In toni Morrison’s novel Sula‚ friendship is the driving force of the theme. This book shows how friendship helps characters Sula and Nel bare the rough times in their life and find a sense of belonging. Sula and Nel had a friendship that helped sustain them. Both characters Sula and Nel were complete opposites‚ the epitome of the saying that opposites attract‚ which essentially drew them closer together. With this also came complicated relationship that proved to be very trying at times during
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Although Sula is arranged in chronological order‚ it does not construct a linear story with the causes of each new plot event clearly visible in the preceding chapter. Instead‚ Sula uses "juxtaposition‚" the technique through which collages are put together. The effects of a collage on the viewer depend on unusual combinations of pictures‚ or on unusual arrangements such as overlapping. The pictures of a collage don’t fit smoothly together‚ yet they create a unified effect. The "pictures" of Sula’s
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Q. Discuss how many characters describe Sula’s birthmark which looks different to several people in The Bottom. Does the birthmark reflect their fears or dreams? How so? Lots of people see Sula in different lights. Their relationship with her determines what they may see above her brow. Most of her relatives and her best friend Nel see a rose. Shadrack‚ the town crazy‚ sees a tadpole. Jude first sees a copperhead snake. How her birthmark ‘shifts’ depends on the mood and notions of the person
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with a stressful...situation” (90). In the novel Sula by Toni Morrison‚ ss By having an affair with Jude‚ Sula causes Nel to regress in sexual development. Before the incident‚ Nel displays the genital stage‚ suggesting sexual maturity. For example‚ on the night she is wed to Jude‚ Morrison says‚ “They had taken a housekeeping room...and were getting restless to go there” (85). This shows an interest in sexual acts. Ten years later‚ when she sees Sula
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In the segregated south in the 1940s there is a great divide of races. As the protagonist continues on her journey she finds that blacks in the south have less rights than in the north. The excerpt from Sula by Toni Morrison follows such hardships that the main character faces when making her way down to New Orleans from Ohio. The protagonist‚ antagonist‚ and foil are identified quickly. Two of these stick out more than the other being more of underlying part pushing along the problem in the story
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Of all theoretical writings‚ those from psychoanalytic‚ sociological and feminist perspectives have proved the most useful in analyzing the representations of motherhood. Psychoanalytic theorists have examined the mother’s unconscious actions‚ exploring her deep attachment to her children. Sociologists have attempted to trace the mother’s actual experience of child rearing‚ identifying the way that society and culture have affected her behavior and her attitudes. Feminists‚ especially since the beginning
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The process of gentrification could be observed by some to be remarkably constructive‚ while as Morrison’s depiction in Sula‚ a cold tyrannical machine that slaughters all culture. Within the closing chapter‚ Nel is walking the streets of the Bottom and begins to elucidate upon the composition of the community she once was so closely associated with stating‚ “she hardly
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In the short scene‚ Sula‚ by Toni Morrison‚ there are several different elements of literature imbedded within the writing. First and foremost‚ there are two main characters within the plot. There is the protagonist‚ while the other is an example of a stereotypical black woman with many children‚ overall an innocent bystander in the plot. Both of these characters are being discriminated upon by the antagonist. There are other elements in the short scene‚ such as conflicts between characters‚ and
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The Dirty Deeds of Motherhood No woman is required to build the world by destroying herself. ~Rabbi Sofer The famous reporter and feminist Betty Rollin wrote an Essay for Look magazine called “Motherhood Who Needs It?” it reflects on how motherhood is just a myth‚ and women don’t need to have children it’s a choice. Throughout the essay Rollin explains how a woman needing to have babies is something that is a psychological choice not biological. The author gives data from university studies explaining
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unique role in the family structure as a result of the discrimination and prejudice that they have come to expect. A role that‚ though not outwardly feminine or gentile‚ is nonetheless very significant in the American story of motherhood. This new embodiment of motherhood questions conventional standards of behaviour‚ standards that associate maternity with specific behavioural traits. In The Bluest Eye‚ Morrison pokes fun at these traditional ideals of femininity and fragility that act to restrict
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