During the late 19th century and early 20th centuries‚ Realism‚ Impressionism‚ and Post- Impressionism were forms of art that transpired. These techniques in art brought a sense of individualism to Europe; thus‚ people were inspired to make art that represented society. Realism‚ Impressionism and Post-Impressionism reflected European Society through their expressions of depicting life as it truly was‚ hastily capturing moments in time‚ and painting nature as the artist conceptualized them‚ not how
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* Slide 1: This art movement originates in the19th century‚ Paris‚France from a group of Paris-based artists. Some of these artists include: * Claude Monet * Edgar Degas * Pierre-Auguste Renoir * Camille Pissarro Slide 2: * Short‚ thick and quick strokes * The paint is often applied Impasto * Colors are applied side-by-side‚ separating them and letting the eye’s perception mix them Slide 3: Re-creates the sensation of the eye that views the subject
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William Merritt Pursue turned into the primary real American painter to make Impressionist canvases in the Unified States. At about the same time‚ Americans started to visit craftsmen’s states that fixated on open air painting‚ most remarkably Giverny‚ where Monet had settled in 1883. The individuals who looked for motivation there included Sargent‚ Willard Metcalf‚ and Theodore Robinson‚ who transmitted Monet’s thoughts to his comrades back in the Unified States. By the mid 1890s‚ Impressionism was
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BRIEF HISTORY OF MUSIC Music is a composition of three important elements which are rhythm‚ melody‚ and harmony. The roots of Western music are strongly influenced by classical music. Tracing back its history‚ classical music is divided into six different periods which includes music from the Gregorian chants to Beethoven’s symphonies to the contemporary artists. The longest and most distant era or period of musical history is the Medieval Era‚ otherwise known as the Middle Age Period. During
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LUNCHEON ON THE GRASS‚ BY EDOUARD MANET The painting I have chosen is Luncheon on the grass‚ by Édouard Manet. It was painted in 1863. At the beginning this painting received the name The Bath‚ but it was changed four years later. It was rejected by the Salon Jury‚ so it was shown for the first time in the Salon des Refusés (Salon of the Rejected‚ created by Napoleon III due to the indignation of all those who admired Manet) the same year it was painted. At the moment it is exhibited in the Museum
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relaxing in a park on an island. The families within the painting seem to be enjoying the scenery around them. One of the key aspects of the painting besides the color contrast is the river that is located on the island. The river is also known as the Seine River. From observing the painting by every detail visible‚ I can see that the painting was created during the older times because of the choice of clothing the artist gave his characters. There are dogs enjoying each other and playing at the park
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to move quickly enough to literally capture the light being emitted from the incandescent sun. Whatever the case‚ as I stepped closer to the work‚ I realized what should have been obvious the second I placed my gaze upon it. It was a Monet. Indeed‚ Claude Monet had painted this wonderful Sunrise with oils on a canvas in the spring of 1873. Displayed at nineteen and a quarter by twenty-three and a half inches in the Impressionist room at the Getty Center‚ this magnificent work of art was one of
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received training under Henri Lehmann‚ but because of the school’s strict academic methods he left and continued to study on his own. In April 1879‚ he visited the Fourth Impressionist Exhibition and saw radical new works by Impressionist painters Claude Monet and Camille Pissarro. The Impressionists’ ways of conveying light and atmosphere influenced Seurat’s own thinking about painting. Seurat was also interested in the science behind the art‚ and he did a good deal of reading on perception‚ color theory
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Disagreed with teacher but accepted its discipline in order to acquire the elementary skills needed to become a painter. • Alfred Sisley‚ Claude Monet‚ and Frédéric Bazille‚ and Renoir dreamed of an art that was closer to life and free from past traditions • painted friends in parents Portrait of the Painter Bazille (1867)‚ The Painter Sisley and His Wife (1868)‚ and Monet Painting in His Garden (1873) • moved temporarily to the forest of Fontainebleau‚ where they devoted themselves to painting directly
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intricate story and detail that I was determined to learn. Turning the corner‚ I stopped in my tracks. My eyes grew wide and my heart nearly leapt from my chest. Shining in an outline as bright and gold as the sun‚ the “Charing Cross Bridge” by Claude Monet brought a smile to my heart. The swirling curealian and pink brought me to another world‚
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