3. Creators of slang ………………………………...(6-7) 4. Linguistic processes forming slang ………….......(7) 5. Formation………………………………………...(8) 6. Examples of youth slang during 1960-70’s ……....(8-9) 6.1 Examples of modern British slang ………………(9-10) 6.2 Examples of modern USA slangs ………………..(11) 7. Definition of vulgarism …………………………..(11-12) 8. Vulgarisms in English (some exemples)………….(12-14) 9. Conclusion………………………………………...(15) 10. Bibliography……………………………………....(15)
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Sameer Al- Shraah Broad Area reading list Dr. Thomas Slater Albee‚ Edward. The American dream ; and‚ The zoo story : two plays. New York : Plume‚ 1997. Davis‚ Jack. No Sugar. Sydney : Currency Press‚ 1986. Fugard‚ Athol. My Children! My Africa! New York‚ NY : Theatre Communications Group‚ 1990. ---.Master Harold-- and the boys. New York : S. French‚ 1982. ---.The Blood Knot. Cape Town : Oxford University Press‚ 1992. Miller‚ Arthur. Death of a salesman. Ed. Harold Bloom. New York: Chelsea
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weren’t enough seats‚" says James Knowlson‚ Beckett’s friend and official biographer. They also couldn’t have realised that this play‚ beginning its shoestring-budget run on 5 January 1953‚ was going to be seen as one of the pivotal moments in modern drama. International appeal So why has Waiting for Godot proved so durable? How has Beckett’s work outlasted the other iconoclasts and angry young writers of the 1950s and 1960s? "I would suggest the answer lies in its ambiguities. So much is suggested
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Shivany Condor Mrs. Besnard IB English HL2 21 November 2013 Henrik Ibsen as “The Father of Modern Drama” Henrik Ibsen has long been referred to as the "Father of Modern Drama‚" and such title has rightly been given so. Mr. Ibsen was one of the pioneer theatre dramaturges that began the Modernism Movement‚ primarily known as the Realism Movement. Modernism/Realism was a revolutionary idea back in Ibsen ’s time. Many concepts of theater - including plots‚ dialogue‚ and characters – were renovated
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flaws‚ or mistakes. In Oedipus Rex‚ the main figure‚ Oedipus the King is a subject of fate‚ unable to escape himself and his desire to uncover the truth. In essence‚ this drama demonstrates the fall of a prominent figure brought down by his inescapable fortune and self-destruction. I definitely believe it is difficult to find a modern day tragedy that functions on the same level as Oedipus Rex while fulfilling the stipulations laid out by Aristotle. However‚ to me‚ the movie Shutter Island sets itself
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THE SHAVIAN THEATRE OF IDEAS (MODERN DRAMA) The predominating influence in determining Shaw to turn to the drama was the example of Ibsen and equally prominent was his love of debating‚ in which he had shown how irresistible it was for him to counter his arguments himself if no one else would. These influential strains compelled him to choose the kind of play in which the characters undertake this dual task of proposer and opposer. In 1892‚ he made it into Widower’s Houses‚ and thereafter‚ for
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by disability in modern British Society. Approximately 8.5 million people in the United Kingdom are registered disabled (Office of National Statistics 2002 cited in Giddens 2006:287). Definitions of disability is important to the way in which its nature is investigated and also to its extent in society. This essay will illustrate the broad definitions of disability and the dissimilarity between disability and impairment. It will also discuss how in modern British Society inequality
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Drama In the 1580s Philip Sidney complained that English playwrights were ignoring the principles of drama; he meant the classical principles exemplified by the tragedies of Seneca and the comedies of Plautus‚ Ben Jonson published his own plays in a grandiose format‚ and with a title (The Works of Benjamin Jonson)‚ that invited comparison with the editions of these same dramatists. The prologue to the first play in this collection‚ Every Man In His Humour*‚ announces that its author ’hath
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In fact‚ Shakespeare so influenced Melville that the novel’s main character‚ Captain Ahab‚ is a classic Shakespearean tragic figure. Shakespeare’s writing was so influential to 1800s English poetry that critic George Steiner said that all poetic dramas of the time were “feeble variations of Shakespearean themes”. He is also credited to inventing over 1700 of our common words by changing nouns into verbs‚ changing verbs into adjectives‚ connecting words never before used together‚ adding prefixes
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The Cambridge Companion to Modern British Culture British culture today is the product of a shifting combination of tradition and experimentation‚ national identity and regional and ethnic diversity. These distinctive tensions are expressed in a range of cultural arenas‚ such as art‚ sport‚ journalism‚ fashion‚ education and race. This Companion addresses these and other major aspects of British culture and offers a sophisticated understanding of what it means to study and think about the diverse
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