Heart of Darkness: Modernism and Its Historians Author(s): Robert Wohl Reviewed work(s): Source: The Journal of Modern History‚ Vol. 74‚ No. 3 (September 2002)‚ pp. 573-621 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/345112 . Accessed: 30/09/2012 11:34 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service
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Pulp Fiction‚ is considered by many to be a key example of post modernist cinema. Its use of non-linear narration‚ copious references to other movies and its off beat dialogue‚ combined with Tarantino’s unique style make the viewer aware that there is something different about this movie from most Hollywood blockbusters. George Ritzer said that "in the modern world everything seems pretty clear-cut‚ (but) on the cusp of the postmodern world many things seem quite hazy." This is the case with regard
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Gabriel Josipovici’s scathing tone throughout What Ever Happened to Modernism refreshes readers who find most literature hollow and the modern social landscape overly accepting. Near the end of a prolific career in both fiction and non-fiction‚ Josipovici writes from the perspective of a well-read scholar in his field; his vast knowledge provides him with endless opportunities for analysis. His masterful command of language and his interpretive genius are both a blessing and a curse‚ however. These
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Modernism vs Neo-Traditionalism: A debate on the merits and failures of two major competing paradigms in architecture and urban planning. Beyond the term modernism underlies one of the greatest ideas in architectural development. Modernism was meant to provide more green areas‚ cheaper housing and more efficient use of space. This was to be accomplished by creating vertically dense spaces with the use of the new inventions of the nineteenth century‚ such as steel‚ glass‚ electricity
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France Georges Seurat Paintings made of small‚ distinct dots of pure paint. Dots of unmixed colour are juxtaposed on a white ground so that from a distance they fuse in the viewer’s eye into appropriate intermediate tones Also called divisionism. Post Impressionism 1880 - 1905 France Van Gogh Henri Rousseau A late 19th-century reaction to Impressionism‚ Emphasizing on one hand the emotional aspect of painting and on the other a return to formal structure The first led to Expressionism;
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T.S. Elliot’s “The Wasteland” and Modernism. Elliot was both influenced by modernism and a reference of it. The dramatic change in form and content in literature (and human beliefs) of the last nineteenth century and the early twentieth century is noticeable in the poem. The Wasteland is also a reflection of the between wars years and also a prophecy for all that were to come. Elliot masters the form in the poem to create a sense of pessimism‚ decadence and fugacity. It is often said that his
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Modernism in Earnest Hemingway’s Literature “The Old Man and the Sea” Introduction: 1. The definition of Modernism 2. The definition of Realism 3. The definition of terms 4. The significance of the study Chapter one: 1. The theory of Modernism 2.1. Stream of consciousness 2.2. Internal monologue 2. Realism as a literary technique 3.3. Internal realism Chapter two: 1. the implication of American modernism through the main characters
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Modernism in “Of Mice and Men” When you look up the word Modernism the definition is “modern character or quality of thought‚ expression‚ or technique” (WIKI) meaning that modernism is not just a type of writing‚ but it is the way that the writing makes you feel. Those emotions are what modernism is‚ whether it is being happy‚ mad‚ or sad. In the book Of Mice and Men (John Steinbeck) it talks about real problems that they had at the time like sexism‚ racism‚ and equality. Without mentioning
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Formalist Approach: Characteristics: Theory of high art‚ focus on quality‚ retrospective specialisation (flatness)‚ self-definition. Key Terms: Flatness‚ surface‚ self-criticism‚ depth‚ medium specificity. For Greenberg‚ the key motivating force within modern art was the pursuit of quality (Art is a matter strictly of experience‚ not of principles‚ and what counts first and last in art is quality) By experience‚ he meant the practical aspect of making art and the artist’s attention
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GEOFFREY SCOTT AND ARCHITECTURAL MODERNISM 2 3 Introduction In Geoffrey Scott’s book The Architecture of Humanism (1914) formulates a series of arguments against a number of theoretical positions. Scott identifies these theoretical positions as fallacies underlying architectural theory which is not proper to architecture. The four types of fallacy he distinguishes are the ‘Romantic Fallacy’‚ the ‘Mechanical Fallacy’‚ the ‘Ethical Fallacy’ and the ‘Biological Fallacy’. This paper is to
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