Running head: The Erotic and Sexual Nature of Dracula The Erotic and Sexual Nature of Dracula Kimberly Irish Axia College of University of Phoenix 1 Abstract Dracula‚ is the king of the vampires. Since Bram Stoker ’s novel was published a fascination with vampires has boomed. In its wake there have been countless books‚ films and research on Dracula. One often overlooked element in the ’Dracula universe ’ is the use of erotic and sexual references. These references are sometimes subtle
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Over the course of cinematic history‚ many filmmakers have attempted to recreate the chilling‚ unprecedented world of Bram Stoker’s Dracula. Arguably very few have succeeded‚ for the majority of directors tend to avoid the pervasive sexuality inherent in the novel. It is a difficult task to achieve‚ considering the blatant imagery surrounding sex and vampirism‚ such as the reproduction following a vampiric encounter and the phallocentric nature of the violence committed both by and against these
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Mina Loy was born on December 27‚ 1882 in London‚ England. She attended a conservative art school‚ finding herself influenced by impressionism. She achieved some success as a painter‚ with her paintings included in the Salon d’Automne show in Paris in 1905. As an artist‚ she moved through various mediums‚ from oil to ink‚ then light fixtures‚ then finally sculptures. With her sculptures‚ she used everyday items she found on the streets of Manhattan. She moved to the United States of 1916. Loy felt
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Alex Prather Weems British Literature August 9‚ 2010 Dracula‚ by Bram Stoker‚ is quite the epitome of the gothic novel. Towards the beginning of the story‚ the setting takes place in an old and ominous castle‚ which is highly characteristic of gothic literature. Harker’s tribulation begins when “the driver was in the act of pulling up the horses in the courtyard of a vast ruined castle‚” (Stoker 18). There is also a gloomy and menacing tone given to the setting of the novel‚ as in most pieces
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Introduction: Lucy Akehurst graduated from the University of Portsmouth with a master’s degree in Psychology. Shortly thereafter‚ she decided to return to school and pursue her PhD‚ which she received in 1997. During this time period‚ she focused her studies on deception research‚ where she specifically honed her study in on nonverbal cues of deceit‚ Criteria-Based Content Analysis (CBCA)‚ and how she could affect public perception of both. Akehurst is currently an undergraduate teacher at the University
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point in their lives has heard. The famous story Dracula written by Bram Stoker reveals to its readers many characteristics that we today know as vampires. The 1897 novel gained quick acceptance into our hearts‚ and is still considered a classic in our modern day society. Although many might believe that vampire originated within the 1897 Dracula novel‚ there were a few predecessors that inspired some of the characteristics within Dracula. Dracula being written in the late 1800’s has a different
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EN 2300 (W) / TUT05 March 29th ‚ 2010 Destabilizing Gender Norms in Dracula In Bram Stoker’s Dracula‚ characters interact with each other in a number of different ways. Over the years this has lead to many different readings of Stoker’s novel‚ and it is one of the reasons that Dracula has survived for so many years as a noted literary text. In examining the characters‚ a multiplicity of layers seems to unravel themselves‚ one of which being the interesting relation they all have to one another
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Societies are always changing with the ideas and experiences lived by people. Dracula was written in a period where cultures were mixing‚ bringing new ideas into London. New ideas can bring the best or worst of people‚ which is why changes is either embraced or fought against. In this Victorian time‚ the roles of women and men are well defined by the expectations society has for them. Woman were expected to stay within certain boundaries; stepping out of this constriction would be consider improper
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blood-sucking Transylvanian man‚ upon diving deeper into Bram Stoker’s novel Dracula‚ one can find issues of female sexuality‚ homoeroticism‚ and gender roles. Many read Dracula as an entertaining story full of scary castles‚ seductive vampires‚ and mysterious forces‚ yet at the same time‚ they are being bombarded with descriptions of sex‚ images of rape‚ and homosexual relationships. In Francis Coppola’s Bram Stoker’s Dracula‚ Stoker’s presentation of homoeroticism is taken‚ reworked‚ and presented
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Johnathan Rubio 11/15/11 9th period In Charles Dickens novel “A Tale of Two Cities” he expresses a tone of disgust through the use of sarcasm‚ alliteration‚ and repetition. Tone is the writer’s attitude towards the subject‚ and in this case Charles Dickens shows disgust towards Monseigneor. In his story he uses sarcasm to describe how selfish Monseigneur is. For example he states “Deep would have been the blot upon his escutcheon if his chocolate had been ignobly waited on by only
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