The vagina monologue is an episodic play written and starred by Eve Ensler. The play is made up of several personal monologues that touched subjects such as sex‚ love‚ body image‚ birth‚ and orgasms and even hair. Ensler interviews a variety of women from different ages‚ ethnicities‚ races‚ social classes‚ and many other identities. Each story provided different perspectives and responses on vaginas. The play enhances the empowerment a vagina is to a female. The lightning of the stage and use of
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(ii) “Essentially the play Macbeth is about power‚ its use and abuse.” Discuss this view of the play‚ supporting your answer with the aid of suitable reference to the text. Mark ex 60 by reference to the criteria for assessment using the following breakdown of marks. P 18 C 18 L 18 M 6 60 marks A+ B C D E- 100% 60 – 51 42 33 24 23 – 0 30% 18 – 16 13 10 8 7 – 0 10% 6 – 5 4 3 3 2 – 0 Candidates are free to agree
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would having to be the constant monologuing. I don’t have any problem with monologues as a literary device‚ but Shigatsu uses it too much. It takes away from the impact of the monologues. I’m a big fan of showing‚ and not telling as much‚ but Shigatsu just barely does any *real* showing. There are plenty of monologues that can be taken out of the show‚ and it would be for the better. When there’s at least one monologue per episode (usually more)‚ it really starts to get tiring for me personally
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ICT Irish Maths Music Physical Education Religious Studies Science Spanish Welsh 2nd Language Audio Games Find us on Facebook KS3 Bitesize More Bitesize BBC Teachers Home > English Literature > Macbeth > Context Print English Literature Context Page: 12Next To put Macbeth into perspective‚ you’ll need to know a little about William Shakespeare and why the play is still so popular over 400 years after it was first performed. William Shakespeare William Shakespeare was born in
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When thinking of adaptations of the Shakespeare ‚admittedly‚ my mind doesn’t immediately run to the BBC’s Shakespeare Retold adapted by Peter Moffat and Penny Woolcock’s ‘Macbeth on the Estate’. Although very different settings both directors made relevance and its realism their main priorities. If any of these directors had decided to add women on broomsticks we all just might’ve laughed and scoffed in their faces. In the 17th Century witches were very current and believed to be very much alive
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dream and reality‚ narration sets the pace and tone of the feature‚ with the audience being prompted by the omnipresent observations of the protagonist. Boyle’s efforts to elevate vocals to greater prominence is seen through Renton’s “Choose Life” monologue in Trainspotting (1996) or Richard’s expository interjections in The Beach‚ Damian’s saintly stories in
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A monologue of a broken heart. by ~Sazroy‚ Apr 23‚ 2006‚ 6:36:33 AM Literature / Prose / Non-Fiction / Biography & Memoir What becomes of the broken hearted? Nothing. You think you know love -- then that love turns out to be an egotistical self-involved bastard who’s no braver than the house mouse living in your walls waiting ’til you least expect it. I’ve made mistakes before. But nothing compares to the ones made with him. The ones made in his arms‚ his unloving false arms’ embrace that somehow
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“Monologue for an onion” by Suji Kwock Kim The poem “Monologue for an onion” by Suji Kwock Kim begins with the peeling of an onion that could very well describe her and her agony‚ but further reading reveals that the majority of the poem is directed at the person doing the peeling. The reader cannot help but sympathize with the peeled onion‚ whether the emotions stem from the hurt state of the onion or from the aggressive peeler. Clearly the poet’s attack of the peeler grabs the attention of
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The violence in Macbeth is so excessive that it ceases to have any effect on the audience. Explore Gothic literature opens up explorations of violence. Whilst Macbeth conforms to the key gothic feature‚ it could be argued that Shakespeare often uses the violence in excess‚ desensitising the audience and taking away the desired effect. The structure of Macbeth introduces the audience firstly to legitimate violence‚ through to illegitimate violence and finally a loss of control. The beginning
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Be aggressive out of your dive‚ think of every stroke as a reach toward to the wall‚ don’t pull yourself high on your turns‚ keep foot flexed and knees together for the kick… My inner monologue continues as I run every detail of my race through my head. Adrenaline pumps through my body‚ following the beat of the music pulsing in my ears. I had prepared for this moment all season… Scratch that‚ I didn’t even think I’d get here. I was just waiting and watching‚ dreading every second the clock brought
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