films of the 1930s and film noir of the 1940s.” The influence that Elsaesser is referring to is of great importance to both film noir and horror films. This influence can be seen simply through looking at Robert Wiene’s exemplary film‚ The Cabinet of Dr. Caligari (1921)‚ and its astounding influence on both film noir and horror films‚ looking at the example of Alfred Hitchcock’s Psycho (1960). The time period between the German Expressionist and film noir styles also reveals much of the reason for
Premium
With reference to “Strangers On A Train” analyse the mise-en-scene. In this essay I am going to write about the film “Strangers On A Train” and look at how mise en scene and narrative structure are used to establish the film’s themes. Strangers On A Train is about two men‚ Guy Haines and Bruno Anthony‚ who meet on a train by accidentally knocking shoes. Guy is a professional tennis player and Bruno recognises him and starts talking to him. Bruno knows from the papers that Guy wishes to marry
Premium Film Film director Film theory
(Anthony Perkins). Hitchcock explores the nightmarish themes of madness‚ duality of characters‚ personal traps and voyeurism through employment of devices like mise-en-scene and motifs. Through the use of mise-en-scene in the parlor‚ Hitchcock masters the visual arrangements that help engage the audience with the characters in the film. The scene commences with what
Premium Horror film Edgar Allan Poe Gothic fiction
How does mise-en-scene create meaning and provoke response in the opening of American Beauty? The opening scene of American Beauty shows a teenage girl lying in a bed‚ venting her feelings towards her father. In this‚ the audience sees her in dull clothing and colours‚ minimal make-up and has greasy-looking hair. As she sits up‚ her hair falls around her face and she stares directly into the camera‚ giving a sense of unease to the audience. The next shot is an establishing shot‚ showing the
Premium Family English-language films Color
The rational‚ thoughtful‚ and democratic Weimar republic Republic slowly lost its grips on the government‚ giving way to the delusional‚ fascist Nazi Party. In the film M‚ Fritz Lang uses mise-en-scene‚ editing‚ cinematography‚ and sound to embodyin order to manifest Hans Beckert’s mental illness‚
Premium Adolf Hitler Germany World War II
I will be analyzing a 10 minute clip off the film called Juno that was released in 2007 directed by Jason Reitman. This analysis will cover mise-en-scene‚ colouring‚ costume and performance. The film begins with a long-shot of Juno standing outside of a house with a chair in front of her introducing the surroundings to the viewers. It then showed us a wide angle shot focusing Juno and a chair. The beginning part makes the audience confused to why a chair was outside and why she was focus with the
Premium English-language films Film Narrative
disbelief an absolute breeze for anyone that views Wizard of Oz. Uniquely‚ for a production of the time period‚ Wizard of Oz begins in black and white and‚ through an exquisitely executed tornado scene‚ throws its viewers right into the middle of Munchkin Land with Dorothy. However‚ the black and white scenes can still hold their own in
Premium
The timing is reflected in the scene where the professor’s assistant and Will are alone and the assistant tells Will how lucky he is to have someone believe in him as much as the professor does. As if on cue‚ the professor walks in just as his assistant finishes talking and gets up to leave. The cinematography in the movie is good. The viewer is immediately given some insight into Will’s social status. The viewer is shown that he obviously lives in one of the poorer sections of Boston; you see that
Premium Science Mathematics Formula
Cecilie Skogheim FS 101 Term Paper VERTIGO Vertigo (Alfred Hitchcock‚ 1958) is an American film noir psychological thriller. Hitchcock made Vertigo during a very creative period (1958-1960) of his life. In that time period he released three historic films‚ Vertigo (1958)‚ North by Northwest (1959)‚ and Psycho (1960). Each film took a radically characteristic approach to the genre suspense thriller‚ and Hitchcock made a massive change to the thriller genre. His films were not black and white anymore
Premium Alfred Hitchcock Psychological thriller
[DOCUMENT TITLE] Karinne Saraiva da Silva – N01147112 Introduction Mise-en-Scene Shot The element distance of diachronic shots is well explored throughout the famous music Let It Go showing the contrast between the scared Elsa and herself after the transformation. At the beginning‚ Elsa is terrified after running away from Arandelle‚ the extreme long shot of the mountain leaves the character invisible‚ then the camera starts to approximate‚ but the shot only changes to a long shot only 12 seconds
Premium Long shot Film techniques Close-up