organist at the San Pedro Parish Church in Cavite. Felipe also taught music at girls’ school the La Sagrada Familia. Felipe produced such pieces as Aurorita‚ Danza (Early Dawn Danza)‚ Cintas y Flores (Ribbon and Flowers)‚ and Motete al Santisimo (Motet to the Most Holy). He became a member of the prestigious Santa Cecilia Musical Society. And in 1896‚ he joined the Philippine revolution and because of this‚ he was imprisoned at Fort Santiago. He was found innocent and released on June 2‚ 1897. In
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Denmark. In 1976‚ the Rizal Cement company‚ owned by the Madrigal family‚ came under the management of PHINMA under a management contract with the owners. In 1978‚ General Luzon Cement (now Central Cement)‚ a company foreclosed by PCI Bank‚ was purchased by PHINMA. In 1983‚ an expansion plant for the Davao Union Cement was constructed. In 1983‚ PHINMA also purchased the HI Cement company from the Yuchengco family. Finally‚ in 1988‚ the Madrigal Family acquired the Island Cement Company (now Solid Cement)
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support the identification of the path between the two different realities. A picture behind creating a musical work might be representing feelings‚ material objects or even a real or an abstract image. A relative example might be the Guillaume Dufay’s motet Nuper Rosarum Flores. This was composed in honour to the new cathedral Santa Maria del Fiore in Florence in 1436. An interesting element of the piece is that its metric structure is based on the proportions of the cathedral. The citation above shows
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Claudio Monteverdi Claudio Monteverdi is considered to be a revolutionary composer in the musical world‚ yet so much of his life is a mystery. Even though biographers have made many convincing speculations and correlations about the events of Monteverdi’s life‚ they cannot be considered completely factual (Redlich‚ Preface). Most biographies are comprised of legends and unauthorized assumptions (Redlich‚ 1-2). There are some aspects of his life that are known with certainty‚ and the most relied
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“Now Is the Month of Maying” was composed by Thomas Morley and performed by The King’s Singers. The style of music is Renaissance madrigal music. The melody goes by flute and the singer and the harmony goes by the harmony singer. The tempo was little fast and the meter measured by 4/4 times. The dynamics of this song is normal. Flute and percussion instrument are using in this song. There are five different voices in this song. Happy mood are created and it’s a nice music. “The Four Seasons‚ Movement
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flexible rhythm. Important events: Black death (1347-52)‚ Rome was sacked by vandals‚ Beowulf was written‚ and the first crusades. Composer: Hildegard Von Bingen. Song- O Successors (Gregorian Chant) Renaissance (1450-1600) Genres: Choral music‚ Motet‚ and the Mass. Time Period: Many more instruments were introduced during this time period and added a new layer to the music of this period instead of being just vocal music or church music. The rhythm of music in this period flowed gently rather
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David Lee Cox Cactus Samuel Harris 1November 2016 Antonio Vivaldi: Master of Seasons Antonio Lucio Vivaldi was born March 1st‚ 1678 in the city of Venice‚ Italy‚ to mother Camilla Callicchio‚ and father Giovanni Battista Vivaldi‚ a violinist in the employ of Saint Mark’s Church. In addition to musical training from the elder Vivaldi‚ it was also rumored (but not proven) that the young Vivaldi received instruction from Giovanni Legrenzi‚ a composer. Antonio was destined for the priesthood at an early
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SOUNDTRACK ANALYSIS A soundtrack can be recorded music accompanying and synchronized to the images of a motion picture‚ book‚ television program or video game; a commercially released soundtrack of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the synchronized recorded sound. ------------------------------------------------- Origin of the term In movie industry terminology usage‚ a sound track is an audio recording created or used in film
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words to paint pictures. Ascending and descending scales are featured in both compositions. Each scale parallels the text in both works. As Vesta Was Descending is upbeat has a joyful rhythm. The song is from The Triumphs of Oriana‚ a collection of madrigals honoring Queen Elizabeth‚ who was also known as Oriana. There are no instruments played. The song is about the attendants of the Roman goddess‚ Vesta‚ leaving her for Oriana. In the first line‚ descending scales are featured. Lines two through nine
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Italy in the 14th century‚ and spread throughout Europe by the end of the 16th Century. Developments in music included an increased respect for the rhythm and the sense of the words in text-setting‚ as exemplified by the adoption of a new type of madrigal composition in the 1520’s and at the end of the 16th century‚ the invention of opera. Medieval music was mainly sung and controlled by Monks. They were more of a gloomy‚ monotonousness sound that centered and pretty much all of it was about religion
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