spatial relationships between topiary and structures b. centrally planned buildings c. importance of ornamentation d. expansion of open spaces Answer: b 4. Raphael learned at the elbow of a. Leonardo. b. Perugino. c. Fra Angelico. d. Michelangelo. Answer: b 5. Who were two important figures in Raphael’s School of Athens? a. David and Goliath b. Venus and Adonis c. Plato and Aristotle d. Alexander the Great and Socrates Answer: c 6. Which is NOT true of Leonardo da Vinci
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Part.B: Maison-Caree. Since High Renaissance period was highly influenced by the Roman culture‚ the Roman orders of columns were applied in the architecture and most building plans and façade were symmetrical. One of the examples which can be brought from Roman times is the Maison-Caree. It is an ancient building located in southern France‚ and considered to be one of the best preserved Roman temples. The three stepped floor was replaced with a tall platform‚ and the columns along the sides of the
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Oil on poplar | Dimensions | 77 cm × 53 cm (30 in × 21 in) | Location | Musée du Louvre‚ Paris | Creation of Adam - Sistine Chapel by Michelangelo Michelangelo took four years to paint the Sistine chapel. He chose scenes from the Old Testament. This is the epic moment of God creating Adam. How similar God is to man in this picture. Artist | Michelangelo | Year | c. 1512 | Type | fresco | Dimensions | 480.10 cm × 230.10 cm (189.0 in × 90.6 in) | Starry Night - Vincent Van Gogh The
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Medieval vs. Renaissance Art Art during the Italian Renaissance differed from art during the Middle Ages. The two have contrasting characteristics and concepts. To the people in the medieval world‚ religion was their life. Everything in daily life focused around the church and God (Modern World 164). Medieval culture influenced the arts; this was evident in the religious themes. During the Italian Renaissance‚ painters and other artists focused on the portrayal of a more humanistic way of
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naked‚ which shows secularism and worldliness. Like The David by Michelangelo‚ there’s a bend in the knee in Venus’s pose. She’s in a natural pose‚ which is first introduced in the renaissance. This relaxed and realistic approach was humanistic compared Medieval art which has no concept of realism. The woman on the left is in a beautiful dress. Nice clothing shows worldliness which is another idea of humanism. David by Michelangelo The influence of humanism is strongly present in Michelangelo’s
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ideologies and artistic philosophies evolved during that time. The essay compares and contrasts these two art periods with respect to the major works created by prominent artists of these periods. In this regard‚ the masterpiece David‚ created by Michelangelo‚ has been compared with the Antonio Canova’s statue Psyche Revived by Cupid’s Kiss. Both of these works reflect the artistic progression of their ages. David represents the renaissance art by reflecting the political situation of that time‚ whereas
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every once in a while as we investigate the old style from the new we could really perceive how much the styles has changed. As part of my investigation for my two choices The Roman Renaissance (21-11) pg. 645 - Interior‚ Sistine Chapel Vatican‚ by Michelangelo‚Rome. Constructed 1475 - 1481; ceiling painted 1508 - 1521; end wall‚ 1536 - 1541. the ceiling measurement are large and The Italian Baroque (23-10) pg. 724 - Contarelli Chapel‚ San Luigi Dei Francesi‚ Rome. Painting by Caravaggio 1599-1602. The
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“When people think of a hero they most likely think of Superman‚ Batman‚ or Spider-Man‚ but what they should think of is people that make a difference in the world” (“One of America’s Greatest” par.2). This quote is saying that most people often forget to acknowledge the people who have strived to make a difference‚ but what people do acknowledge is what entertains them‚ such as the superheroes who don’t make any difference in their lives. Today‚ even the people who aren’t determined to succeed in
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the 2 fingers trying to make contact. This simplifies the picture‚ gives it a central focus‚ a focal point‚ and encompasses all that is High Renaissance. Matthias Gruenewald’s The Crucifiction‚ however‚ speaks through a much different medium. Michelangelo stayed true to High Renaissance ideals of restraint and harmony throughout his painting. Gruenewald’s interpretation of The crucifixion stands in stark contrast with Michelangelo’s painting because all regard for restraint and harmony is tossed
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constructed figure and emotion behind the actual figure. My two artworks i chose to compare and contrast was “The Kiss” by Constantin Brancusi and “Pieta” by Michelangelo. “The Kiss” by Constantin Brancusi was made in 1908. Constantin’s sculptures were usually all abstract artworks but “The Kiss” was his most popular. The “Pieta” by Michelangelo was made in 1499. It was originally made for a french cardinal’s funeral. The sculpture shows Mary holding Jesus with a sorrowful face after the crucifix
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