"Modernism post modernism and symbolic interpretivism" Essays and Research Papers

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    affected by the new perception held of the world and our place in it‚ and they tried to communicate fears and opinions through unique writing styles. Katherine Anne Porter’s early story "The Jilting of Grandma Weatherall" is a perfect illustration of modernism In this story‚ the literary technique of stream-of-consciousness is used. This narrative is in no way structured into a coherent‚ logical presentation of events. It frequently jumps back into time to the main characters’ past experiences‚ re-creating

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    (1968) Jacques Tati. Paris‚ Seghers. quoted in Maddock‚ B. (1977) The Films of Jacques Tati. London‚ The Scarecrow Press. Chaplin‚ C. (1964) My Autobiography. London‚ quoted in Wilk‚ C. (2006) Modernism. Designing a new world. London‚ V&A Publishing. Le Corbusier (1923)‚ quoted in Wilk‚ C. (2006) Modernism. Designing a new world. London‚ V&A Publishing. Gilliatt‚ P. (August 28‚ 1971) The New Yorker. quoted in Maddock‚ B. (1977) The Films of Jacques Tati. London‚ The Scarecrow Press. Maddock

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    Literary modernism‚ or modernist literature‚ has its origins in the late 19th and early 20th centuries‚ mainly in Europe and North America. Modernism is characterized by a self-conscious break with traditional styles of poetry and verse. Modernists experimented with literary form and expression‚ adhering to Ezra Pound’s maxim to "Make it new." The modernist literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their

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    All american citizens‚ however‚ did not think these new ideas to be best for their country. They felt that their morals were being threatened greatly by these new ideas and ways of life‚ and one of the main causes of their distrust in the ideas of modernism was the amazing amount of advertising that sprung up in the 20’s. New products and improvements to old products were a large part of that time‚ and while improving the lives of many people‚ some felt threatened by these new products and ways of life

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    Slave Culture and the Harlem Renaissance: Finding a Home in Modernism For years scholars have noted the importance in history of the African- Americans from the time of the Atlantic slave trade‚ even up to current culture and entertainment. As prominent as the slave trade is taught within the schools and the education systems‚ there has been little noted in the history classes about the art and literature of that time period for African-Americans. However‚ in spite of the little we know of the

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    Three characteristics of the Modern World that are found in William Faulkner’s “Barn Burning‚” were chaotic‚ collapse of morality/values‚ and confused sense of identity and place in the world. From the very beginning of the story‚ the first thing that came to mind to me was total chaos. In the court‚ there was nothing proved by Mr. Harris‚ the internal battle Sartoris Snopes appeared to be having knowing that his own father expected him to lie‚ and finally with the Justice not finding against

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    about Western society‚ including its philosophy‚ politics‚ and arts. This period of modernism‚ which began in the late nineteenth century‚ entailed great innovation while challenging the ideas and norms that preceded it. Thus‚ the first half of the twentieth century was both tumultuous and paradoxical‚ with the violence of the two world wars in one plane and modernism in the other. But while the violence and modernism of the century existed in parallel

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    Modernists aimed to reflect reality in ways more ‘real’ than conventional literature. The modernism movement was prompted by a widespread disillusionment in society that resulted from contextual events. This allowed an altered view of the world as fractured and chaotic‚ especially due to paralysis and alienation in modern society. This newly perceived reality is reflected through techniques of fragmentation in modernist works such as James Joyce’s short story “Araby” and T.S. Eliot’s poem “The Love

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    creation of emptiness for the collective identity has made an impact on Kapoor’s installation by forcing the viewer to contemplate their collective cultural identity in their reflection of nothingness. Kapoor’s inclination toward belongs to the Post-Minimalist movement in their ideal to represent the purest aesthetic form and create a spatial relationship between the viewer and the object. By forcing the viewer to challenge the void of aesthetics and recognized their identity in their experience

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    COMPOSER REPORT COMPOSER: Charles Edward Ives BORN: October 20‚ 1874 in Danbury‚ Connecticut DIED: May 19‚ 1954 in New York City‚ New York   STYLE PERIOD: Modernism   LIFE: Ives was the son of Mary Parmelee and George Ives‚ a U.S. Army bandmaster during the Civil War. He used to watch his father ’s band play at the Danbury town square. His father gave him his first lessons in music and encouraged him to experiment with different sounds. At the age of fourteen‚ Ives became a church organist

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