Career Success at What Cost? Work vs. Personal Life in The Devil Wears Prada This essay is about how a woman adjusts and sacrifices her life to be able to meet needs of the work life balance vs. the personal life balance. It is achieved by looking closely at the two main characters and how they constantly have to choose between personal and work life and to be able to maintain a balance or rather not. It is a good choice of movie to look into the theme of work life vs personal life‚ as this is
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Naples‚ Milan‚ Palermo‚ Turin‚ Florence‚ Bologna‚ and Genoa. Milan is one of the fashion capitals of the world it includes designers such as Giorgio Armani (Armani)‚ Valentino Garavani‚ Domenico Dolce and Stefano Gabbana (Dolce and Gabbana)‚ Miuccia Prada (Prada)‚ and Franco Moschino (Moschino). Florence is the capital of the Italian region Tuscany and is home of the famous David statue. Italy’s many great cities create an amazing
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http://www.missaniela.com/surreal-fashion Will You Keep It Surreal This Season? (April 19‚ 2012) http://www.style.com/stylefile/2012/04/will-you-keep-it-surreal-this-season/ “Schiaparelli and Prada: Impossible Conversations” http://www.vogue.com/magazine/article/elsa-schiaparelli-and-miuccia-prada-talk-to-her/#2 Fashion and Surrealism. Why Not? http://www.studymode.com/essays/Fashion-And-Surrealism-Why-Not-1186585.html Art and fashion : surrealism http://www.aceliverpool.co.uk/setup/art-fashion-surrealism/
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Gabrielle ‘Coco’ Chanel Fashion Designer Gabrielle "Coco" Chanel (1883-1971) was born in Saumur‚ Southern France. She began by designing hats‚ first in Paris in 1908‚ and later in Deauville. Her fashion boutiques (one in Paris and one in Deauville) opened simultaneously in 1914. She opened an haute couture salon in Biarritz in 1916‚ and in 1920 moved to Paris in the present quarters on rue Cambon. Ready-to-wear fashions were not introduced until 1978‚ after Coco’s death. Chanel is a member of
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have talent but not resources. I want to engage Franca Sozzani in the discussion about revolutionizing the fashion industry by bringing talents from underdeveloped areas to high fashion streets. I want to see Diane Von Furstenburg‚ Tory Burch‚ Miuccia Prada inspiring their lines from the designs of the designers/artists found by my company. I want to convince Pat Mc Grath to give lessens on fashion makeup to underpriviledged yet talented people who aspire to be professionally trained. I want that
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The New York Times put Manolo Blahnik on the cover of their weekend style section‚ declaring the return of the comfortable‚ ladylike pump. On the same day‚ the Times UK profiled Christian Louboutin‚ who basically says that women are thrilled to wear debilitating shoes—as long as they look great. The two luxury cobblers have been pitted against each other for years. Blahnik‚ who’d long been a favorite of the woman who has hundreds of dollars to spend on pumps‚ became a household name post-Sex and
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captures whether or not we choose to be on the trend‚ but also addresses those people who have a belligerence towards fashion and are very stern in the announcing of their lack of interest in the subject.’ Also head of the iconic Prada fashion conglomerate‚ Miuccia Prada‚ says one element of fashion is so simple it’s often overlooked: ’Fashion is the first step out of poverty. You have nothing and then you put something on. It is one of the first things you do to elevate yourself. Why are people scandalized
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Growing up is not an easy process. For me‚ however‚ growing up as a minority in a patriarchal country was even more arduous. Hopeless was the feeling that I felt the year my parents went their separate way. As a young Chinese Indonesian girl whose parents were divorced‚ I was ostracized by judgmental society due to my perceived imperfect background. In Indonesia‚ it is of utmost importance that a child is well brought up by both parents. Indonesians exceedingly value one’s family background and treat
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for the twentieth century. According to TIME Magazine - "Coco Chanel wasn’t just ahead of her time. She was ahead of herself. If one looks at the work of contemporary fashion designers as different from one another as Tom Ford‚ Helmut Lang‚ Miuccia Prada‚ Jil Sander and Donatella Versace‚ one sees that many of their strategies echo what Chanel once did. The way‚ 75 years ago‚ she mixed up the vocabulary of male and female clothes and created fashion that offered the wearer a
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http://www.economist.com/node/14447276 LVMH in the recession The substance of style The world’s biggest luxury-goods group is benefiting from a flight to quality‚ but the recession is also prompting questions about the company’s breadth and balance Sep 17th 2009 | Paris | from the print edition * * Bloomberg “THERE are four main elements to our business model—product‚ distribution‚ communication and price‚” explains an executive at LVMH‚ the world’s largest luxury-goods group. “Our
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