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    Motaz Jodeh CIN100 September 18‚ 2012 Mise-en-scene In order to understand the general idea of what a mise-en-scene‚ one must know the definition of it. It is French word that means “staging or putting on an action or scene” (p.156) it is the background and staging that is in every film or movie ever done. It is the dressing or background in which the narrative of the movie blends with to make a realistic and enjoyable movie. From the lighting of the camera and the costume and design

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    ------------------------------------------------- Looking at Mise-en-scéne ------------------------------------------------- The Blind Side Kirstin Kuball Abstract Looking at everything onscreen and noticing why John Lee Hancock placed it in the way he did. What does he want the viewer to see and take away from the film? What is the purpose and how does it change the meanings? Themes in the film are black & white and wealth & poverty. Mise-en-scéne‚ a French term used to describe the “placement

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    La La Land and the use of Mise en Scene La La Land (2016) is a film directed and written by Damian Chazelle (dir.) known for directing the film Whiplash (2014). The acting stars‚ Emma Stone (perf.) as “Mia” and Ryan Gosling (perf.) as “Sebastian”. Mia‚ an aspiring actress and Sebastian an aspiring jazz musician. The film location is set in a modern-day Los Angeles and was shot on location and in Warner Bros. Studios. Chazelle states “it’s an homage to the musicals of the 1950’s and the

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    Andrew Rubin Intro to Film 11/1/14 Mise-en-Scene Question 1 Props and Lighting in Do the Right Thing Spike Lee’s classic film Do the Right Thing uses props and lighting throughout to convey meaning and emotions. One of the first props you see is clothing‚ which is relevant in the opening credits as Tina dances in various outfits. Her first outfit is a red dress‚ which could symbolize her love for her son and Mookie‚ or the bloodshed that is soon to come for this African American Brooklyn neighborhood

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    I am a firm believer of the notion that you can tell an entire story‚ with no dialogue‚ just by using mise-en scene. In Little Miss Sunshine‚ that belief is especially strong. According to Bordwell‚ mise-en scene is used to achieve realism by giving settings an authentic look and letting actors look and act as authentic as possible. From the very beginning‚ Little Miss Sunshine gives us exactly that. In it’s opening sequence we are introduced to 6 characters. First we meet Olive‚ wearing large

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    Henry V Mise En Scene

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    message or out of respect for the post Falklands veterans. However‚ Henry’s depiction in the 1989 adaptation is still heroic‚ we are provided with a long tracking shot of Henry cradling a child which maintains his heroic image and does not remove the sense of patriotism that is still present in the film. Branagh wanted the play to be ‘reclaimed from jingoism ’however Branagh’s adaptation retains some of the patriotic tones from Olivier’s adaptation. Cooke notes that Branagh’s film pointedly operated

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    camera establishes the importance of environment and community by firstly showing the rundown neighborhood of Liberty City and a common occurrence‚ a drug deal. By moving the camera in a circular motion and in doing so including the camera creates a sense of community. A community in which the people who want to get out are trapped by the commonalities of their environment. This becomes much clearer throughout the film‚ when Chiron is trapped in his community. The community itself is in desperate need

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    supernatural and unearthly. Because of the camera framing‚ the viewer can identify the main characters. The use of close up shots draws attention and focuses on the characters to show their expression and emotion. The use of low angled long shots gives a sense of drama and tension. Also‚ the body language of the characters helps communicate with the audience in addition to their speech. The non-diegetic sound-track relates to the plot to create a

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    How do the micro elements mise en scène and cinematography establish characters and introduce the audience to the key themes of the film in the opening sequence of Danny Boyle’s 1996 film Trainspotting? Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television‚ choose washing machines‚ cars‚ compact disc players and electrical tin openers. Choose good health‚ low cholesterol‚ and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home

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    Mise En Scene: The Mise en scene of the hospital scene is very bleak. The hospital itself is not shown in a lot of detail. The hospital room and exterior are shown briefly but the characters of Harvey Dent and Two face are shown extensively. The joker is shown the

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