Mary Shelly’s Frankenstein is a 1994 drama directed by Kenneth Branagh‚ starring Kenneth Branagh as Victor Frankenstein‚ Robert De Niro as the Monster and Helena Bonham Carter as Elizabeth. The plot starts off when Frankenstein’s beloved mother dies during the birth of his younger brother William‚ sparking his desire to “cure” death. He studies many scientific texts and frantically experiments in order to find a formula that could revive the dead. Eventually‚ he works hard to bring a life form back
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In the movie Pulp Fiction‚ the overarching theme of the movie goes to say that without a higher framework or power one doesn’t see their actions to have any consequences‚ morally speaking. Morality controls the initial reasoning behind deciding whether to commit a crime or not. In this context‚ the concept of not having any morals is based on not having meaning in one’s life or seeing one’s life at the same worth as anyone else’s. This doesn’t allow for one to make any criteria in which to conduct
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In Mary Shelley’s Frankenstein‚ Victor Frankenstein becomes consumed with the act of creating of a living thing from dead body parts and electricity. His relentless ambition clouds his judgment and reason ultimately leading him to go against the natural order of life and create a new species. After creating the monster‚ Victor is disgusted by what he has done and rejects the monster‚ forcing him to fend for himself in the outside world. This isolation and rejection from his father or God leads the
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F. Scott Fitzgerald’s‚ The Great Gatsby‚ portrays society as a desolate wasteland‚ immune to morality‚ punished by the decadence of the main characters. Throughout the novel‚ Gatsby pursues a life with Daisy‚ a married woman‚ who left him earlier as a result of his lack of wealth; thus‚ Gatsby sought to reap the benefits of affluence through illicit‚ unscrupulous means. Once Gatsby completes his quest for opulence‚ he hunts for his former lover‚ Daisy‚ who is married to Tom Buchanan: an aristocrat
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would be a grim‚ inhumane place if everyone cooperated in killing the innocent. While it can be argued that the overall goal of the lie is morally good‚ Kant would reject it‚ considering it immoral in that the immorality outweighs and prevents any morality that might come later from the results of that action. One of the justifications that Kant could provide in this
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view life. Immanuel Kant‚ a philosopher around the seventeen and early eighteenth century‚ was no different in his thoughts and writings about morality‚ freedom‚ reason‚ and standpoints. Morality being one of the most contradictory concepts out there‚ it only suits that there are numerous theories. Unlike Utilitarianism‚ which considers an actions morality to be dependent upon the utility resulting from the action. Kant’s moral theory holds that an actions ethicality is derived not from consequence
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Quite possibly one of the most easily pieces of literature in popular culture today‚ Mary Shelley’s classic novel Frankenstein is a key novel in the Romantic movement. The key elements of the Romantic period are prevalent throughout the novel‚ particularly through the thoughts‚ emotions‚ and actions of the two Byronic heroes of the novel‚ Victor Frankenstein and the monster he creates out of the desire to learn the secrets of nature. Both the characters epitomize the Romantic ideals of a Byronic
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Imagine your grandmother is sick. The best thing to do is to bring her to the hospital. You do just that. As you are waiting for a nurse to call for your assistance‚ you wonder what will happen do your beloved grandmother. As you sit down with the doctor in a secluded room‚ the doctor talks of an immune system attack your grandma experiences. Her system can no longer fight off sickness. The doctor mentions many medicines he can prescribe‚ but none of them could fully heal her. As you prepare to give
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Blade Runner and Frankenstein despite contextual differences reflect almost identical concerns transcending ethical boundaries for scientific advancement. While Blade Runner can be seen as offering a parallel plot to Frankenstein‚ Ridley Scott take the story of a creator and his being to new heights and answers questions Shelley left unsaid. Parity between both texts is driven in the meet the creators scene that demonstrate the fundamentally similar themes prevalent in both contexts‚ where the lines
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Famine‚ Affluence‚ and Morality Notes Peter Singer opens his argument by introducing the reader to a famine in Bengal setting up his first premise that starvation is bad (Singer 631-632). He then suggests for his second premise that if it is possible to stop something bad from happening‚ then we should do all we can to stop it as long as it does not cause something else just as bad to happen. Singer says that if everyone donated five pounds‚ then there would be sufficient funds to help relieve
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