was not until after the Second World War that it gained huge popularity‚ after modernist planning was implemented as a solution to meet basic social needs‚ after the previous failures in architecture and design. Up to 15% the urban populations were living in poverty During the 1930s and one of the many social problems of this decade was slum clearance.1 One of the most popular solutions to these problems was modernist planning idea. Unfortunately the movement could not comprehend and cater for all
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Worksheet In assigned pairs‚ select one of the non-discipline-specific journal articles from the required text readings for PHL/700R Day One or Day Two. Critically analyze the article as an example of scholarly writing. Article Author or Authors: Cunliffe‚ A.L. Article Title: ON BECOMING A CRITICALLY REFLEXIVE PRACTITIONER Part One: Scholarly Writing Conventions Elements of writing Reader’s overall impression Examples from the text (words‚ phrases‚ or passages‚ including page numbers)
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Wolfgang Sievers and Max Dupain are two of Australia’s most renowned Modernist photographers. Their photographs reflected significant changes in the world including technology‚ ideas and the modernist aesthetic applied to Photography. In this regard‚ the photograph Gear for Mining Industry‚ created by Wolfgang Sievers has been compared with the Rescue and Resuscitation by Max Dupain‚ of which both photographs reflect the modernist aesthetic in their works. When comparing the work of Wolfgang Sievers
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human relations have shifted— those between masters and servants‚ husbands and wives‚ parents and children. And when human relations change there is at the same time a change in religion‚ conduct‚ politics‚ and literature.”(Woolf‚ Mr. Bennett‚ 22) Modernists were the literary artists who would come to address these changes in human character. The way individual reality was seen‚ as well as the way a single moment was processed‚ viewed and represented through the narrative had changed. Narration was
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Selivjorstovs 20047803 | Being Modern | Design‚ 2nd year‚ 1st semester. Dr. Cordula Hansen | 8/31/2012 | | | Word count 2560 Modernism in Design | Modernism as Culture | Modernist Architect | Modernism Today | Modernism in Design. Modernism is a break away from nature‚ harmony and order. Many modernists believed that if they can separate themselves from the usual way of creating art‚ they will discover new amazing ways to create new art. They try to embrace discontinuity‚ and rejects
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article ‘Tattoo You’ by Daniel Hatch focuses on the devolution of tattoos. In the past‚ people inked their bodies because it had a meaning to them. However‚ people today get tattoos because tattooing has become a fashion. Just like any piece of clothing that come in and out of trend‚ once tattoos are out of fashion‚ people will simply get them removed. Fashion is an important issue today that mainly influences young people into following someone else’s taste. Hatch uses persuasive language to persuade
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created in the Academic tradition For example‚ Greenberg did not say that Pollock’s work of the 1940s and 1950s was a direct succession of Manet’s 1800s works‚ but he did argue that a logical development can be traced Manet’s works became the first Modernist ones by virtue of the frankness with which they declared the surfaces on which they were painted e.g. In Olympia‚ Manet painted his subject with sketchy brushstrokes and very little depth – she is painted with an expanse of white flesh edged
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How has Eliot used both conventional and Modernist poetic techniques to represent his Modernist concerns? The Love Song of J. Alfred Prufrock and Preludes expresses Eliot’s Modernist concerns about the lack of morals and values in modern society through the use of personas within the urban landscape and the urban society. Modern man’s lifestyle of repetition of trivial tasks and the lack of meaningful things in life is represented and emphasised through the use of alliteration‚ metaphor‚ fragmentation
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ch as glass‚ steel and marble. An analysis of the work of Philip Johnson reveals the development from High Modernism to Postmodernism‚ where playful and ironic decoration and humanist theories were reintroduced into what had become a ‘cold’ Modernist aesthetic. Both architects challenged and reorientated the direction of twentieth century architecture.† Ludwig Mies van der Rohe and Philip Johnson were seminal to the development of architecture in the twentieth century.
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caused a drastic change of mind to all involved. This historical event gave momentum to the modernist movement by putting realities in front of people that were vastly different from the serene and beautiful ideals described in romantic or Victorian literature. It was difficult to associate these works of art with the way the world had become; therefore‚ it was necessary to create a new way of expression. Modernist authors did not want to be confined by the traditional boundaries of literature‚ so they
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