ELT107 TMA Title: Comparing and Contrasting Desires of Mathilde in ‘The Necklace’ and the unnamed narrator in ‘Araby’. In both James Joyce’s “Araby” and Guy de Maupassant’s “The Necklace‚” the reader is brought into the pursuits of desires of the protagonists. In “Araby”‚ the portrayal of desire reflects the need for spiritual stability and understanding in the confused religious society. In contrast‚ the desire in “The Necklace” reveals a person’s inner need of being loved and being
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“Where Are You Going‚ Where Have You Been” Analysis Research Summary In C. Harold Hurley’s “Cracking The Secret Code In Oates’s Where Are You Going‚ Where Have You Been‚” Hurley kicks off by throwing the numbers 33‚ 19‚ and 17 and how Mark Robson misinterpreted them. He tells of how his biblical reference to Judges and Genesis is incorrect. His sole purpose in writing his essay is to explain how Robson screwed up. He uses quotes from Oates short story “Where are you going‚ Where have you been?”
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James Steuart was born on October 21‚ 1712 in Edinburgh‚ Scotland to James Stewart and Anne Dalrymple. Steuart followed in the footsteps of his father and practiced law at the University of Edinburgh. At the age of 24‚ he was admitted into the Scottish bar. Steuart later became the Baronet of Goodtrees. Steuart also married to Frances Wymess who went on to have one son‚ James Steuart Denham. Near the end of Steuart’s life‚ his uncle Sir Archibold Denham died. As a result‚ Steuart was forced
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On Postmodernism For my short essay I will focus on a postmodern reading of Joyce Carol Oates‚ "How I Contemplated the World from the Detroit House of Corrections and Began My Life Over Again." More precisely‚ as a postmodern text. Postmodernism refers to texts that reject coherence in a narrative‚ objective truth‚ and show doubts about the reliability of language to communicate. Postmodern techniques that are evident in Oates story were fragmented narrative‚ disrupted time sequence‚ disunified
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If post-modernism seeks to express the new and multiple perspectives of the world‚ then it is inevitable that even the most commonplace of historical villains will be re-examined and re-evaluated alongside the most notable of traditional historical heroes. For both post-modern novels‚ Timothy Findley’s The Wars‚ set in World War 1‚ and its predecessor Kurt Vonnegut’s the Slaughterhouse 5‚ set in World War 2‚ this is more than evident. As in both novels‚ the protagonists witness those who would normally
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Joyce Carol Oates’s “Four Summers” I found the following questions‚ taken from James H. Pickering’s 10th edition of Fiction 100: An Anthology of Short Stories‚ to be very useful when thinking about the story “Four Summers” by Joyce Carol Oates: “What similarities and differences exist in each of the four episodes? What changes take place? What remains the same? How does the author organize each of the four sections? How old is Sissie in each? Is Oates’ narrative technique in each section appropriate
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Implications for Researching the Organisation [a] Post Fordism? i) The 1980s: Flexible Specialisation and ’Disorganised Capitalism’: Piore and Sabel (1984) argue in The Second Industrial Divide[i] that new production systems must orientate towards multi-skilling and rapid re-skilling in order to accommodate the search for shifting and newly forming niche markets in a post mass production/mass consumer world. This implies economies of scope rather than economies of scale and a more creative
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Basic differences between modernism and postmodernism Modernism:- The study of knowledge * World War I * Stylistic experimentation * Internal narratives; experiments in rendering consciousness * Fragmentation * As reaction to the 19th century novel and art (representational/figurative) * Critique of industrialization * Sociopolitical critique of the status quo * Psychoanalysis and an increasing interest in the internal world of
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In James Joyce’s “Araby” and Flannery O’Conner’s “A Good Man Is Hard To Find” both authors direct the reader’s attention to a key moment of insight or discovery by building the readers expectations throughout the story and then surprising the reader with an ending where the main character contradicts the readers built expectations‚ thus highlighting the epiphany. Joyce directs the reader through the uses of setting and narration while O’Conner heavily uses dialogue. In Araby‚ the opening scene
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MODERNISM (1901-1945) Modernism‚ in its broadest definition‚ is modern thought‚ character‚ or practice. More specifically‚ the term describes a set of cultural tendencies and movements‚ originally arising from wide-scale and far-reaching changes to Western society in the late nineteenth and early twentieth century’s. The term encompasses the activities and output of those who felt the "traditional" forms of art‚ architecture‚ literature‚ religious faith‚ social organization and daily life
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