Talkin’ to Me?” scene in Taxi Driver is one of the most famous and widely imitated scenes in cinematic history. Travis Bickle is talking to himself and the world as a whole while he points his gun and threatens into that mirror. This is a breaking point in Travis’ life and his psyche. He has become more and more disassociated with reality and now he must act on his objections to the world. Scorsese shows Travis’ skewed point of view through a number of effective mise-en-scene‚ camera and editing
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Andrew Rubin Intro to Film 11/1/14 Mise-en-Scene Question 1 Props and Lighting in Do the Right Thing Spike Lee’s classic film Do the Right Thing uses props and lighting throughout to convey meaning and emotions. One of the first props you see is clothing‚ which is relevant in the opening credits as Tina dances in various outfits. Her first outfit is a red dress‚ which could symbolize her love for her son and Mookie‚ or the bloodshed that is soon to come for this African American Brooklyn neighborhood
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How do the micro elements mise en scène and cinematography establish characters and introduce the audience to the key themes of the film in the opening sequence of Danny Boyle’s 1996 film Trainspotting? Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television‚ choose washing machines‚ cars‚ compact disc players and electrical tin openers. Choose good health‚ low cholesterol‚ and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home
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Eight year after events of The Dark Knight‚ Gotham City is in a state of peace. Under powers granted by the Dent Act-legislation inspired by the late Harvey Dent –the Gotham City Police Department has nearly eradicated organized crime. Batman has disappeared and Bruce Wayne has become a recluse. Police Commissioner James Gordon fells guilty about the truth; however‚ he decides that the city is not ready to hear it. While searching for a missing congressman‚ Gordon is captured and his speech taken
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middle of the night where it was all dark‚ as a burden to the family. His doubtful identity begins with the trauma of his arrival. Second‚ as a charity member to the muggle home‚ Harry
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Romeo and Juliet by Baz Luhrman In this piece of coursework I will analyse four shots from the opening sequence. I will analyse the film techniques in Romeo and Juliet such as the mise-en-scene‚ the casting and costume‚ camera angles‚ lighting‚ captions‚ music and other techniques that have been used in order to make this film successful. In the opening sequence of Romeo and Juliet it doesn’t really focus on their love but mostly the feud between the two families and how they are caught between;
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member that makes suspension of disbelief an absolute breeze for anyone that views Wizard of Oz. Uniquely‚ for a production of the time period‚ Wizard of Oz begins in black and white and‚ through an exquisitely executed tornado scene‚ throws its viewers right into the middle of Munchkin Land with Dorothy. However‚ the black and white scenes can still hold their own in
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Supergirl comics were published in the late 1950’s‚ in an atmosphere that is considerably different from that in which Batman: The Dark Knight Returns was created. Supergirl comics were created in the post World War II setting‚ when Americans reverted to their traditional beliefs. In contrast‚ Batman; The Dark Knight Returns was created during the Cold War era of the late 1980’s‚ when tensions ran high between the two super powers; the Soviet Union and the United States of America. These two different
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The timing is reflected in the scene where the professor’s assistant and Will are alone and the assistant tells Will how lucky he is to have someone believe in him as much as the professor does. As if on cue‚ the professor walks in just as his assistant finishes talking and gets up to leave. The cinematography in the movie is good. The viewer is immediately given some insight into Will’s social status. The viewer is shown that he obviously lives in one of the poorer sections of Boston; you see that
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rational‚ thoughtful‚ and democratic Weimar republic Republic slowly lost its grips on the government‚ giving way to the delusional‚ fascist Nazi Party. In the film M‚ Fritz Lang uses mise-en-scene‚ editing‚ cinematography‚ and sound to embodyin order to manifest Hans Beckert’s mental illness‚
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