beautifully created. I saw portraits‚ prints‚ sculptures‚ all eccentric in their own way. My family‚ quickly paced‚ moved through the maze of colors with lightning speed. As for me‚ each one had an intricate story and detail that I was determined to learn. Turning the corner‚ I stopped in my tracks
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Last Sunday‚ we paid a visit to the Museum of Archaeology & Anthropology. It is three stories high and each floor has its theme. The Museum of Archaeology and Anthropology at the University of Cambridge holds a world-class collections of art and artefacts from all over the world. Objects ranging from stone tools and pots to sculptures and paintings represent cultures and histories over millennia. Great recent and contemporary works reflect the diversity of peoples worldwide‚ and the resilience of
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Art Exhibition Re-Do 12/05/12 The Museum of Art Institute in Chicago The second-largest art museum in the country‚ the Art Institute houses treasures and masterpieces from around the globe‚ including a fabulous selection of both impressionist and post-impressionist paintings. The theme I decided to pick was called the Holiday Thorne room. The Holiday Thorne room has the most magnificent displays including descriptions of holiday objects that were labeled as historic from previous ownerships
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doi: 10.1111/j.1748-8583.2010.00137.x The psychological contract and the transition from office-based to home-based work Susanne Tietze‚ Nottingham Business School‚ Nottingham Trent University Sara Nadin‚ Sheffield University School of Management‚ University of Sheffield Human Resource Management Journal‚ Vol 21‚ no 3‚ 2011‚ pages 318–334 This article explores how the transition from office-based to home-based work impacts upon the psychological contracts of employees involved. Adopting a qualitative
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A work of art that I selected from The North Carolina Museum of Art is titled‚ The Triumph of Venice. The artist’s name is Pompeo Girolamo Batoni. The medium used in this painting is oil on canvas. The size of the painting is 68 5/8 x 112 5/8 inches. My first impression of this piece was so inspiring. This piece of artwork has so much going on. From the different actions being taken by everyone to the amazing landscape and colors‚ this piece is my favorite out of all the artwork at The North Carolina
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"Reclining Pan in the St. Louis Art Museum" Reclining Pan (St. Louis Art Museum‚ 138:1947) also known as Drunken Satyr‚ a marble sculpture modeled by Giovanni Angelo Montorsoli in early 16th century‚ is portraying Pan‚ the god of the woods‚ fields‚ and flocks in the reclining position. The sculpture was owned by the powerful Barberini Family in Rome‚ then purchase by St. Louis Art Museum in1947.1 Reclining Pan at the St. Louis Art Museum under discussion presents a commanding image of the
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