Figurative Language Metaphor: In Act III‚ Scene II of Macbeth (no quotations‚ italics)‚ Shakespeare compares certain dangers that still need to be eliminated; in this case‚ Banquo and Fleance‚ to a “scorched snake”. This is a suitable comparison because a snake and a threat both portray danger and uncertainty. By specifically mentioning a “scorched snake”‚ we are able to conclude that Macbeth’s killing spree will continue throughout the play since he will never feel like he has gotten rid of his
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How does Shakespeare create dramatic interest for the audience in the trial scene‚ Act 4 scene 1 in The Merchant of Venice’? In the trial scene (act 4 scene 1)‚ Shakespeare uses many different dramatic techniques to make the tension in the court room rise and build. He also uses dramatic irony and many other techniques to engage an audience in this particular scene in the play. These techniques would work have worked on an Elizabethan audience or a modern day audience. Although‚ these two eras
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Romeo and Juliet Act 1 Scene 5 – Dramatically Effective? Romeo and Juliet is widely regarded as William Shakespeare’s greatest piece of writing; one of the greatest tragedies ever written. It is a tragic love story‚ a story of love and hate. While there is a blooming love between the main protagonists of the play‚ Romeo and Juliet respectively‚ there is hate between the families of the two‚ the Capulet and Montague. One of the key ways that Romeo and Juliet became a classic is because it is dramatically
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Romeo’s use of dramatic irony in Act III‚ Scene I develops conflict and builds Romeo’s character. When Tybalt seeks out Romeo in order to quarrel with him‚ Romeo is unwilling to fight the man who has recently become his relative‚ even though Tybalt is unaware of this relationship. Romeo apprises Tybalt that he loves him “better than [he] canst devise”‚ and says he cherishes the Capulet name‚ but also acknowledges that Tybalt does not know the reason for this love (3.1.64). Tybalt assumes that Romeo
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To begin‚ one notices that all three scenes demonstrate different language elements‚ but only one version is unsurpassed. That version is directed by Mckellen. Macbeth is portrayed as an insane man while delivering this soliloquy. He talks exceptionally fast and at this pace he sounds nervous‚ shaky and out of breath. With Macbeth begins anxious then changes to being confident. The audience may predict that something fatal is bound to happen. Mckellen’s version reflected the original text‚ kept
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Macbeth is known to be one of Shakespeare’s darkest and also most powerful tragedies written. In Act 3 Scene 4 Macbeth has finally found his way to the throne and throws his first social gathering as king. Macbeth needs this banquet to be nothing other than perfect‚ and when it ends up being absolutely horrid‚ Shakespeare incorporates a large sense of dramatic tension into the play that keeps the audience on complete suspense through the imagery‚ supernatural theme‚ and the confusion and chaos between
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Throughout the given extract‚ Orwell uses a wide variety of techniques to create a dramatic scene such as his choice of vocabulary and syntax for example. To start the chapter offer‚ Orwell uses the repetition of the dramatic expression ‘We are the dead’ – first stated by Winston‚ then echoed by Julia. The statement in itself is very dramatic but the repetition of it emphasises the concept of them being ‘the dead’. From the reader’s perspective‚ this is read in an emotionless‚ monotone attitude‚
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Lady Macbeth is one of the most frightening female characters. As the wife of Macbeth‚ her role is very significant in his rise and fall from royalty. Lady Macbeth is such a great influence in Macbeth’s life. Her role is so large‚ that she uses her position to gain power and stay in control. Everything about Lady Macbeth is creates the perfect criminal‚ because of her ability to manipulate everyone around her. The moment Lady Macbeth learns about the prophecies‚ she decides to take matters into
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2 Original Text | Modern Translation | Scene I | | [Inverness. Court of Macbeth’s castle.] | | Enter Banquo‚ and Fleance‚ with a Torch* before him. | | BANQUO:How goes the night‚ boy? | BANQUO:How’s your night going‚ boy? | FLEANCE:The moon is down; I have not heard the clock. | FLEANCE:The moon’s down. I haven’t heard the clock chime. | BANQUO:And she goes down at twelve. | BANQUO:The moon goes down at twelve. | FLEANCE:I take’t ’tis later‚ sir. | FLEANCE:I think it’s later
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Macbeth: The Most Evil Character in British Literature? Throughout Shakespeare’s tale‚ Macbeth‚ the character Macbeth changed drastically. His actions at beginning suggest that he has become more evil as the story goes on. Macbeth is no longer influenced by other characters. Some would say the opposite; however‚ the evidence in the text proves otherwise. Early on in the story‚ Macbeth had an internal battle with his conscience (1.7). He was planning to murder King
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