perspective of reality. This has been the context by which Michel Foucault built his overall frameworks of thought. As a philosopher and cultural historian‚ Foucault underscored in his writings that the fundamental ideas that people commonly consider as the permanent truths of their being have changed throughout the course of history. Without a doubt‚ with his unorthodox contemplations on the disciplinary society and the distortions of human sexuality‚ Michel Foucault’s influence to the postmodernist movement
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constructionist approaches to representation. Most of this text will be exploring the constructionist approach with two major variants or models of the constructionist approach‚ the semiotic approach- Ferdinand de Saussure and the discursive approach- Michel Foucault. But we have to answer the question first：what does the word representation really mean？ 1.1 Making meaning‚ Representing things Representation is the production of the meaning of the concepts in our minds through language. There are two processes
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time of intense interaction with people and ideas. It is a time of passionate friendships and experimentation.” (468) Applying this concept to Girl‚ Interrupted unveils that psychosocial moratorium is essential to finding his or hers’ identity. In Michel Foucault’s “Panopticon‚” discipline further shows what is vital in finding his or hers’ true identity. Through psychosocial moratorium and discipline is where someone will find his or hers’ identity. In two specific scenes from Girl‚ Interrupted
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Panopticism Michael Foucault’s essay Panopticism was written much differently than other essays that I have read. Panopticism is intended to be‚ as mentioned by Hunter‚ a “meticulous tactical partitioning” (pg. 212). Foucault writes in such a different style then most of the authors that I have studied. He uses unique grammar and sentence structures that make sense but take a while to understand‚ as well as different use words that truly mean one thing and in his mind meaning another and even
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Michel Foucault presents a challenging read in the book‚ Discipline and Punish: The Birth of the Prison. Foucault explains how punishment has changed over time from a corporal‚ physical punishment to a punishment that is targeted at souls. Foucault walks the reader though how the disciplinary and penal system has changed as the body was discovered as an object and target of power. Foucault begins this book by recounting the fate of a man called Damien the regicide‚ who attempted to assassinate
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Madness and Civilization In Madness and Civilization‚ Michel Foucault discuses the history of insanity in Europe from the sixteenth to the nineteenth century. He begins his analysis with the treatment of the lepers and criminals concluding with the treatment of the insane. As "madness" became part of everyday life‚ people of the time were though to be threatened by "madness". This sense of threat resulted in the hiding of the "mad" in early day asylum or "mad house"‚ whose conditions were inhumane
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“A third pole of opposition is between individual/social paranoia – is the paranoia that of an idiosyncratic individual or that of a group‚ neighbourhood‚ nation or transnational organisation?”(Harper 2008 p11) Even so why do we feel socially paranoid? Could social paranoia be caused by surveillance? One could argue that we are unaware of our surveillance. Additionally‚ there are rhetorical strategies that suggest a social strategy of paranoia. An ex-Prime minister for UK armed forces made allegations
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HOMO HOMINI LUPUS Addressing Violence and Power within Societies “The problems of violence may be cardinal to a proper understanding of political life‚ yet the concept of violence remains elusive and often misunderstood”[1]. Scientists are asked to explain‚ define and describe the object of their studies‚ make questions and give answers helping people to be less scared about the various “world mysteries”. In social sciences‚ to define‚ to give an objective‚ almost scientific‚ brief description
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Tennessee Williams exploits the expressionistic uses of space in the drama‚ attempting to represent desire from the outside‚ that is‚ in its formal challenge to realistic stability and closure‚ and in its exposure to risk. Loosening both stage and verbal languages from their implicit desire for closure and containment‚ Streetcar exposes the danger and the violence of this desire‚ which is always the desire for the end of desire. Writing in a period when U.S. drama was becoming disillusioned
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cells without being seen by the jailers. This architectural design which expanded to other institutions like the psychiatric asylum‚ the reformatory‚ the school and the hospital seems to fit in only one framework of power_ the disciplinary power. Michel Foucault develops this postmodern social theory of power that turns away from the traditional third-dimensional view of power. Rather than see power as localised in an individual‚ in a state acting or in a ruling ideological class‚ the French philosopher
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