Trevor Stopka Mr. Bessey Rhetoric of Cinema 9 February 2015 The insight on Jeff and Lisa’s relationship Rear Window (Paramount Pictures 1954) is one of Alfred Hitchcock’s greatest movies. He takes you through mystery and troubles of a relationship in this movie. You are shown what it is like to be stuck in your apartment and nothing to do but watch your neighbors. Also seeing how relationships were during the 1950’s and how Jeff (James Stewart) and Lisa Carol Fremont’s (Grace Kelly) relationship
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faced with a common issue regarding whether or not two wrongs make a right. If an individual were to solve a crime by committing a crime‚ have we really advanced as a society? The film Rear Window‚ directed by Alfred Hitchcock‚ is centered around this question of ethics. Being handicapped and limited to the rear window in his apartment‚ L.B Jefferies passes time by watching his neighbors live their lives. As the story goes on‚ it becomes apparent that one of his neighbors has been involved in a murder
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VOYEURISM IN "REAR WINDOW" In this essay‚ I shall try to illustrate whether analysing the movie Rear Window as a classical example of the Freudian concept of voyeurism‚ is appropriate. Voyeurism is defined in The Penguin dictionary of psychology as: "Voyeurism: characterized by a pattern of sexual behaviour in which one’s preferred means of sexual arousal is the clandestine observing of others when they are disrobing‚ nude or actually engaged in sexual activity. Arousal is dependent upon the
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One of the most crucial elements of Rear Window‚ and a very clever tactic used by Hitchcock‚ is realism. In other words‚ most if not all things that happen in this film‚ and everything that every character feels and emotes‚ is entirely plausible in real life - perhaps not witnessing a murder‚ but something equally shocking‚ such as spousal abuse is entirely possible. Because of this there is at least one thing or person that everybody can identify with‚ either with Jeff‚ Lisa‚ the neighbours‚ or
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Observation is the most prevalent theme displayed in the film Rear Window (1954). As such‚ the aesthetics chosen by the director emphasize the altered gender roles of Jefferies and Lisa. The film’s editing techniques contribute to these roles; a series of point-of-view and shot/reverse shots exhibit Jefferies feelings of confinement in the scenes “Lisa” and “Something’s Wrong.” The sound techniques used‚ such as off-screen diegetic sound‚ echo Jefferies’ preoccupation with what’s going on in his
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Reflection of Rear Window As I read the title of this short story‚ I was wondering what kind of story is this. The title does not give me a really good impression of the short story. But well‚ I guess it is true that we can’t judge a book by its cover. The title is not that impressing but rear window is really an attention-grabbing short story. Once you have started read it‚ you just can’t stop. This story is full of surprise and it’s unpredictable. We never get to guess what is going to happen
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Love and its antagonism: Godard’s mise-en-scene of marital strife Le Mépris (Contempt) is about love at its last fraying ends. About hidden desires beseeching to be fulfilled. About the plight of Greek gods. About the travails and tough love of filmmaking. Godard’s film illustrates the story of a screenwriter’s marriage and its ineluctable deterioration. Rich of human relations and its poignant subtexts‚ my thesis is to demystify the enigma of Godard’s mise-en-scene on the subject of love and marital
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Writing. Caruso examines the social mores of their respective contexts while combining the traditional conventions of crime writing with their own unique twist. Caruso’s Disturbia depicts a new high tech world of voyeurism; directly parallel to Rear Window but with the added social facts of modernity and new technology to appeal to a younger audience. The protagonist and amateur sleuth Kale‚ being “6 months shy of eighteen” is judged as an undependable
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The Rear Window Spying on friends has never been easier thanks to social media. Social media websites such as Facebook and Instagram give you the opportunity to peer into other people’s lives without even having to contact them in person. Sometimes this can get out of hand‚ leading to voyeurism and stalking. Although “The Rear Window” was produced in 1954‚ it relates to social media in this day and age when it comes to peering into other people’s lives. L.B. Jefferies is the main character in
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greatness. This film uses both kinds of setting a set and on location. Since this movie is from the 1930’s you can distinguish the difference very easily between the two. The sets were constructed very well and look pretty realistic. There were some scenes where they were on a set and the background was a film itself playing to show that they were in a car and the
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