Pan-Africanism‚ race and a social constructed Africa Based on culture‚ identity and world view: slavery‚ slave trade and the African Diaspora Pan-Africanism‚ race and a social constructed Africa ‘What is Africa to me? Once I should have answered the question simply: I should have said "fatherland" or perhaps better "motherland" because I was born in the century when the walls of race were clear and straight in the United States.’ (Du Bois:1968‚ 115) This citation describes the Pan-Africanist
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The River Motif In The Adventures of Huckleberry Finn Huckleberry Finn… this is the very name that can sound familiar to almost everybody from pupils in elementary school through students at university to elderly grandparents. But the more astonishing is that the characters‚ the flow of events and the bunch of themes‚symbols and motifs included mean for everybody something absolutely different. Till for an 11- year- old little boy it provides a real boyish story full of flabbergasting‚ enviable
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belonging. By the decision to act contrastingly to a set of opposing values‚ Proctor is still allowing his identity to be dependent on the sense of belonging established by the group he abhors. Similarly‚ Ofelia from Guillermo Del Toro’s Pan’s Labyrinth (El Laberinto del Fauno) finds her identity in the rejection of the ‘belonging’ established in her Stepfather’s (Vidal) military base in the mountains of Spain at the close of the civil war‚ 1944. Consider the following‚ lifted from an
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The Symbolic use of Motifs in “The Unbearable Lightness of Being” by Milan Kundera. Looking at “motifs” in general may at first seem vague‚ yet Kundera places a large amount of weight on the way motifs shape us as human beings and construct the way in which we identify ourselves or rather choose not to identify ourselves. From the beginning of the novel‚ Kundera readily admits to the fictionality of his characters that he has constructed‚ stating that they arose from several “basic situations”
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“He just stared at me‚ and I saw that he had no idea of what late was. Glendine‚ his mama‚ probably lets him fall asleep in front of the set every night. I pictured him crumpled up on that smelly shag rug she keeps in front of the TV to catch the spills and crumbs” (2) The Author uses very strong and suitable words in this passage. For example he uses the word crumpled to describe the little boy laying on the rug. He could have used curled up or bundled up. Those words would have a warm cozy feeling
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Settings: KENT: Pip’s hometown of Kent is where the book opens up‚ it “was a marsh country‚ down by the river‚ within‚ as the river wound‚ tweny miles of the sea” (pg 1). Within the town‚ around the churchyards criminals are always presently lurking about and because the town is so near the ocean‚ the mists hung around and not only gave a visual of the murkiness of the area‚ but also represented the ominous atmosphere. LONDON: London is broken‚ every single place described in London‚ including
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Carl Sandburg’s Motif of Blood as a Symbol of Both Life and Death The image of the color red is presented in at least 25 of the poems of this collection. In some instances‚ red is a symbol of passion and life‚ but in others it is offered as a symbol of suffering‚ death‚ and waste. Sandburg frequently presents this motif with the image of blood‚ especially in War Poems. The blood image also has a dual meaning for Sandburg. He uses it to represent both life and death as well. While these two images
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elegy about the death of John Keats. In modern literature‚ the greatest representation of death is in the work The death of Ivan Ilych by Tolstoy and a short story called The dead by James Joyce. Since colonial times to the nineteenth century‚ the motif of death was very present in the American literature. Scholars such as Gerald Kennedy‚ Wendy Simonds and Barbara Katz noted that this theme was very popular in poetry‚ especially in elegies about maternal grief. Examples of these poems could
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Zora Neale Hurston’s novel‚ Their Eyes Were Watching God incorporates three main themes with motifs that define Janie as an independent‚ intelligent‚ and strong woman. The three themes include: speech and silence‚ power and downfall as means to accomplishment‚ and love and relationship in opposition to independence. In each theme‚ a motif is attached to give meaning of Hurston’s interpretation of Janie. Zora Neale Hurston utilizes speech and silence as an interesting narrative structure‚ splitting
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Aidan Ascio Mrs. Blocher Honors English II 20 February 2014 Brace Yourselves…White Men Are Coming 9. Symbol: Locusts Locusts can symbolize many items in the novel Things Fall Apart by Chinua Achebe‚ two of which are the arrival of white men and the breaking of tradition. “At first‚ a fairly small swarm came. They were the harbingers sent to survey the land” (Achebe 48). This is how the locusts first arrived and the white men arrived in a similar fashion. Even in chapter 15 does the oracle
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